Home, we are taught from childhood, is safe. Home is a refuge that keeps the monsters out--until it isn't. This collection of new essays focuses on genre horror movies in which the home is central to the narrative, whether as refuge, prison, menace or supernatural battleground. The contributors explore the shifting role of the home as both a source and a mitigator of the terrors of this world, and the next. Well known films are covered--including Psycho, Get Out, Insidious: The Last Key and Winchester House--along with films produced outside the U.S. by directors such as Alejandro Amenabar (The Others), Hideo Nakata (Ringu) and Guillermo Del Toro (The Orphanage), and often overlooked classics like Alfred Hitchcock's The Lodger.

"[A] well-plotted survey." Total Film In 100 American Horror Films, Barry Keith Grant presents entries on 100 films from one of American cinema's longest-standing, most diverse and most popular genres, representing its rich history from the silent era - D.W. Griffith's The Avenging Conscience of 1915 - to contemporary productions - Jordan Peele's 2017 Get Out. In his introduction, Grant provides an overview of the genre's history, a context for the films addressed in the individual entries, and discusses the specific relations between American culture and horror. All of the entries are informed by the question of what makes the specific film being discussed a horror film, the importance of its place within the history of the genre, and, where relevant, the film is also contextualized within specifically American culture and history. Each entry also considers the film's most salient textual features, provides important insight into its production, and offers both established and original critical insight and interpretation. The 100 films selected for inclusion represent the broadest historical range, and are drawn from every decade of American film-making, movies from major and minor studios, examples of the different types or subgenres of horror, such as psychological thriller, monster terror, gothic horror, home invasion, torture porn, and parody, as well as the different types of horror monsters, including werewolves, vampires, zombies, mummies, mutants, ghosts, and serial killers.

Providing a new perspective on Lovecraft's life and work, Horror as Racism in H.P. Lovecraft focuses on the overlap between the writer's personal beliefs and the racist images and narratives in his speculative fiction. Building on recent debates about Lovecraft and drawing on the concept of "white fragility," John Steadman argues that the writer's fiction reflects his feelings of resentment and anger towards non-white persons and was used to advocate for his racist, xenophobic political beliefs – that western civilization was in decline and slavery was justifiable among "superior" civilizations. In making these claims, Lovecraft's tales pit humans against extra-terrestrial aliens, developing a terrifying, futuristic vision of the Earth as a plantation planet. The familiar image of Lovecraft as a reclusive, creative genius and mentor to young writer-friends is dismantled through close readings of his fiction and nonfiction – including correspondence, essays, and poetry – and examination of his early biography. This image is replaced by that of a cruel, callous, and, at times, psychotic man, a violently vitriolic racist and white supremacist who hated most of the non-white races. While some will dismiss the author outright and others will read his fiction but ignore the racism, Horror as Racism in H.P. Lovecraft takes a middle ground: acknowledging Lovecraft's personal history and heinous intentions, it helps readers navigate the author's disturbing biography while also getting a better sense of the stories, which remain significant within American science fiction.

The Burrowers Beneath is the first book in the Titus Crow series from bestselling author Brian Lumley The Titus Crow novels are adventure horror, full of acts of nobility and heroism, featuring travel to exotic locations and alternate planes of existence as Titus Crow and his faithful companion and record-keeper fight the gathering forces of darkness wherever they arise. The menaces are the infamous and deadly Elder Gods of the work of H.P. Lovecraft. Chthulu and his dark minions are bent on ruling the earth--or destroying it. A few puny humans cannot possibly stand against these otherworldly evil gods, yet time after time, Titus Crow defeats the monsters and drives them back into the dark from whence they came. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown. These facts few psychologists will dispute, and their admitted truth must establish for all time the genuineness and dignity of the weirdly horrible tale as a literary form… As may naturally be expected of a form so closely connected with primal emotion, the horror-tale is as old as human thought and speech themselves. H. P. Lovecraft Horror intends to create an eerie and frightening atmosphere for the reader. Prevalent elements include ghosts, demons, vampires, werewolves, ghouls, the Devil, witches, monsters, dystopian and apocalyptic worlds, serial killers, cannibalism, psychopaths, cults, dark magic, Satanism, the macabre, gore, and torture. Edgar Allan Poe The Murders in the Rue Morgue The Gold Bug The Black Cat The Pit and the Pendulum The Tell-Tale Heart The Fall of the House of Usher The Masque of the Red Death The Cask of Amontillado The Facts in the Case of M. Valdemar Hop-Frog The Raven Bram Stoker Dracula Mary Shelley Frankenstein Joseph Sheridan Le Fanu Carmilla Robert Louis Stevenson The Strange Case of Dr. Jekyll and Mr. Hyde H.P. Lovecraft The Alchemist At the Mountains of Madness Azathoth The Beast in the Cave Beyond the Wall of Sleep The Book The Call of Cthulhu The Case of Charles Dexter Ward The Cats of Ulthar The Colour out Of Space Dagon The Descendant The Doom that Came to Sarnath The Dream-Quest of Unknown Kadath The Dunwich Horror The Evil Clergyman Ex Oblivione Facts Concerning the Late Arthur Jermyn and His Family The Festival From Beyond The Haunter of the Dark He Herbert West-Reanimator The History of The Necronomicon The Horror at Red Hook The Hound Hypnos Ibid In the Vault the Little Glass Bottle Memory The Moon-Bog The Music of Erich Zann The Nameless City Nyarlathotep Old Bugs The Other Gods The Outsider Pickman's Model The Picture in the House Polaris The Quest of Iranon The Rats in the Walls A Reminiscence of Dr. Samuel Johnson The Secret Cave or John Lees Adventure The Shadow Out Of Time The Shadow Over Innsmouth The Shunned House The Silver Key The Statement of Randolph Carter The Strange High House in the Mist The Street The Temple The Terrible Old Man The Tomb The Transition of Juan Romero The Tree Under the Pyramids The Very Old Folk What the Moon Brings The Whisperer in Darkness The White Ship Supernatural Horror in Literature Algernon Blackwood The Willows Francis Marion Crawford The Doll's Ghost Robert W. Chambers The King in Yellow M.R. James Canon Alberic's Scrap-Book Lost Hearts The Mezzotint The Ash-Tree Number 13 Count Magnus The Treasure Of Abbot Thomas A School Story The Rose Garden The Stalls Of Barchester Cathedral The Diary Of Mr. Poynter An Episode Of Cathedral History The Story Of A Disappearance And An Appearance An Evening's Entertainment A Warning To The Curious A Neighbour's Landmark The Uncommon Prayer-Book The Haunted Dolls' House Wailing Well There Was A Man Dwelt By A Churchyard Rats After Dark In The Playing Fields The Experiment The Malice Of Inanimate Objects A Vignette

Fate met Stephen at the early age of 19. There love was a love that no one could measure not even time itself. They fell in love instantly.They had a passion for each other like no other. When she became ill, Stephen was devastated, but he couldn't imagine a life without Fate in it. He did what any man in love for a lifetime would do, he hired a full time nurse, and then he waited. Years he would wait, as she would relive their past, until finally she would suddenly awake for a time, only to conclude that years had gone by and so much of their Life they had built together she had missed. Then once again emotion would overtake his love, his Fate, and she would fall back into her illness, her time trap, sleep-like trance. And again Stephen would wait for her to awaken once more.This is a story of The older, of a love , time cannot handle and death cannot stop.

Welcome, brave souls, to a realm where shadows dance with the unseen, and whispers of the past linger in the air like an icy breath. Within these pages lie 101 terrifying ghost stories, each a haunting melody from the other side, waiting to ensnare your senses and send shivers down your spine. From forgotten graveyards to desolate mansions, prepare to embark on a journey through the unknown, where the veil between the living and the dead grows thin. But beware, for once you delve into these ghostly whispers, there may be no returning to the safety of the light. In '101 Ghostl Stories,' prepare to embark on a spine-tingling journey through the ethereal world of the supernatural. From abandoned mansions cloaked in mist to ancient graveyards under the moonlit sky, this collection brings together a diverse array of ghost stories to captivate and terrify readers. Within these pages, you'll encounter vengeful specters seeking justice from beyond the grave, lost souls wandering the earth in search of closure, and malevolent entities lurking in the shadows, hungry for unsuspecting prey. Each tale is crafted to evoke a sense of dread and wonder, drawing you deeper into the mysteries of the unknown. Whether you're a skeptic or a true believer, '101 Ghost Stories' promises to leave you breathless with anticipation and lingering unease. So gather around the flickering firelight, but beware – for in the darkness, anything is possible, and the spirits may be closer than you think..."