Doubly Chosen provides the first detailed study of a unique cultural and religious phenomenon in post-Stalinist Russia—the conversion of thousands of Russian Jewish intellectuals to Orthodox Christianity, first in the 1960s and later in the 1980s. These time periods correspond to the decades before and after the great exodus of Jews from the Soviet Union. Judith Deutsch Kornblatt contends that the choice of baptism into the Church was an act of moral courage in the face of Soviet persecution, motivated by solidarity with the values espoused by Russian Christian dissidents and intellectuals. Oddly, as Kornblatt shows, these converts to Russian Orthodoxy began to experience their Jewishness in a new and positive way. Working primarily from oral interviews conducted in Russia, Israel, and the United States, Kornblatt underscores the conditions of Soviet life that spurred these conversions: the virtual elimination of Judaism as a viable, widely practiced religion; the transformation of Jews from a religious community to an ethnic one; a longing for spiritual values; the role of the Russian Orthodox Church as a symbol of Russian national culture; and the forging of a new Jewish identity within the context of the Soviet dissident movement.

Being the Chosen explores Christian fundamentalism in the USA, focusing particularly on the belief system of Protestant fundamentalists. It establishes the key characteristics of the Protestant worldview, investigating the degrees to which these are adhered to amongst different groups and how such belief systems are constructed and reinforced through everyday life. By presenting rich empirical material, Being the Chosen sheds light on the manner in which the Protestant fundamentalist worldview shapes and constructs the beliefs and actions of its adherents, providing them with agency and reinforcement in the face of oppositional forces. As such, it will interest not only sociologists, but also scholars of religion and the culture and society of the USA.

Religion and Secular Modernity in Russian Christianity, Judaism, and Atheism is a multifaceted account of the engagement between religion and the secular in Russia's Christian, Jewish, and atheist traditions. Ana Siljak brings together an interdisciplinary group of leading scholars to present unique perspectives on the secularization dynamic in Russia and the Soviet Union, telling stories about theologians, sects, churches, poets, and artists. From the Jewish Christian priest Alexander Men, to the cross-dressing poet Zinaida Gippius, to the Soviet promoter of Yiddish theater Solomon Mikhoels, Religion and Secular Modernity in Russian Christianity, Judaism, and Atheism gives a voice to a variety of actors who have grappled with the possibilities of faith and unbelief in an industrialized, modern, and seemingly secular world. Now more than ever, as one narrative of Russia's religious history dominates official Russian accounts, alternative perspectives of the relationship between Russian religion and secularism should be highlighted and emphasized.

Bestselling Author Helps Believers Embrace the Stigma of Faith In our increasingly secular society, being a Christian carries a cost. Whether through public criticism or the quiet loss of respect, it is hard--and becoming harder--to be known as a Christian. Even as believers try to follow the will of God, they are often misunderstood and left to deal with the awkward, sometimes painful results of feeling disconnected from their fellow man. Beloved Bible teacher R. T. Kendall offers hope. Turning the idea of stigma on its head, he shares his own story of rejection and embarrassment in the name of Christ--and how it became the source of unimaginable blessing. With warmth and understanding, he urges readers to embrace the offense that comes from their commitment to Jesus Christ, showing that when they do, the Lord will unleash into their lives incalculable blessing.

Since the groundbreaking publication of Postmissionary Messianic Judaism (2005), Mark Kinzer has challenged theologians and religious leaders to consider the essential ecumenical vocation of Jewish disciples of Jesus. Proposing a bilateral ecclesiology in solidarity with Israel, he argued that the overcoming of Christian supersessionism required a robust affirmation of the distinctive calling of Jews within the community of Jesus the Messiah. In this way, Kinzer’s work put the issue of Jewish followers of Jesus on the theological agenda for those seeking a reparative reconfiguration of the relationship between the church and the Jewish people. In recent years, Kinzer has attended to the theological implications of this perspective and has widened his focus to include not only the Messianic Jewish movement but also Jews within Catholic, Orthodox, and Protestant churches. The present collection of essays reflects this wider concern. According to Kinzer, the theological stones of contention are Christology conceived of as Messianology, ecclesiology understood as Israelology, and eschatology imagined as Zionology. Moreover, it is the presence of Jewish disciples of Jesus that concretizes these theological abstractions in the form of Jewish flesh and blood, summoning Jews and Christians to rethink their relationship to one another in ways that express their essential mutual dependence.

This definitive anthology gathers stories, essays, memoirs, excerpts from novels, and poems by more than 130 Jewish writers of the past two centuries who worked in the Russian language. It features writers of the tsarist, Soviet, and post-Soviet periods, both in Russia and in the great emigrations, representing styles and artistic movements from Romantic to Postmodern. The authors include figures who are not widely known today, as well as writers of world renown. Most of the works appear here for the first time in English or in new translations. The editor of the anthology, Maxim D. Shrayer of Boston College, is a leading authority on Jewish-Russian literature. The selections were chosen not simply on the basis of the author's background, but because each work illuminates questions of Jewish history, status, and identity. Each author is profiled in an essay describing the personal, cultural, and historical circumstances in which the writer worked, and individual works or groups of works are headnoted to provide further context. The anthology not only showcases a wide selection of individual works but also offers an encyclopedic history of Jewish-Russian culture. This handsome two-volume set is organized chronologically. The first volume spans the nineteenth century and the first part of the twentieth century, and includes the editor's extensive introduction to the Jewish-Russian literary canon. The second volume covers the period from the death of Stalin to the present, and each volume includes a corresponding survey of Jewish-Russian history by John D. Klier of University College, London, as well as detailed bibliographies of historical and literary sources.

The most comprehensive and accessible introduction to scriptural art yet written Literary Study of the Bible: An Introduction approaches each book of the Bible (including several of the apocrypha) with non-sectarian literary questions, exploring the meanings that the Bible reveals when we read it like a poem, narrative, or play. As a unique hybrid of introductory guide, essential handbook, historical survey, and absorbing commentary, this book fills a gap in literary Bible study with its fresh perspectives on the biblical writers’ many arts. Readers will engage in wide range of textual approaches and interpretive traditions through this broadly informed, accessibly written text. Dr. Christopher Hodgkins has taught Literary Study of the Bible for 25 years, over which time he has field-tested the many lenses—of genre, image, language, characterization, plot, and craft—used throughout this book. Tracing the sources, composition, and influences of the Biblical text, this book places the Bible in a tradition of ancient near eastern, Hebrew, and Hellenistic literary art, giving new depth to the way we understand the familiar stories of scripture. Unlike other literary introductions to the Bible, this book uniquely combines these elements: Approaches the Bible as a richly collaborative and coherent work of literary art, exploring how earlier books influence the creation and interpretation of later ones Provides illuminating commentary supplemented by explanatory textboxes, maps, illustrations, and study questions to enhance interest and expand learning Introduces poetic and narrative devices like doubling, juxtaposition, and irony within the context of scriptural art and editorial design Gives extensive attention to each biblical book, resulting in the most comprehensive introduction to literary Bible study to date Presents these materials through an accessible and lively text permeated with references to both high and popular culture Literary Study of the Bible will be a welcome addition to personal, school, college, and congregational libraries, as well as an excellent text for students of the Bible in both secular and faith-based settings.

Armenian Christianity Today examines contemporary religious life and the social, political, and cultural functions of religion in the post-Soviet Republic of Armenia and in the Armenian Diaspora worldwide. Scholars from a range of countries and disciplines explore current trends and everyday religiosity, particularly within the Armenian Apostolic Church (AAC), and amongst Armenian Catholics, Protestants and vernacular religions.

Provides a new perspective on the documentary diversity of Muriel Rukeyser's work and influences. This study of twentieth-century American poet Muriel Rukeyser explores the multiple avenues of her 'poetics of connection' to reveal a profound engagement with the equally intertextual documentary genre. It examines previously overlooked photo narratives, poetry, prose and archival material and demonstrates an enduring dialogue between the poet's relational aesthetics and documentary's similarly interdisciplinary and creative approach to the world. By considering the sources of documentary in Rukeyser's work, the study provides insight into her guiding poetic principles, situating her as a vital figure in the history of twentieth-century American literature and culture, and as a pioneering personality in the development of American Studies.