The literary field of ecocriticism appraises texts from the perspective of the natural world, its biosystems, its animals (human and otherwise), and its ecological interconnections. Exploring a range of contemporary American novelists whose narratives resonate with numerous ecological challenges, this work examines humankind's relationship with the environment in the context of Judeo-Christian theological views. It demonstrates how characters from novels such as John Updike's Rabbit Run, DeLillo's White Noise, Toni Morrison's Paradise, and Cormac McCarthy's The Road take neopastoral journeys to rediscover an innovative relationship with nature and religion. While some are successful, others turn away from the landscape's spirituality, retreating into technological inventions. The journeys of these fictional American heroes, this volume shows, mirror ongoing, theological, nuclear age convictions.

An incisive and original collection of the most engaging issues in contemporary comparative theology In The Wiley Blackwell Companion to Comparative Theology, a team of distinguished scholars delivers a one-of-a-kind collection of essays on comparative theology. Honoring the groundbreaking work of Francis X. Clooney, S.J.—whose contributions to theology and religion will endure for generations—the included works explore seven key subjects in comparative theology, including its theory, method, history, influential contemporary developments, and potentially fruitful avenues for future discussion. The editors provide essays that reflect on the critical, theoretical, and methodological aspects of comparative theology, as well as constructive and critical appraisals of Francis Clooney’s scholarship. Over forty original contributions from internationally recognized scholars and insightful newcomers to the field are included within. Readers will also find: Insightful discussions of the larger implications of comparative theology beyond the discipline itself, especially as it relates to educational programs, institutions, and post-carceral life Robust promotion of the research methods and critical thinking present in Francis Clooney’s work Practical discussions of the most pressing challenges and opportunities facing theological researchers today Papers from leading contributors located around the globe, including emerging voices from the global south Perfect for advanced undergraduate and graduate students of theology and religious studies, The Wiley Blackwell Companion to Comparative Theology will also benefit scholars with an interest in comparative religion, interreligious studies, and interreligious theology.

Cormac McCarthy's work is attracting an increasing number of scholars and critics from a range of disciplines within the humanities and beyond, from political philosophy to linguistics and from musicology to various branches of the sciences. Cormac McCarthy's Borders and Landscapes contributes to this developing field of research, investigating the way McCarthy's writings speak to other works within the broader fields of American literature, international literature, border literature, and other forms of comparative literature. It also explores McCarthy's literary antecedents and the movements out of which his work has emerged, such as modernism, romanticism, naturalism, eco-criticism, genre-based literature (western, southern gothic), folkloric traditions and mythology.

What can Italy teach us about our relationships with the nonhuman world in the current socio-environmental crisis? 'Italy and the Ecological Imagination: Ecocritical Theories and Practices' focuses on how Italian writers, activists, visual artists, and philosophers engage with real and fictional environments and how their engagements reflect, critique, and animate the approach that Italian culture has had toward the physical environment and its ecology since late antiquity. Through a comparative and interdisciplinary approach, the essays collected in this volume explore topics including climate change, environmental justice, animal ethics, and socio-environmental degradation to provide a cogent analysis of how Italian ecological narratives fit within the current transnational debate occurring in the Environmental Humanities. The aim of 'Italy and the Ecological Imagination' is thus to explore non-anthropocentric modes of thinking and interacting with the nonhuman world. The goal is to provide accounts of how Italian historical records have potentially shaped our environmental imagination and how contemporary Italian authors are developing approaches beyond humanism in order to raise questions about the role of humans in a possible (or potentially) post-natural world. Ultimately, the volume will offer a critical map of Italian contributions to our contemporary investigation of the relationships between human and nonhuman habitats and communities.

The essays in this volume provide a theorization of what we might call the “denatured” wild, in other words a notion of environmental “restoration” or "reinhabitation" that recognizes and reconfigures the human factor as an interdependent entity. Acknowledging the contributions of Marco Armerio, Serenella Iovino, Giovanna Ricoveri, Patrick Barron and Anna Re among others, Ecocritical Approaches to Italian Culture and Literature: The Denatured Wild negotiates the ground within the historicizing, theoretical perspectives, and surveying spirit of these writers. Despite the central role that nature has played in Italian culture and literature, there has been an evident lack of critical approaches free of the bridles of the socio-political manipulations of nationalism. The authors in this collection, by recognizing the groundbreaking work of many non-Italian ecocritics, challenge the narrowly defined conventions of Italian Studies and illuminates complexities of an Italian ecocriticism that reveals a rich environmentally engaged literary and cultural tradition.

Shamanism, Discourse, Modernity considers indigenous peoples’ struggles for human rights, anxieties about anthropocentric mastery of nature, neoliberal statecraft, and entrepreneurialism of the self. The book focuses on four domains - shamanism, indigenism, environmentalism and neoliberalism - in terms of interrelated historical processes and overlapping discourses. In doing so, it engages with shamanism’s manifold meanings in a world increasingly sensitive to indigenous peoples’ practices of territoriality, increasingly concerned about humans’ integral relationship with natural environments, and increasingly encouraged and coerced to adjust self-conduct to comport with and augment government conduct.

Literature and Ecotheology: From Chaos to Cosmos challenges us in a time of climate crisis to find more common ground between the dual projects of ecocriticism and ecotheology. This book argues that in our postsecular age, literature has become an important repository of theological wisdom that can, like formal work in ecotheology, provide the moral grounds for environmental care. However, for any cosmological understanding to be adequate to the challenges before us, it must be responsive to the often-painful contingencies and uncertainties that inhere in the cosmos, something that both ecocriticism and ecotheology have often neglected. After a treatment of the ecocritical and ecotheological questions that pertain to the religious/secular divide, the study then turns to four contemporary American writers—Annie Dillard, Cormac McCarthy, Marilynne Robinson, and David James Duncan—as examples. Each uses the contingency of literary form and its promise of wholeness in order to imagine reasons for hope in light of the unpredictability and untold human and more-than-human suffering that lie at the heart of nature. The book will be of interest to students, scholars and researchers interested in ecotheology, religious studies, environmental literature, the environmental humanities, and environmental studies more broadly. It offers a needed paradigm shift in how Western societies have tended to misuse both secularity and religion.

In the first book to consider the study of world religion and world literature in concert, Zhange Ni proposes a new reading strategy that she calls "pagan criticism," which she applies not only to late twentieth- and early twenty-first-century literary texts that engage the global resurgence of religion but also to the very concepts of religion and the secular. Focusing on two North American writers (the Jewish American Cynthia Ozick and the Canadian Margaret Atwood) and two East Asian writers (the Japanese Endō Shūsaku and the Chinese Gao Xingjian), Ni reads their fiction, drama, and prose to envision a "pagan (re)turn" in the study of world religion and world literature. In doing so, she highlights the historical complexities and contingencies in literary texts and challenges both Christian and secularist assumptions regarding aesthetics and hermeneutics. In assessing the collision of religion and literature, Ni argues that the clash has been not so much between monotheistic orthodoxies and the sanctification of literature as between the modern Western model of religion and the secular and its non-Western others. When East and West converge under the rubric of paganism, she argues, the study of religion and literature develops into that of world religion and world literature.

The Handbook of Latin American Environmental Aesthetics offers a comprehensive overview of Latin American aesthetic and conceptual production addressing the more-than-human environment at the intersection between art, activism, and critique. Fields include literature, performance, film, and other audiovisual media as well as their interactions with community activisms. Scholars who have helped establish environmental approaches in the field as well as emergent critical voices revisit key concepts such as ecocriticism, (post-)extractivism, and multinaturalism, while opening new avenues of dialogue with areas including critical race theory and ethnicity, energy humanities, queer-*trans studies, and infrastructure studies, among others. This volume both traces these genealogies and maps out key positions in this increasingly central field of Latin Americanism, at the same time as they relate it to the environmental humanities at large. By showing how artistic and literary productions illuminate critical zones of environmental thought, articulating urgent social and material issues with cultural archives, historical approaches and conceptual interventions, this volume offers cutting-edge critical tools for approaching literature and the arts from new angles that call into question the nature/culture boundary.

Combining the latest scientific and philosophical understanding of humankind's place in the world with interpretative methods derived from other politically inflected literary criticism, ecocriticism is providing new insights into literary works both ancient and modern. With case-study analyses of the tragedies, comedies, histories and late romances, this book is a wide-ranging introduction to reading Shakespeare in the light of contemporary ecocritical theory.