This book explores the connection between melodrama and medicine from multiple perspectives. Neuroscientists study the relationship between opera and brain functioning in the light of new findings in the fields of neurophysiology, neuroimaging, cognitive science and neuro-musicology; clinicians investigate the therapeutic potential of music, especially in the field of treatment and rehabilitation of individuals with neurodegenerative diseases; medical historians analyse the representation of diseases and those who cure diseases within operas; occupational doctors report descriptions of diseases that affect workers in the opera world and particularly focus on psychiatric and psychological alterations. Opera, with its instrumental and vocal accompaniment, is considered the most complete form of theatrical performance. However, little is known about the mechanisms of brain activity under the influence of melodrama on singers, musicians, and listeners. The use of neuroimaging techniques has enabled a better understanding of the neuronal mechanisms and circuits involved during an opera performance. Over the past 20 years, melodrama has increasingly been used as a therapeutic approach in various neurological and neuropsychiatric pathologies, such as depression, cognitive impairment, and even coma. The book also discusses the ways in which melodrama affects professionals involved in music and interventions to reduce or alleviate occupational diseases, leading to improved health and higher life satisfaction. The ultimate goal is to improve therapeutic interventions in neurological diseases and professional disorders, relying on solid neuroscientific data. This book will be of great interest to neurologists, neurobiologists, psychiatrists, occupational doctors and therapists in music.

Behavioral, language, and reasoning are expressions of neural functions par excellence, as the brain must draw on sensory modalities to gather information on the rest of the body and on the outer world. Cortical areas processing the identity and location of the sensory inputs were once thought to be organized, with some branches dedicated to complex features. Yet current studies have uncovered synergistic effects at early-stage cognitions as well as higher-level association areas. A less hierarchical functional architecture of the brain has emerged such that, irrespective of sensory modality, inputs are assigned to the best suited cortical substrate.

A leading scholar explores the importance of physical objects and sensory experience in the practice of religion. Humans are needy. We need things: objects, keepsakes, stuff, tokens, knickknacks, bits and pieces, junk, and treasure. We carry special objects in our pockets and purses, and place them on shelves in our homes and offices. As commonplace as these objects are, they can also be extraordinary, as they allow us to connect with the world beyond our skin. A History of Religion in 5½ Objects takes a fresh and much-needed approach to the study of that contentious yet vital area of human culture: religion. Arguing that religion must be understood in the first instance as deriving from rudimentary human experiences, from lived, embodied practices, S. Brent Plate asks us to put aside, for the moment, questions of belief and abstract ideas. Instead, beginning with the desirous, incomplete human body (symbolically evoked by “½”), he asks us to focus on five ordinary types of objects—stones, incense, drums, crosses, and bread—with which we connect in our pursuit of religious meaning and fulfillment. As Plate considers each of these objects, he explores how the world’s religious traditions have put each of them to different uses throughout the millennia. We learn why incense is used by Hindus at a celebration of the goddess Durga in Banaras, by Muslims at a wedding ceremony in West Africa, and by Roman Catholics at a Mass in upstate New York. Crosses are key not only to Christianity but to many Native American traditions; in the symbolic mythology of Peru’s Misminay community, cruciform imagery stands for the general outlay of the cosmos. And stones, in the form of cairns, grave markers, and monuments, are connected with places of memory across the world. A History of Religion in 5½ Objects is a celebration of the materiality of religious life. Plate moves our understanding of religion away from the current obsessions with God, fundamentalism, and science—and toward the rich depths of this world, this body, these things. Religion, it turns out, has as much to do with our bodies as our beliefs. Maybe even more.

Drawing substantially on original ethnographic fieldwork from the 1980s and 1990s, Lawson demonstrates how the women of quyi - a community of Chinese female singers in Republican Tianjin - successfully negotiated their sexuality and vocality in performance. Owing to their role as third-person narrators, the women of quyi bridged the gender gap in Chinese performance, creating an androgynous persona that allowed them to showcase their voices on public stages; places that had been previously unwelcoming to conventional female performers. This is a story about female storytellers who sang their way to respectability and social change by minimizing their bodies to allow their voices to be heard.

Traditionally, music and language have been treated as different psychological faculties. This duality is reflected in older theories about the lateralization of speech and music in that speech functions were thought to be localized on the left and music functions on the right hemisphere. But with the advent of modern brain imaging techniques and the improvement of neurophysiological measures to investigate brain functions an entirely new view on the neural and psychological underpinnings of music and speech has evolved. The main point of convergence in the findings of these new studies is that music and speech functions have many aspects in common and that several neural modules are similarly involved in speech and music. There is also emerging evidence that speech functions can benefit from music functions and vice versa. This new research field has accumulated a lot of new information and it is therefore timely to bring together the work of those researchers who have been most visible, productive, and inspiring in this field and to ask them to present their new work or provide a summary of their laboratory's work.

"Richard Wagner, Composer of Operas" is a biography book by John F. Runciman. The author touches upon the main points in Wagner's life and casts light on the lesser-known sides of the great composer's personality. Besides being a valuable work of literature, the work presented here is also a great example of the Victorian-era genre of biography.

NEW YORK TIMES BESTSELLER The New York Times–bestselling author of The Brain That Changes Itself presents astounding advances in the treatment of brain injury and illness. Now in an updated and expanded paperback edition. Winner of the 2015 Gold Nautilus Book Award in Science & Cosmology In his groundbreaking work The Brain That Changes Itself, Norman Doidge introduced readers to neuroplasticity—the brain’s ability to change its own structure and function in response to activity and mental experience. Now his revolutionary new book shows how the amazing process of neuroplastic healing really works. The Brain’s Way of Healing describes natural, noninvasive avenues into the brain provided by the energy around us—in light, sound, vibration, and movement—that can awaken the brain’s own healing capacities without producing unpleasant side effects. Doidge explores cases where patients alleviated chronic pain; recovered from debilitating strokes, brain injuries, and learning disorders; overcame attention deficit and learning disorders; and found relief from symptoms of autism, multiple sclerosis, Parkinson’s disease, and cerebral palsy. And we learn how to vastly reduce the risk of dementia, with simple approaches anyone can use. For centuries it was believed that the brain’s complexity prevented recovery from damage or disease. The Brain’s Way of Healing shows that this very sophistication is the source of a unique kind of healing. As he did so lucidly in The Brain That Changes Itself, Doidge uses stories to present cutting-edge science with practical real-world applications, and principles that everyone can apply to improve their brain’s performance and health.

DigiCat Publishing presents to you this special edition of "Chopin and Other Musical Essays" by Henry T. Finck. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This book looks at the historic and contemporary links between music's connection to emotions and men's supposed discomfort with their own emotional experience. Looking at music tastes and distaste, it demonstrates how a sociological analysis of music and gender can actually lead us to think about emotions and gender inequalities in different ways.