Egypt's Adjustment to Ottoman Rule deals with the impact of the Ottoman conquest of Egypt on its political, religious and social institutions, their transition from the Mamluk to the Ottoman regime and further development up to the 17th century. The relationship between the Ottoman ruling establishment, the local religious groups and the military aristocracy is discussed in the first part of the volume. Waqf documents are a major source for this study which, in the second part, analyzes and compares the endowments of the Ottoman governors and those of the military aristocracy and their respective impact on the urban development and architecture of Cairo in this period. The architecture is documented with 70 photographs and figures. By integrating architecture and urbanism in the historical analysis of the period under study, this book is important for historians and art historians of Egypt.

This book deals with the transition of Egypt from Mamluk to Ottoman rule, a subject that has not been investigated before; Waqf documents are a major source for this study which also treats urban and architectural development as an aspect of the history of the period.

In this seminal study, Jane Hathaway presents a wide-ranging reassessment of the effects of Ottoman rule on the Arab Lands of Egypt, Greater Syria, Iraq and Yemen - the first of its kind in over forty years. Challenging outmoded perceptions of this period as a demoralizing prelude to the rise of Arab nationalism and Arab nation-states in the nineteenth and twentieth centuries, Hathaway depicts an era of immense social, cultural, economic and political change which helped to shape the foundations of today's modern Middle and Near East. Taking full advantage of a wide range of Arabic and Ottoman primary sources, she examines the changing fortunes of not only the political elite but also the broader population of merchants, shopkeepers, peasants, tribal populations, religious scholars, women, and ethnic and religious minorities who inhabited this diverse and volatile region. With masterly concision and clarity, Hathaway guides the reader through all the key current approaches to and debates surrounding Arab society during this period. This is far more than just another political history; it is a global study which offers an entirely new perspective on the era and region as a whole.

Wide range of case studies across the Islamic world Provides a new interdisciplinary perspective on the Islamic city Well illustrated with maps and photographs The mix of contributors is good, from well established and highly respected academics to younger, upcoming talents The issue of urbanism in the Islamic world is an enduringly popular area of study and investigation

From ancient Mesopotamia into the 20th century, "the Circle of Justice" as a concept has pervaded Middle Eastern political thought and underpinned the exercise of power in the Middle East. The Circle of Justice depicts graphically how a government’s justice toward the population generates political power, military strength, prosperity, and good administration. This book traces this set of relationships from its earliest appearance in the political writings of the Sumerians through four millennia of Middle Eastern culture. It explores how people conceptualized and acted upon this powerful insight, how they portrayed it in symbol, painting, and story, and how they transmitted it from one regime to the next. Moving towards the modern day, the author shows how, although the Circle of Justice was largely dropped from political discourse, it did not disappear from people’s political culture and expectations of government. The book demonstrates the Circle’s relevance to the Iranian Revolution and the rise of Islamist movements all over the Middle East, and suggests how the concept remains relevant in an age of capitalism. A "must read" for students, policymakers, and ordinary citizens, this book will be an important contribution to the areas of political history, political theory, Middle East studies and Orientalism.

The Mongol empire was founded early in the thirteenth century by Chinggis Khan and within the span of two generations embraced most of Asia, becoming the largest land-based state in history. The papers in this volume present new perspectives on the establishment of the Mongol empire, Mongol rule in the eastern Islamic world, Central Asia and China, and the legacy of this rule. The various authors approach these subjects from the view of political, military, social, cultural and intellectual history.

An interdisciplinary study of urban history, urban experience and the nature of urbanism under the rule of the Mamluk Sultanate (1250-1517).

The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.

Oleg Grabar, 'Michael Meinecke and His Last Book.' Thomas Leisten, 'Mashhad al-Nasr: Monuments of War and Victory in Medieval Islamic Art.' Jere L. Bacharach, 'Marwanid Umayyad Building Activities: Speculations on Patronage.' Nuha N.N. Khoury, 'The Meaning of the Great Mosque of Cordoba in the Tenth Century.' Nasser Rabbat, 'Al-Azhar Mosque: An Architectural Chronicle of Cairo's History.' Howyda N. Al-Harithy, 'The Complex of Sultan Hasan in Cairo: Reading between the Lines.' Michael Cooperson, 'Baghdad in Rhetoric and Narrative.' Aptullah Kuran, 'A Spatial Study of Three Ottoman Capitals: Bursa, Edirne, and Istanbul.' Filiz aĥman and Zeren Tanindi, 'Remarks on Some Manuscripts at the Topkapi Palace Treasury in the Context of Ottoman-Safavid Relations.' Yildirim Yavuz, 'The 1922-26 Restoration Project of the Masjid al-Aqsa by Mimar Kemalettin.' Anthony Welch, 'A Medieval Center of Learning in India: The Haus Khas in Delhi.' Alpay zdural, 'On Interlocking Similar or Corresponding Figures and Ornamental Patterns of Cubic Equations.'

A history of the Ottoman incorporation of Arab lands that shows how gentlemanly salons shaped culture, society, and governance Historians have typically linked Ottoman imperial cohesion in the sixteenth century to the bureaucracy or the sultan’s court. In Empire of Salons, Helen Pfeifer points instead to a critical but overlooked factor: gentlemanly salons. Pfeifer demonstrates that salons—exclusive assemblies in which elite men displayed their knowledge and status—contributed as much as any formal institution to the empire’s political stability. These key laboratories of Ottoman culture, society, and politics helped men to build relationships and exchange ideas across the far-flung Ottoman lands. Pfeifer shows that salons played a central role in Syria and Egypt’s integration into the empire after the conquest of 1516–17. Pfeifer anchors her narrative in the life and network of the star scholar of sixteenth-century Damascus, Badr al-Din al-Ghazzi (d. 1577), and she reveals that Arab elites were more influential within the empire than previously recognized. Their local knowledge and scholarly expertise competed with, and occasionally even outshone, that of the most powerful officials from Istanbul. Ultimately, Ottoman culture of the era was forged collaboratively, by Arab and Turkophone actors alike. Drawing on a range of Arabic and Ottoman Turkish sources, Empire of Salons illustrates the extent to which magnificent gatherings of Ottoman gentlemen contributed to the culture and governance of empire.