A new generation is creating a monster.... When Doctor Victor Frankenstein died, he left behind a legacy of horror...as well as two unacknowledged, beautiful twin daughters. Now these girls are seventeen, and they've come to Frankenstein's castle to claim it as their inheritance.Giselle and Ingrid are twins, but they couldn't be more different. Giselle is a glamorous social climber who plans on turning Frankenstein's castle into a center of high society. Ingrid, meanwhile, is quiet and studious, drawn to the mysterious notebooks her father left behind...and the experiments he went mad trying to perfect.As Giselle prepares for lavish parties and Ingrid finds herself falling for the sullen, wounded naval officer next door, a sinister force begins to take hold in the castle. Nobody's safe as Frankenstein's legacy leads to a twisted, macabre journey of romance and horror.

“A bravura performance…An entertaining book” (Kirkus Reviews) about the dramatic 2016 World Chess Championship between Norway’s Magnus Carlsen and Russia’s Sergey Karjakin, which mirrored the world’s geopolitical unrest and rekindled a global fascination with the sport. The first week of November 2016, hundreds of people descended on New York City’s South Street Seaport to watch the World Chess Championship between Norway’s Magnus Carlsen and Russia’s Sergey Karjakin. By the time it was over would be front-page news and thought by many the greatest finish in chess history. With both Carlsen and Karjakin just twenty-five years old, it was the first time the championship had been waged among those who grew up playing chess against computers. Originally from Crimea, Karjakin had recently repatriated to Russia under the direct assistance of Putin. Carlsen, meanwhile, had expressed admiration for Donald Trump, and the first move of the tournament he played was called a Trompowsky Attack. Then there was the Russian leader of the World Chess Federation being barred from attending due to US sanctions, and chess fanatic and Trump adviser Peter Thiel being called on to make the honorary first move in sudden death. That the tournament even required sudden death was a shock. Oddsmakers had given Carlsen, the defending champion, an eighty percent chance of winning. It would take everything he had to retain his title. Author Brin-Jonathan Butler was granted unique access to the two-and-half-week tournament and watched every move. The Grandmaster “is not the usual chronicle of a world-championship chess match….Butler offers insight into what it takes to become the best chess player on the planet...A vibrant and provocative look at chess and its metaphorical battle for territory and power” (Booklist).

Based on some of literature’s horror and science fiction classics, this “tour de force of reclaiming the narrative, executed with impressive wit and insight” (Publishers Weekly, starred review) debut is the story of a remarkable group of women who come together to solve the mystery of a series of gruesome murders—and the bigger mystery of their own origins. Mary Jekyll, alone and penniless following her parents’ death, is curious about the secrets of her father’s mysterious past. One clue in particular hints that Edward Hyde, her father’s former friend and a murderer, may be nearby, and there is a reward for information leading to his capture…a reward that would solve all of her immediate financial woes. But her hunt leads her to Hyde’s daughter, Diana, a feral child left to be raised by nuns. With the assistance of Sherlock Holmes and Dr. Watson, Mary continues her search for the elusive Hyde, and soon befriends more women, all of whom have been created through terrifying experimentation: Beatrice Rappaccini, Catherin Moreau, and Justine Frankenstein. When their investigations lead them to the discovery of a secret society of immoral and power-crazed scientists, the horrors of their past return. Now it is up to the monsters to finally triumph over the monstrous.

Daughter of Aaron: Part One Fear by Joel Vernon Smith When Eddie Sand was given a medical discharge from the Army, he spent the next sixteen years in a Detroit suburb. By 1984, when he had just turned thirty-nine, Eddie was fully aware that the demons from Vietnam wouldn’t depart from him. One night in October, a flamboyant man steps into Eddie’s life. Leonard Parks is wealthy, he says, because of his inborn writing talents. He asks Eddie to accompany him to a special project in Grand Traverse County, Michigan, promising him a huge paycheck. The older citizens in Grand Traverse County are in continual disagreement: some say that Elsie DuJack died in a drowning accident during the summer of 1911 when she was only seven years old. Others say that the parents kept their feeble-minded daughter hidden until 1967. A third group argues that a thoroughly haunted and lonely Elsie is still alive at age eighty in 1984, though she had always been incredibly elusive. The two men will spend a night in the home. The motive: to lure the old woman from the shadows.

Horror is often dismissed as mass art or lowbrow entertainment that produces only short-term thrills. Horror films can be bloody, gory, and disturbing, so some people argue that they have bad moral effects, inciting viewers to imitate cinematic violence or desensitizing them to atrocities. In The Naked and the Undead: Evil and the Appeal of Horror, Cynthia A. Freeland seeks to counter both aesthetic disdain and moral condemnation by focusing on a select body of important and revealing films, demonstrating how the genre is capable of deep philosophical reflection about the existence and nature of evil?both human and cosmic. In exploring these films, the author argues against a purely psychoanalytic approach and opts for both feminist and philosophical understandings. She looks at what it is in these movies that serves to elicit specific reactions in viewers and why such responses as fear and disgust are ultimately pleasurable. The author is particularly interested in showing how gender figures into screen presentations of evil.The book is divided into three sections: Mad Scientists and Monstrous Mothers, which looks into the implications of male, rationalistic, scientific technology gone awry; The Vampire's Seduction, which explores the attraction of evil and the human ability (or inability) to distinguish active from passive, subject from object, and virtue from vice; and Sublime Spectacles of Disaster, which examines the human fascination with horror spectacle. This section concludes with a chapter on graphic horror films like The Texas Chainsaw Massacre. Written for both students and film enthusiasts, the book examines a wide array of films including: The Silence of the Lambs, Repulsion, Frankenstein, The Fly, Dead Ringers, Alien, Bram Stoker's Dracula, Interview with the Vampire, Frenzy, The Shining, Eraserhead, Hellraiser, and many others.

Profiles of pioneering women past and present who’ve shattered glass ceilings from the author of Women of Means and Women Who Launch. Sexism has kept generations of women on the sidelines of history—but in every era, there are women who refuse to sit back in the shadows. Fabulous Female Firsts is a celebration of those women—the role models who proved that with enough daring and tenacity, the impossible can become possible. From the first woman to receive the Congressional Medal of Honor to the first female candidate for US President (it wasn’t Hillary Clinton!) to the first woman to win an Academy Award for Best Director, this collection of biographical profiles celebrates the trailblazers who persisted—in spite of being labeled stubborn, improper, or worse. This book is written in praise of “difficult women” who made the world a better place, and offers the inspiring stories of: Aretha Franklin • Sandra Day O’Connor • Lucy Walker • Sally Ride • Kathryn Bigelow • Misty Copeland • Viola Desmond • Pauli Murray • Emma Gatewood • Brig. Gen. Anna Hays • Junko Tabei • Gertrude Ederle and many more. “Effervescent stories about diverse groups of female creators, entrepreneurs, and dynamos . . . every page gives the motivation to strive for greatness.” —Becca Anderson, bestselling author of The Book of Awesome Women and Real Life Mindfulnes

Twin girls are born. First, their mother dies... Then their father... But the worst is yet to come... One twin is beautiful and becomes the biggest star in 1920s Hollywood. The second twin is ugly and not allowed to leave the estate of Mr. Cecil. He's the most famous director in the world. His dark, twisted movies are always a smash hit. Thing is, he may have been involved in the deaths of their parents. He may also have made a deal with the supernatural. And his next movie might, literally, light the world on fire. A surprising and incredible page-turner--young adult horror at its finest. Buy Flickers and experience the gut-churning suspense for yourself!

The Lady and Her Monsters by Roseanne Motillo brings to life the fascinating times, startling science, and real-life horrors behind Mary Shelley’s gothic masterpiece, Frankenstein. Montillo recounts how—at the intersection of the Romantic Age and the Industrial Revolution—Shelley’s Victor Frankenstein was inspired by actual scientists of the period: curious and daring iconoclasts who were obsessed with the inner workings of the human body and how it might be reanimated after death. With true-life tales of grave robbers, ghoulish experiments, and the ultimate in macabre research—human reanimation—The Lady and Her Monsters is a brilliant exploration of the creation of Frankenstein, Mary Shelley’s horror classic.