Dreams and Lives in Ottoman Istanbul explores biography writing and dream narratives in seventeenth-century Istanbul. It focuses on the prominent biographer ‘Aṭā’ī (d. 1637) and with his help shows how learned circles narrated dreams to assess their position in the Ottoman enterprise. This book demonstrates that dreams provided biographers not only with a means to form learned communities in a politically fragile landscape but also with a medium to debate the correct career paths and social networks in late sixteenth and early seventeenth-century Istanbul. By adopting a comparative approach, this book engages with current scholarly dialogues about life-writing, dreams, and practices of remembrance in Habsburg Spain, Safavid Iran, Mughal India and Ming China. Recent studies have shown the shared rhythms between these contemporaneous dynasties and the Ottomans, and there is now a strong interest in comparative approaches to examining cultural life. This first English-language monograph on Ottoman dreamscapes addresses this interest and introduces a world where dreams changed lives, the dead appeared in broad daylight, and biographers invited their readers to the gardens of remembrance.

This Handbook provides a comprehensive overview of Turkish literature within both a local and global context. Across eight thematic sections a collection of subject experts use close readings of literature materials to provide a critical survey of the main issues and topics within the literature. The chapters provide analysis on a wide range of genres and text types, including novels, poetry, religious texts, and drama, with works studied ranging from the fourteenth century right up to the present day. Using such a historic scope allows the volume to be read across cultures and time, while simultaneously contextualizing and investigating how modern Turkish literature interacts with world literature, and finds its place within it. Collectively, the authors challenge the national literary historiography by replacing the Ottoman Turkish literature in the Anatolian civilizations with its plurality of cultures. They also seek to overcome the institutional and theoretical shortcomings within current study of such works, suggesting new approaches and methods for the study of Turkish literature. The Routledge Handbook on Turkish Literature marks a new departure in the reading and studying of Turkish literature. It will be a vital resource for those studying literature, Middle East studies, Turkish and Ottoman history, social sciences, and political science.

In Making Sense of History: Narrativity and Literariness in the Ottoman Chronicle of Naʿīmā, Gül Şen offers the first comprehensive analysis of narrativity in the most prominent official Ottoman court chronicle

This book delves into the history of subjective rights within the context of 19th-century Iran, specifically during the eventful Qajar era. The crux of its research lies in the emergence and evolution of the concept of subjective rights as opposed to the notion of objective rights. During this pivotal period, this transition marked a paradigm shift from “right as to be right” to “right as to have a right.” A central pillar of this book is the creation of a meta-theory, one that sheds light on the semantical evolution of the concept of rights. Within these pages, readers will find a concise history, tracing the conceptual path that led from the objective to the subjective realm of rights. In addition to these historical explorations, it delves into the intricate field of rights theory, investigating the foundations and justifications of rights. Employing the Hohfeldian framework, it analyses various conceptions of rights as they manifest within travel literature, enlightenment literature, and dream literature of the Qajar era. This book will be of interest to scholars and students with an interest in Iranian studies, Iranian history, Persian literature and human rights.

Dreaming is a near-universal human experience, but there is no consensus on why we dream or what dreams should be taken to mean. In this book, Robert Ford Campany investigates what people in late classical and early medieval China thought of dreams. He maps a common dreamscape—an array of ideas about what dreams are and what responses they should provoke—that underlies texts of diverse persuasions and genres over several centuries. These writings include manuals of dream interpretation, scriptural instructions, essays, treatises, poems, recovered manuscripts, histories, and anecdotes of successful dream-based predictions. In these many sources, we find culturally distinctive answers to questions peoples the world over have asked for millennia: What happens when we dream? Do dreams foretell future events? If so, how might their imagistic code be unlocked to yield predictions? Could dreams enable direct communication between the living and the dead, or between humans and nonhuman animals? The Chinese Dreamscape, 300 BCE – 800 CE sheds light on how people in a distant age negotiated these mysteries and brings Chinese notions of dreaming into conversation with studies of dreams in other cultures, ancient and contemporary. Taking stock of how Chinese people wrestled with—and celebrated—the strangeness of dreams, Campany asks us to reflect on how we might reconsider our own notions of dreaming.

Contributions originally presented at a conference held in Munich in 2007.

The Ottoman chronicles recount that the first sultan, Osman, dreamt of the dynasty he would found - a tree, fully-formed, emerged from his navel, symbolising the vigour of his successors and the extent of their domains. This is the first book to tell the full story of the Ottoman dynasty that for six centuries held sway over territories stretching, at their greatest, from Hungary to the Persian Gulf, and from North Africa to the Caucasus. Understanding the realization of Osman's vision is essential for anyone who seeks to understand the modern world.

Living in the Ottoman Realm brings the Ottoman Empire to life in all of its ethnic, religious, linguistic, and geographic diversity. The contributors explore the development and transformation of identity over the long span of the empire's existence. They offer engaging accounts of individuals, groups, and communities by drawing on a rich array of primary sources, some available in English translation for the first time. These materials are examined with new methodological approaches to gain a deeper understanding of what it meant to be Ottoman. Designed for use as a course text, each chapter includes study questions and suggestions for further reading.

Architecture and urban planning have always been used by political regimes to stamp their ideologies upon cities, and this is especially the case in the modern Turkish Republic. By exploring Istanbul's modern architectural and urban history, Murat Gul highlights the dynamics of political and social change in Turkey from the late-Ottoman period until today. Looking beyond pure architectural styles or the physical manifestations of Istanbul's cultural landscape, he offers critical insight into how Turkish attempts to modernise have affected both the city and its population. Charting the diverse forces evident in Istanbul's urban fabric, the book examines late Ottoman reforms, the Turkish Republic's turn westward for inspiration, Cold War alliances and the AK Party's reaffirmation of cultural ties with the Middle East and the Balkans. Telltale signs of these moments - revivalist architecture drawing on Ottoman and Seljuk styles, 1930s Art Deco, post-war International Style buildings and the proliferation of shopping malls, luxurious gated residences and high-rise towers, for example - are analysed and illustrated in extensive detail.Connecting this rich history to present-day Istanbul, whose urban development is characterised anew by intense social stratification, the book will appeal to researchers of Turkey, its architecture and urban planning.

Prognostic Dreams, Otherworldly Saints, and Caliphal Ghosts: Hoca Saʿdeddīn Efendi’s (d. 1599) "Selimname" comprises a critical edition, English translation, and a facsimile of his hagiographic work on controversial Ottoman sultan Selim I (“the Grim”).