Extending the story of the troubled life of Rosa, a character first developed by the author in "Longing", this novel describes her difficult relationship with her mother, Eleanor. Rosa's story unfolds as though in a parallel world: dogged by the same obsessions as her mother and resorting to sex and madness as elements of destruction. At the core of their tension is the illicit affair Eleanor has had with her daughter's husband, Antonio. Narrated in two voices from perspectives of both women, this novel describes both their lives in depth, covering a span of nearly 70 years during wh.

Laurel Dewey's Detective Jane Perry is quickly becoming one of the most distinctive, dynamic, and unforgettable characters in suspense fiction today. She's rock hard, but capable of extraordinary tenderness. She's a brilliant cop, but she's capable of making life-altering mistakes. She's uncannily talented, and she's heartbreakingly human.In this novella, set before the action in Dewey's first novel, Protector, a man named Devinder Bashir reaches across the threshold of the hereafter to ask for Jane's help. When Jane investigates his case, she learns that the man died ignominiously, but not suspiciously. But when Bashir continues to haunt her dreams, she realizes that the story of the man's death is far from finished

We all face death, but how many of us are actually ready for it? Whether our own death or that of a loved one comes first, how prepared are we, spiritually or practically? In Preparing to Die, Andrew Holecek presents a wide array of resources to help the reader address this unfinished business. Part One shows how to prepare one's mind and how to help others, before, during, and after death. The author explains how spiritual preparation for death can completely transform our relationship to the end of life, dissolving our fear and helping us to feel open and receptive to letting go in the dying process. Daily meditation practices, the stages of dying and how to work with them, and after-death experiences are all detailed in ways that will be particularly helpful for those with an interest in Tibetan Buddhism and in Tibetan approaches to conscious dying. Part Two addresses the practical issues that surround death. Experts in grief, hospice, the funeral business, and the medical and legal issues of death contribute chapters to prepare the reader for every practical concern, including advance directives, green funerals, the signs of death, warnings about the funeral industry, the stages of grief, and practical care for the dying. Part Three contains heart-advice from twenty of the best-known Tibetan Buddhist masters now teaching in the West. These brief interviews provide words of solace and wisdom to guide the dying and their caregivers during this challenging time. Preparing to Die is for anyone interested in learning how to prepare for death from a Buddhist perspective, both spiritually and practically. It is also for those who want to learn how to help someone else who is dying, both during the time of illness and death as well as after death.

"The Unfinished Manner examines the fragments produced by European writers and artists in the eighteenth century and earlier, fragments that were not the result of an inability to finish either texts or buildings but rather deliberate refusals to make the traditional gestures of conclusion. Most books published in the past few years on the fragment and the unfinished see it as a peculiarly "Romantic" early nineteenth-century exclusively poetic form. Elizabeth Wanning Harries argues, instead, that the fragment not only had a long history beginning with Petrarch but also played an important part in the history of the novel and other kinds of prose." "Conceptualizing the fragment as a genre, Harries sheds a new light on the practice of reading fiction and "reading" ruins in the eighteenth century, complex practices that often require oscillation between two perspectives or ways of reading. She also explores the gendering of forms in eighteenth-century aesthetics - the perception of fragments as feminine (beautiful) rather than masculine (sublime) - and speculates on the fragment's meaning within the context of eighteenth-century social mythologies as well as those of later eras. Finally, she rereads Coleridge's "Kubla Khan" to show its roots in eighteenth-century fragmentary textual practices." "The Unfinished Manner takes up the questions that arise when writers and artists treat apparently unfinished forms - fragments, ruins, torsos, sketches - as finished, both in the eighteenth century and, implicitly, today. Harries's treatments of Petrarch as the initiator of the fragment tradition, of Sterne in relation to biblical criticism, of Coleridge's "Kubla Khan" in relation to Sterne's Tristram Shandy, and of fragments in their relation to the feminine are original and revisionary contributions that seriously challenge some critical assumptions about Romanticism and its relationship to eighteenth-century texts."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

"In collaboration with the Jodo Shu Research Institute (JSRI)."

The best-selling textbook in the field, The Last Dance offers an interdisciplinary approach to the study of death and dying. Integrating the experiential, scholarly, social, individual, emotional, and intellectual dimensions of death and dying, the eighth edition of this acclaimed text has been revised to offer cutting-edge and comprehensive coverage of death studies. This new edition of The Last Dance provides solid grounding in theory and research, as well as practical application to students' lives.

'You really must read this book. A rare and phenomenal life affirming read' DINAH JEFFERIES 'Get ready to fall in love with Eadie Browne, the eponymous and eccentric heroine of this tender-hearted, steeped-in-nostalgia story about chosen family' RED When your present meets your past, what do you take with you - and what do you leave behind? Eadie Browne is a quirky kid living in a small town where nothing much happens. Bullied at school, she muddles her way through the teenage years with best friends Celeste and Josh until University takes them their separate ways. Arriving in Manchester as a student in the late 1980s, Eadie experiences a novel freedom and it's intoxicating. As the city embraces the dizzying euphoria of Rave counterculture, Eadie is swept along, ignoring danger and reality. Until, one night, her past comes hurtling at her with consequences she could never have imagined. Now, as the new millennium approaches, Eadie is thirty with a marriage in tatters, travelling back to the town of her birth for a funeral she can't quite comprehend. As she journeys from the North to the South, from the present to the past, Eadie contemplates all that was then and all that is now - and the loose ends that must be tied before her future can unfold. 'A delightful dose of nostalgia' HEAT 'A beautifully written tale about growing up, letting go and moving on' SUN 'A gorgeous, heartfelt, atmospheric novel by a wonderful storyteller' LUCY ATKINS 'A beautifully moving portrait of youth, friendship and love . . . I loved it' MIKE GAYLE 'Beautifully written, funny and wise . . . heart-breaking and heart-warming' ALEXANDRA POTTER

SHORTLISTED FOR THE ABIA 2024 SELECTED AS A BOOK OF THE YEAR BY THE GUARDIAN AUSTRALIA 'The zigzagging life of an adventurer' THE TIMES 'An astonishing, wonderful memoir of an extraordinary life' HENRY MARSH, author of Do No Harm 'Exciting and complex, full of insight and humour' SPECTATOR 'Enthralling, miraculous, clear as the brilliant constellations of the night sky' SYDNEY MORNING HERALD An unforgettable memoir from the author of the sensational international bestseller Tracks: the story of a mother and daughter, of love, loss and the pursuit of freedom ________________________________________ In 1977, twenty-seven-year-old Robyn Davidson set off with a dog and four camels to cross 1,700 miles of Australian desert to the sea. A life of almost constant travelling followed. From the deserts of Australia, to Sydney's underworld; from Sixties street life, to the London literary scene; from migrating with nomads in Tibet, to 'marrying' an Indian prince, Davidson's quest was motivated by an unquenchable curiosity about other ways of seeing and understanding the world. Davidson threw bombs over her shoulder and seeds into her future on the assumption that something would be growing when she got there. The only terrain she had no interest in exploring was the past. In Unfinished Woman Davidson turns at last to explore that long avoided country. Through this brave and revealing memoir, she delves into her childhood and youth to uncover the forces that set her on her path, and confront the cataclysm of her early loss. Unfinished Woman is an unforgettable investigation of time and memory, and a powerful interrogation of how we can live with and find beauty in the uncertainty and strangeness of being. 'In her twenties, Davidson trekked 1,700 miles through the Australian wilderness. This led to the bestselling book Tracks and global fame. Half a century later she has written about what motivated her – including the tragic early death of her mother' Simon Hattenstone, GUARDIAN