Down through the ages, people have been fascinated by horror stories! There had always been mystical stories of the spilling of blood, like blood sacrifices to the gods for a good harvest or the consumption of blood from a warrior to gain the dead warriors strength. Look no further than our own Bible. Look at Cain and Abel, the Aztec, Toltec, Inca, and many of the Central and South American tribes. A person walking past a narrow alley in the daytime will give it a quick glance and think nothing of it. But add the darkness of a late night or a sudden wind or a sudden noise or a shadow upon the wall and have that same person walk past that same alley, and he will conjure up within his mind all kinds of things hiding in that alley. Many people are fascinated by eternal life and staying young forever. As an example, look at the money we spend on makeup to camouflage our age. A vampire can accomplish staying young forever by drinking the blood of the living. It is the ancient ritual of consuming the blood of the living to extend ones life or to absorb virility, strength, and youth of the one that was killed. There are stories that have been handed down through the ages about the existence of vampires in the Far East, like China and Japan, all over Europe, but mostly in Eastern Europe, particularly in Romania and Bulgaria.

Before award-winning director Dan Curtis became known for directing epic war movies, he darkened the small screen with the horror genre's most famous soap opera, Dark Shadows, and numerous subsequent made-for-TV horror movies. This second edition serves as a complete filmography, featuring each of Curtis's four-dozen productions and 100 photographs. With the addition of new chapters on Dark Shadows, the author further explores the groundbreaking daytime television serial. Fans and scholars alike will find an exhaustive account of Curtis's work, as well as a new foreword from My Music producer Jim Pierson and an afterword from Dr. Mabuse director Ansel Faraj.

Bela Lugosi won immediate fame for his portrayal of the immortal count in the 1931 film Dracula. After a decade of trying vainly to broaden his range and secure parts to challenge his acting abilities, Lugosi resigned himself to a career as the world's most recognizable vampire. His last years were spent as a forgotten and rather tragic figure. When he died in 1956, Lugosi could not have known that vindication of his talent would come—his face would adorn theaters, his image would appear on greeting cards and postage stamps, his film memorabilia would sell for more than he earned in his entire career, and his Hungarian accent would be instantly recognized by millions of people. Martin Landau's Oscar-winning role as Lugosi in the 1994 film Ed Wood added an ironic twist to a career that had ended in oblivion. In 1974, devoted Lugosi fan Arthur Lennig published a highly regarded biography of the unsung actor. More than twice the length of the original and completely rewritten, The Immortal Count provides deeper insights into Lugosi's films and personality. Drawing upon personal interviews, studio memos, shooting scripts, research in Romania and Hungary, and his own recollections, Lennig has written the definitive account of Lugosi's tragic life.

The complete laser disc catalog; movies, music and special interest including karaoke and animation.

Trust is a central feature of relationships within the Mafia, oppressed minorities, kin groups everywhere, among dissidents, nationalist freedom fighters, ethnic tourists, ethnic middlemen, exchange networks of Kalahari Bushmen, and families subjected to Stalinist social control. Each of these types of trust is examined by a leading scholar and compared with the expectations of neo-Darwinian theory, in particular the theories of kin selection and ethnic nepotism. The result is a fascinating, theoretically focused yet empirically eclectic contribution to the overlapping fields of human ethnology, evolutionary psychology, and bio-politics. The common thread uniting these diverse phenomena is a trusting relationship predicated on altruism. Chapters examine the strengths and limits of human trust under various stressers and temptations to defect. By exploring the relationship between kin and ethnic altruism and showing its sensitivity to culture, Risky Transactions recasts the evolutionary approach to ethnicity as a blend of primordial and instrumental factors.

Filmograpy: p. (180)-221. Discusses the rise of the fantasy movie from 1950 to 1984.