Nineteen contributors from India and Australia—including Printz Award–winning author Margo Lanagan and New York Times bestsellers Justine Larbalestier and Samhita Arnir—team up to create a “rare treat of speculative literature” in this groundbreaking feminist collection that “bursts with imagination” (Kirkus Reviews, starred review). A post-apocalyptic Little Red Riding Hood. Girls and boys turning the tables on creepy old cat-callers. Female pirates rescuing abused women. A futuristic cooking show. These are just a few of the stories told in Eat the Sky, Drink the Ocean, a feminist speculative fiction collection, born of a collaboration between Australian and Indian writers. Finding themselves inspired to action after crimes against women dominated national conversations, the editors of this collection paired writers and illustrators from India and Australia together to write stories, graphic novels, and even a play that reimagine what girls can be and see themselves as. The results are stunning. Some of the authors worked together, some wrote stories along a similar theme, but all seventeen stories blend magical realism and self-confidence in a powerful and inspiring way.

Fans of Kaleidoscope will find more tales of wonder, adventure, diversity, and variety in this collection devoted to stories with teen protagonists. Table of Contents Left Foot, Right - Nalo Hopkinson Selfies - Lavie Tidhar The Vitruvian Farmer - Marcelina Vizcarra The Lady and the Fox - Kelly Link Cat Calls - Margo Lanagan Walkdog - Sofia Samatar No Lonely Seafarer - Sarah Pinsker The Endless Sink - Damien Ober No Mercy for the Executioner - Deborah Biancotti The Ancestors - Laurie Tom Jelly and the D-Machine - Suzanne Church Kneaded - S. G. Larner Resurrection Points - Usman T. Malik Memory Lace - Payal Dhar Collected Likenesses - Jamey Hatley Scout - Will McIntosh Selfie - Sandra McDonald The Boy Who Grew Up - Christopher Barzak Cookie Cutter Superhero - Tansy Rayner Roberts The Stuff We Don't Do - Marissa Lingen Figment - Jeri Smith-Ready

“Arctic Sky” tells of a young climate activist who discovers her own courage in the frozen depths of a Russian prison. “Palimpsest” is set on a bionic (living)space station that launches explorers into the farthest reaches of Time and Space. In “The Room on the Roof” an ancient culture meets modern mysteries with unexpected results. Our non-fiction title piece, “Utopias of the Third Kind,” is a first look at actual utopias that are responding to our looming dystopian nightmare. “Hunger” is a short story that finds both understanding and forgiveness for humankind’s original sin. Our Outspoken Interview and a bibliography round out this new collection.

This book brings you a wealth of stories, in words and images, from a part of India known as the Northeast, a term that is widely contested for the ways in which it homogenizes a region of great diversity. It is also a term that has come to be a marker of identity and solidarity by many who are of the region. Here, 21 writers and artists look at the idea of ‘work’ — from street hawking to beer brewing, from mothering to dung collection — and describe their lives or those of others with humour and compassion. Parismita Singh’s wonderful compilation of the works of women asks: what are the different ways of telling a story? What if we were to attempt these tellings through poetry and portraits and essays, older traditions like textile art and applique and new genres like hashtag poetry tapped into a smartphone? Where would it take us, what would the world look like?

This book examines the recent popularity of the dystopian genre in literature and film, as well as connecting contemporary manifestations of dystopia to cultural trends and the implications of technological and social changes on the individual and society as a whole. Dystopia, as a genre, reflects our greatest fears of what the future might bring, based on analysis of the present. This book connects traditional dystopian works with their contexts and compares these with contemporary versions. It centers around two main questions: Why is dystopia so popular now? And, why is dystopia so popular with young adult audiences? Since dystopia reflects the fears of society as a whole, this book will have broad appeal for any reader, and will be particularly useful to teachers in a variety of settings, such as in a high school or college-level classroom to teach dystopian literature, or in a comparative literature classroom to show how the genre has appeared in multiple locales at different times. Indeed, the book’s interdisciplinary nature allows it to be of use in classes focussing on politics, bioethics, privacy issues, women’s studies, and any number of additional topics.

This book explores contemporary children’s and young adult novels writing back to history and oppression. Divided into three distinct yet interconnected parts, this thematic study analyses selected novels from across the globe, drawing on current critical debates to investigate how these narratives raise vital questions about identity, power and language. Examinations of children’s and young adult novels from Britain, Ireland, Sweden, the USA, Australia, and New Zealand offer fresh readings of established texts, and provide important critical perspectives on lesser-known works. The book also examines the use of genre in children’s and young adult literature, including crime fiction, dystopia, coming-of-age, and historical fiction. Addressing vital social justice themes in contemporary children’s and young adult novels, such as human trafficking, postcolonialism, disaster, trauma, and gender and race inequality, the book presents a critically informed analysis of these compelling literary works and their engagement with social and cultural debates.

About the book Out of Print in print! A decade ago, in 2010, Indira Chandrasekhar set up Out of Print to address a need she felt as a writer: a focused platform for the short story; a space for robust editorial discussions as well as one that would serve as a platform for discoveries—of newer facets of the form itself and of new writing. This commemorative volume hopes to capture something of that adventure. It is, thus, not a ‘best of’ volume, but one that speaks to the spirit of the magazine: its diversity of literary voices, its openness to experimentation, its focus on Indian-language publishing and its stand against mediocrity. Most crucially, of course, this is an ode to the short-story form, its ‘art of brevity and honesty’.

The very best of British and Irish nature writing selected by the natural history writer Patrick Barkham. The landscapes of Britain and Ireland, together with the creatures and plants that inhabit them, have penetrated deep in our collective imagination. From Gilbert White and Dorothy Wordsworth to Laurie Lee and Nan Shepherd, literature inspired by the natural world has become an integral part of our shared identity, and shaped our relationship with the islands we call home. In The Wild Isles, Patrick Barkham has gathered together a wide array of the very best of British and Irish nature writing, characterized by an arresting diversity of moods and voices. His choices are arranged under themes that range from birds, woods and coastlines to childhood, the seasons and urban nature, and juxtapose extracts from much-loved classics with passages by contemporary writers such as Robert Macfarlane, James Rebanks and Helen Macdonald. Here the reader will find joyful celebrations of landscape and the wildlife it nurtures, probing explorations of the environmental problems facing us today, as well as the fresh and vital perspectives of writers from underrepresented backgrounds. 'If British and Irish nature writing is to grow and endure,' writes Barkham in his introduction, 'it must be diverse, complex, multi-faceted and dynamic, and relevant to everyone who lives on this land.' Encompassing the bleak heights of the Cairngorms, the ancient woodlands of Essex, the storm-lashed islands of Ireland's west coast and the lush fields of Devon, The Wild Isles highlights nature's capacity to terrify and to delight, to soothe and to heal, to surprise, inspire and bring wonder.

When the future looks dark, courageous kids bring light and hope into the world. Forty true stories celebrate kids who have protested, prayed, rebelled, saved lives, earned a fortune, lost everything, become world-famous, or fought to survive war and oppression. Fearless kids, feral kids, Olympic champions, human-rights crusaders, climate-change warriors, princes and prisoners, workers and whiz-kids - they all show the true courage of kids. From the distant past to the present moment, kids have made their mark on history; and now they're set to change the world.

"Stories of imagination and daring"--Jacket.