What is beyond our world? That is a question I wanted the answer to so badly while growing up. Little did I know that question was being answered through my forgotten and dismissed childhood experiences, with the king of darkness himself. As I got older, the horrible haunting of my past began to come back to the front of my mind. The evil spirit continued haunting me as I grew older, only he did it in different ways then he did when I was a child. I did not fully remember my childhood haunting until I decided to write down the stories I did remember from childhood to adulthood. It was then that it all started coming back to me. I then realized that the king of darkness had been haunting my life as fare back as I could remember. And as I began talking to people about my stories, I began to realize that people were interested in my stories of the other world and its darkness of many forms. After consulting with a close friend, I was inspired to tell the story and to write this book.

Welcome to the dreaded night realm... lingering just beneath your eyelids, where the hellish things borne of fear eagerly await your arrival. Prepare to be whiplashed to the darkest regions of 32 wicked minds, and forced to stare into their collective abyss. This world is chock-full of the stuff dreams are made of, but more than likely, if you find yourself in the minds of one of these authors, you'll awaken to a nightmare. This fear you're experiencing is like a virus, it will spread to every inch of your body, sending not only a chill down your spine but reaching into the very depths of your soul... You'll journey to the darkest corners of these author's minds, as you confront the living, breathing entity that is fear. Edited by Suzie Lockhart & Bruce Lockhart 2nd.

"Wendy Doniger O'Flaherty . . . weaves a brilliant analysis of the complex role of dreams and dreaming in Indian religion, philosophy, literature, and art. . . . In her creative hands, enchanting Indian myths and stories illuminate and are illuminated by authors as different as Aeschylus, Plato, Freud, Jung, Kurl Gödel, Thomas Kuhn, Borges, Picasso, Sir Ernst Gombrich, and many others. This richly suggestive book challenges many of our fundamental assumptions about ourselves and our world."—Mark C. Taylor, New York Times Book Review "Dazzling analysis. . . . The book is firm and convincing once you appreciate its central point, which is that in traditional Hindu thought the dream isn't an accident or byway of experience, but rather the locus of epistemology. In its willful confusion of categories, its teasing readiness to blur the line between the imagined and the real, the dream actually embodies the whole problem of knowledge. . . . [O'Flaherty] wants to make your mental flesh creep, and she succeeds."—Mark Caldwell, Village Voice

With recent advances of modern medicine more people reach the 'elderly age' around the globe and the number of dementia cases are ever increasing. This book is about various aspects of dementia and provides its readers with a wide range of thought-provoking sub-topics in the field of dementia. The ultimate goal of this monograph is to stimulate other physicians' and neuroscientists' interest to carry out more research projects into pathogenesis of this devastating group of diseases.

A storybook romance. Cassandra and Tony first met at their parents’ summer retreat in Neverland. A postcard setting in a valley surrounded by majestic mountains. A town you would encounter in a dreamlike fantasy. As the summer seclusions continued, they fell in love with plans to marry. But the last summer retreat, Cassandra never arrived. Months later Tony received a letter from Cassandra. Something was wrong.Tony was hopeless; where to start the search for Cassandra. Another letter from Matt. Tony was filled with rage, insanity sending him over the edge. Amnesia.The psychiatrist doesn’t know what triggered it.Tony knew. It was the event. It changed everything. Tony cannot remember anything before the event. He knows it by name only, that exudes a haunting presence too horrific to remember. A wall of hidden memories appears in Tony’s dreams where he encounters Cassandra. Tony, paralyzed with fear and guilt. From behind the wall: pleading voices, the wailings of lost spirits, outcries of shocking disbelief. Tony’s frequent dreams transporting him to another time and place, Neverland. A place in disrepair, it’s life energy depleted by an evil presence.The dreams luring him closer to Neverland. When the wall collapses, Tony is drawn to hell’s lair; a place in Neverland where the event occurred, revealing the truth about him and Cassandra.

Sheri Chinen Biesen challenges conventional thinking on the origins of film noir and finds the genre's roots in the political, social and historical conditions of Hollywood during the Second World War.

This is the most entertaining and broad survey of the paranormal ever made, combining forgotten lore, evidence from parapsychological experiments and the testament of scientists, archaeologists, anthropologists, psychologists, physicists and philosophers, and also quite a few celebrities. Exploring the possibility that paranormal phenomena may be - and that some most likely are - objectively real, this travelogue through the twilight zone of human consciousness is both scientifically rigorous and extremely entertaining.

Making the case that J. G. Ballard's fictional and non-fictional writings must be read within the framework of Surrealism, Jeannette Baxter argues for a radical revisioning of Ballard that takes account of the political and ethical dimensions of his work. Ballard's appropriation of diverse Surrealist aesthetic forms and political writings, Baxter suggests, are mobilised to contest official narratives of postwar history and culture and offer a series of counter-historical and counter-cultural critiques. Thus Ballard's work must be understood as an exercise in Surrealist historiography that is politically and ethically engaged. Placing Ballard's illustrated texts within this critical framework permits Baxter to explore the effects of photographs, drawings, and other visual symbols on the reading experience and the production of meaning. Ballard's textual spectacles raise a variety of questions about the shifting role of the reader and the function of the written text within a predominantly visual culture, while acknowledging the visual contexts of Ballard's Surrealist writings allows a very different historical picture of the author and his work to emerge.

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.