Dutch is a West-Germanic language closely related to English and German, but its special properties have long aroused interest and debate among students of syntax. This is an informative guide to the syntax of Dutch, offering an extensive survey of both the phenomena of Dutch syntax and their theoretical analyses over the years. In particular the book discusses those aspects of Dutch syntax that have played an important role in the development of syntactic theory in recent decades. Presupposing only a basic knowledge of syntax and complete with an extensive bibliography, this survey will be an important tool for students and linguists of all theoretical persuasions, and for anyone working in Germanic linguistics, linguistic typology and linguistic theory.

Dutch: A Comprehensive Grammar is a complete reference guide to modern Dutch grammar. This completely updated new edition covers the new spelling system introduced in 1997 and the latest reform of 2005. A new section covers modal particles. Concentrating on the real patterns of use in modern Dutch through lively and accessible descriptions of the language, the Grammar is an essential reference source for the learner of Dutch, irrespective of level. It is ideal for use in schools, colleges, universities and adult classes of all types as well as being indispensable to those teaching themselves. The volume is organized to promote a thorough understanding of Dutch grammar. It offers a stimulating analysis of the complexities of the language, and provides full and clear explanations. Throughout, the emphasis is on Dutch as used by present-day native-speakers. An extensive index and numbered paragraphs provide readers with easy access to the information they require. Features include: • detailed treatment of the common grammatical structures and parts of speech • extensive exemplification • particular attention to areas of confusion and difficulty • Dutch-English parallels highlighted throughout the book

An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.

Substantially revised second edition of the leading textbook on the Dutch Republic, including new chapters on language and literature, and slavery.

An accessible introduction to the political, economic, literary, and artistic heritage of the Dutch Republic in the seventeenth century.

Looking to explore the wonders of Dutch oven cooking? This cookbook has everything you need to get started, with easy-to-find ingredients and simple recipes. From roasts to soups, there's something for everyone in this handy guide. The recipes in this Dutch oven cookbook will make you a believer. They're so simple and easy to follow, with ingredients that any kitchen should have on hand!

This volume of essays by historians and archaeologists offers an introduction to the significant impact of Dutch traders and settlers on the early history of Northeastern North America, as well as their extensive and intensive relationships with its Indigenous peoples. Often associated with the Hudson River Valley, New Netherland actually extended westward into present day New Jersey and Delaware and eastward to Cape Cod. Further, New Netherland was not merely a clutch of Dutch trading posts: settlers accompanied the Dutch traders, and Dutch colonists founded towns and villages along Long Island Sound, the mid-Atlantic coast, and up the Connecticut, Hudson, and Delaware River valleys. Unfortunately, few nonspecialists are aware of this history, especially in what was once eastern and western New Netherland (southern New England and the Delaware River Valley, respectively), and the essays collected here help strengthen the case that the Dutch deserve a more prominent position in future history books, museum exhibits, and school curricula than they have previously enjoyed. The archaeological content includes descriptions of both recent excavations and earlier, unpublished archaeological investigations that provide new and exciting insights into Dutch involvement in regional histories, particularly within Long Island Sound and inland New England. Although there were some incidences of cultural conflict, the archaeological and documentary findings clearly show the mutually tolerant, interdependent nature of Dutch-Indigenous relationships through time. One of the essays, by a Mohawk community member, provides a thought-provoking Indigenous perspective on Dutch–Native American relationships that complements and supplements the considerations of his fellow writers. The new archaeological and ethnohistoric information in this book sheds light on the motives, strategies, and sociopolitical maneuvers of seventeenth-century Native leadership, and how Indigenous agency helped shape postcontact histories in the American Northeast.

This book resulted from a desire to understand the role of pamphlets in the political life of that most curious early modern state, the Dutch Republic. The virtues of abundance and occasional liveliness have made "little blue books," as they were called, a favorite historical source-that is why I came to study them in the first place. I But the more I dug into pamphlets for this fact or that, the more questions I had about their 2 contemporary purpose and role. Who wrote pamphlets and why? For whom were they intended? How and by whom were pamphlets brought to press and distributed, and what does this reveal? Why did their number increase so greatly? Who read them? How were pamphlets different from other media? In short, I began to view pamphlets not as repositories of historical facts but as a historical phenomenon in their own right. 3 I have looked for answers to these questions in governmental and church records, private letters, publishing records and related materials about printers, booksellers, and pamphleteers, and of course in pam phlets themselves. Like so many other students of the early press and its products, I discovered only scattered, incomplete images of actual con ditions, such as the readership or popularity of pamphlets. On the other hand, I found much material which reflected what people believed about "little books.

Despite the tremendous number of studies produced annually in the field of Dutch art over the last 30 years or so, and the strong contemporary market for works by Dutch masters of the period as well as the public's ongoing fascination with some of its most beloved painters, until now there has been no comprehensive study assessing the state of research in the field. As the first study of its kind, this book is a useful resource for scholars and advanced students of seventeenth-century Dutch art, and also serves as a springboard for further research. Its 19 chapters, divided into three sections and written by a team of internationally renowned art historians, address a wide variety of topics, ranging from those that might be considered "traditional" to others that have only drawn scholarly attention comparatively recently.