Dreambooks in Byzantium offers for the first time in English translation and with commentary six of the seven extant Byzantine oneirocritica, or manuals on the interpretation of dreams. (The seventh, The Oneirocriticon of Achmet ibn Sereim was published previously by the author.) Dreams permeated all aspects of Byzantine culture, from religion to literature to everyday life, while the interpretation of the future through dreams was done by professionals (emperors had their own) or through oneirocritica. Dreambooks were written and attributed to famous patriarchs, biblical personages, and emperors, to fictitious writers and interpreters, or were copied and published anonymously. Two types of dreambooks were produced: short prose or verse manuals, with the dreams usually listed alphabetically by symbol; and long treatises with subject matter arranged according to topics and with elaborate dream theory. The manuals were meant for a popular audience, mainly readers of the middle and lower classes; their content deals with concerns like family, sickness and health, poverty and wealth, treachery by friends, fear of authorities, punishment and honor-concerns, in other words, that pertain to the individual dreamer, not to the state or a cult. The dreambook writers drew upon various sources in Classical and Islamic literature, oral and written Byzantine materials, and, perhaps, their own oneirocritic practices. Much of the source-material was pagan in origin and, therefore, needed to be reworked into a Christianized context, with many interpretations given a Christian coloring. For each dreambook the author provides a commentary focusing on analyses of the interpretations assigned to each dream-symbol; historical, social, and cultural discussions of the dreams and interpretations; linguistic, lexical, and grammatical issues; and cross-references with Achmet, Artemidorus, and the other Bzyantine dreambooks. There are also introductory chapters on Byzantine dream interpretation; the authors, their dates, and sources; the manuscripts of the dreambooks; and a lengthy discussion of the contribution of these dreambooks to psychohistory, cultural history, historical sociology, and gender studies. The book is unique in that it offers a full study, through translation and commentary, of the oneirocritica to a wide audience - Byzantinists, Arabists, cultural historians, medievalists (several of the Byzantine dreambooks were translated into Latin and became fundamental dream-texts throughout the Middle Ages), and psychohistorians, all of whom will find the book useful in their study of dreams, transmission of Arabic sources by Byzantine authors, and cultural anthropology. Together with the Oneirocriticon of Achmet, it offers a complete study of dream-interpretation in medieval Greece.

Although the actual dreaming experience of the Byzantines lies beyond our reach, the remarkable number of dream narratives in the surviving sources of the period attests to the cardinal function of dreams as vehicles of meaning, and thus affords modern scholars access to the wider cultural fabric of symbolic representations of the Byzantine world. Whether recounting real or invented dreams, the narratives serve various purposes, such as political and religious agendas, personal aspirations or simply an author’s display of literary skill. It is only in recent years that Byzantine dreaming has attracted scholarly attention, and important publications have suggested the way in which Byzantines reshaped ancient interpretative models and applied new perceptions to the functions of dreams. This book - the first collection of studies on Byzantine dreams to be published - aims to demonstrate further the importance of closely examining dreams in Byzantium in their wider historical and cultural, as well as narrative, context. Linked by this common thread, the essays offer insights into the function of dreams in hagiography, historiography, rhetoric, epistolography, and romance. They explore gender and erotic aspects of dreams; they examine cross-cultural facets of dreaming, provide new readings, and contextualize specific cases; they also look at the Greco-Roman background and Islamic influences of Byzantine dreams and their Christianization. The volume provides a broad variety of perspectives, including those of psychoanalysis and anthropology.

The essays collected in Christians Shaping Identity celebrate Pauline Allen’s significant contribution to early Christian, late antique, and Byzantine studies, especially concerning bishops, heresy/orthodoxy and christology. Covering the period from earliest Christianity to middle Byzantium, the first eighteen essays explore the varied ways in which Christians constructed their own identity and that of the society around them. A final four essays explore the same theme within Roman Catholicism and oriental Christianity in the late 19th to 21st centuries, with particular attention to the subtle relationships between the shaping of the early Christian past and the moulding of Christian identity today. Among the many leading scholars represented are Averil Cameron and Elizabeth A. Clark.

Why did dreams matter to Jews, Byzantine Christians, and Muslims in the first millennium? Dreams and Divination from Byzantium to Baghdad, 400 - 1000 CE shows how the ability to interpret dreams universally attracted power and influence in the first millennium. In a time when prophetic dreams were viewed as God's intervention in human history, male and female prophets wielded was unparalleled power in imperial courts, military camps, and religious gatherings. The three faiths drew on the ancient Near Eastern tradition of dream key manuals, which offer an insight into the hopes and fears of ordinary people. They melded pagan dream divination with their own scriptural traditions to produce a novel and rich culture of dream interpretation. Prophetic dreams enabled communities to understand their past and present circumstances as divinely ordained and helped to bolster the spiritual authority of dreamers and those who had the gift of interpreting their dreams. Bronwen Neil takes a gendered approach to the analysis of the common culture of dream interpretation across late antique Jewish, Byzantine, and Islamic sources to 1000 CE, in order to expose the ways in which dreams offered women a unique opportunity to exercise influence. The epilogue to the volume reveals why dreams still matter today to many men and women of the monotheist traditions.

Gender was a key social indicator in Byzantine society, as in many others. While studies of gender in the western medieval period have appeared regularly in the past decade, similar studies of Byzantium have lagged behind. Masculine and feminine roles were not always as clearly defined as in the West, while eunuchs made up a 'third gender' in the imperial court. Social status indicators were also in a state of flux, as much linked to patronage networks as to wealth, as the Empire came under a series of external and internal pressures. This fluidity applied equally in ecclesiastical and secular spheres. The present collection of essays uncovers gender roles in the imperial family, in monastic institutions of both genders, in the Orthodox church, and in the nascent cult of Mary in the east. It puts the spotlight on flashpoints over a millennium of Byzantine rule, from Constantine the Great to Irene and the Palaiologoi, and covers a wide geographical range, from Byzantine Italy to Syria. The introduction frames the following nine chapters against recent scholarship and considers methodological issues in the study of gender and Byzantine society. Together these essays portray a surprising range of male and female experience in various Byzantine social institutions - whether religious, military, or imperial -- over the course of more than a millennium. The collection offers a provocative contrast to recent studies based on western medieval scholarship. Common themes that bind the collection into a coherent whole include specifically Byzantine expectations of gender among the social elite; the fluidity of social and sexual identities for Byzantine men and women within the church; and the specific challenges that strong individuals posed to the traditional limitations of gender within a hierarchical society dominated by Christian orthodoxy.

Dreambooks in Byzantium offers the first English translation with commentary of six of the seven extant Byzantine oneirocritica--manuals on the interpretation of dreams. Dreams permeated all aspects of Byzantine culture, from religion to literature to everyday life, and drew upon Classical and Islamic literature, oral and written Byzantine materials, and, perhaps, their own oneirocritic practices. Much of the source-material was pagan in origin and was reworked into a Christianized context, with many interpretations given a Christian coloring.

Animals have recently become recognized as significant agents of history as part of the ‘animal turn’ in historical studies. Animals in Byzantium were human companions, a source of entertainment and food – it is small wonder that they made their way into literature and the visual arts. Moreover, humans defined themselves and their activities by referring to non-human animals, either by anthropomorphizing animals (as in the case of the Cat-Mice War) or by animalizing humans and their (un)wanted behaviours. The Routledge Handbook of Human-Animal Relations in the Byzantine World offers an in-depth survey of the relationships between humans and non-human animals in the Byzantine Empire. The contributions included in the volume address both material (zooarchaeology, animals as food, visual representations of animals) and immaterial (semiotics, philosophy) aspects of human-animal coexistence in chapters written by leading experts in their field. This book will appeal to students and scholars alike researching Byzantine social and cultural history, as well as those interested in the history of animals. This book marks an important step in the development of animal studies in Byzantium, filling a gap in the wider research on the history of human-animal relations in the Middle Ages.

This volume discusses the so-called Oneirocriticon of Achmet, the most important Byzantine work on dream interpretation which was written in Greek in the 10th century and has greatly influenced subsequent dreambooks in Byzantine Greek, Medieval Latin, and modern European languages. By comparing the Oneirocriticon with the 2nd-century A.D. dreambook of Artemidoros (translated into Arabic in the 9th century) and five medieval Arabic dreambooks, this study demonstrates that the Oneirocriticon is a Christian Greek adaption of Islamic Arabic material and that the similarities between it and Artemidoros are due to the influence of Artemidoros on the Arabic sources of the Byzantine work. The Oneirocriticon's textual tradition, its language, the identities of its author and patron, and its position among other Byzantine translations from Arabic into Greek are also investigated.