Eden's Journey by Brandon Rowell offers an insightful and thought-provoking exploration of the story of creation and humanity's enduring search for meaning. This compelling narrative reimagines the journey of humanity from the very beginnings, weaving together myth, spirituality, and the human quest for knowledge and purpose. With vivid storytelling and deep emotional insight, Brandon captures the awe, wonder, and challenges faced by the first humans as they navigate their place in a newly created world. In Eden's Journey, readers are taken on a journey of love, struggle, and resilience as they witness the joys and trials of humanity's early days. The book invites readers to reflect on the meaning of creation, the responsibilities bestowed upon humankind, and the deep bond between humanity and the natural world. Perfect for those who appreciate mythology, spiritual reflections, and richly crafted narratives, Eden's Journey is a profound exploration of our place within creation and the eternal search for understanding and harmony.

Thomas Cole (1801–1848) is celebrated as the greatest American landscape artist of his generation. Though previous scholarship has emphasized the American aspects of his formation and identity, never before has the British-born artist been presented as an international figure, in direct dialogue with the major landscape painters of the age. Thomas Cole’s Journey emphasizes the artist’s travels in England and Italy from 1829 to 1832 and his crucial interactions with such painters as Turner and Constable. For the first time, it explores the artist’s most renowned paintings, The Oxbow (1836) and The Course of Empire cycle (1834–36), as the culmination of his European experiences and of his abiding passion for the American wilderness. The four essays in this lavishly illustrated catalogue examine how Cole’s first-hand knowledge of the British industrial revolution and his study of the Roman Empire positioned him to create works that offer a distinctive, even dissident, response to the economic and political rise of the United States, the ecological and economic changes then underway, and the dangers that faced the young nation. A detailed chronology of Cole’s life, focusing on his European tour, retraces the artist’s travels as documented in his journals, letters, and sketchbooks, providing new insight into his encounters and observations. With discussions of over seventy works by Cole, as well as by the artists he admired and influenced, this book allows us to view his work in relation to his European antecedents and competitors, demonstrating his major contribution to the history of Western art.

Originally published in 1977. This volume recovers the allegory in Dante's Divine Comedy and presumes that readers' deficient knowledge of or interest in allegory have led to misinterpretations of Dante's poem. None of the dozens of commentaries on the Comedy published in the first half of the twentieth century was concerned with allegory more than sporadically, says Singleton, and so these treatments directed readers' attention to the merest disjecta membra of that continuous dimension of the poem. From Singleton's perspective, the allegory of the Comedy is an imitation of Biblical allegory, which was acknowledged by thinkers in the Middle Ages but not by intellectuals during and following the Renaissance. Singleton attempts to restore the allegorical elements to the foreground of interpreting the Comedy.

Poet, traveller, artist, and mystic - the story of one extraordinary woman's many lives.

Victor Gustav Bloede was born March 14, 1949 in Dresden, Germany. His parents were Gustav Bloed and Maria Jungnitz. The family immigrated to the United States in August, 1850 and settled in Bordentown, New Jersey. Victor married Elise Schon June 5, 1883 in Toledo, Ohio. They settled in Parkersburg, West Virginia and later in Catonsville, Maryland. They had five children. Victor died in 1937 in Catonsville. Ancestors, descendants and relatives lived in Germany, New York, New Jersey, West Virginia, Maryland and elsewhere.

“An intimate tour of more than twenty stunning private gardens in Virginia, New York, Connecticut, Maryland, Pennsylvania, New Jersey, and Massachusetts.”—Sophisticated Living In this book, garden design expert Jack Staub offers a tour of private country paradises in the Eastern United States boasting remarkable plant palettes and combinations. Anyone can find inspiration in these oases of beauty nestled in towns including Hudson, New York; Middleburg, Virginia; and Chadds Ford, Pennsylvania. From a romantic garden with cottagey plantings that pays homage to the best of English garden vernacular to a splendid Eden where Maryland countryside meets Himalayan serenity, these garden paradises stand alone on their own terms and offer us examples of what we can all achieve with a modicum of respect, partnership, and imagination. “Sumptuous photographs.”—The New York Times Book Review

How does Dostoevsky’s fiction illuminate questions that are important to us today? What does the author have to say about memory and invention, the nature of evidence, and why we read? How did his readings of such writers as Rousseau, Maturin, and Dickens filter into his own novelistic consciousness? And what happens to a novel like Crime and Punishment when it is the subject of a classroom discussion or a conversation? In this original and wide-ranging book, Dostoevsky scholar Robin Feuer Miller approaches the author’s major works from a variety of angles and offers a new set of keys to understanding Dostoevsky’s world. Taking Dostoevsky’s own conversion as her point of departure, Miller explores themes of conversion and healing in his fiction, where spiritual and artistic transfigurations abound. She also addresses questions of literary influence, intertextuality, and the potency of what the author termed "ideas in the air.” For readers new to Dostoevsky’s writings as well as those deeply familiar with them, Miller offers lucid insights into his works and into their continuing power to engage readers in our own times.

"'What does one learn by taking a journey, any journey?' Helen Bevington asks. 'I've taken a shaky trip through a decade (to Russia, to the mailbox, to bed) to the end of the 1970s, about which uncomplimentary and increasingly anxious remarks were made by us all--you, me, and the media.' This is a book of journeys, to places--Russia, Hawaii, Italy, Yugoslavia, Greece, the South Seas, the Rhine, Australia, New Zealand, New Mexico--and to the classroom at Duke University where she was Professor of English until her retirement in 1976. Since everything is a journey, the book is concerned with travel of all kinds, in books, in memories, in people living and dead, a lighthearted search for Eden on this planet but a more serious search for survival in the troubled decade of the 1970s"--Publisher.