Interprets the poetic and dramatic features of "Electra" and establishes it as relevant to the readers of today. The volume contains a critical introduction, commentary on the text, full stage directions and a glossary of the mythical and geographical references used in the play.

DumbWise reinvent the murderous Greek myth of power and prophecy as a lyrical modern epic with a live punk-rock score. A Queen masterminds the murder of her husband and takes the throne with her new lover. Her daughter, Electra, grows up in the grip of a cruel regime, swearing revenge. Her son Orestes, exiled as a boy and raised in the arms of the rebels, waits to embark on a holy mission to reclaim his country. Two decades later a twist of fate brings brother and sister together; united by hate but divided by faith. With the country on the brink of civil war, the most powerful family in the Kingdom are torn apart from the inside as their dark past once again becomes the present. The revolution will be televised, but are The Gods watching?

Shakespeare's Hamlet--written 1,000 years after the classical Greek period--follows a narrative pattern similar to that of the Greek Electra myth, and it isn't the only story to do so. We see signs of Electra's influence again in the 20th-century works of Oscar Wilde, Eugene O'Neill and T.S. Eliot, among others. This revised and updated edition will look more closely at the influence of Electra on popular culture throughout history and the questions it poses regarding oppositions such as logic versus instinct, night versus day and repression versus freedom.

This new introduction to Euripides' fascinating interpretation of the story of Electra and her brother Orestes emphasizes its theatricality, showing how captivating the play remains to this day. Electra poses many challenges for those drawn to Greek tragedy – students, scholars, actors, directors, stage designers, readers and audiences. Rush Rehm addresses the most important questions about the play: its shift in tone between tragedy and humour; why Euripides arranged the plot as he did; issues of class and gender; the credibility of the gods and heroes, and the power of the myths that keep their stories alive. A series of concise and engaging chapters explore the functions of the characters and chorus, and how their roles change over the course of the play; the language and imagery that affects the audience's response to the events on stage; the themes at work in the tragedy, and how Euripides forges them into a coherent theatrical experience; the later reception of the play, and how an array of writers, directors and filmmakers have interpreted the original. Euripides' Electra has much to say to us in our contemporary world. This thorough, richly informed introduction challenges our understanding of what Greek tragedy was and what it can offer modern theatre, perhaps its most valuable legacy.

Theatrical performance is the most ephemeral of arts. Once a production closes, the living work of art disappears. Fortunately, some productions leave behind enough evidence to reconstruct in words and pictures what a performance was like and to conjecture what the audience saw and heard. Between 1889 and 1995 in America, productions of Sophocles' Electra became the project of some of the most significant directors, actresses, and producers of their day. In reconstructing eleven major productions, this book seeks to accomplish two goals: first, to preserve, albeit in imperfect written form, the productions themselves; and, second, by tracing the history of Electra's production, to highlight some of the most pivotal figures in the development of American theater, including several key women often neglected by theater historians. Along the way, for those who celebrate Greek tragedy in production, this book will allow the reader to sit vicariously in the audience and enjoy eleven Electra productions on the American stage. E. Teresa Choate is an Associate Professor and Assistant Chair at the Department of Theatre in the School of Visual and Performing Arts at Kean University.

A series of translations faithful to the original Greek plays in content and tone.

A new translation of Sophocles' Electra by David Bolton. The translation combines prose and verse and aims to be an authentic rendering of the original Greek text and to maintain its spirit. The translation is accompanied by background notes concerning the feud in the Pelopid dynasty, Homer's account, the Delphic Oracle and the role of Orestes.

"Electra's story is essentially a tale of murder, revenge, and violence. In the ancient myth of Atreus, Agamemnon returns home from battle and receives no hero's welcome. Instead, he is greeted with an ax, murdered in his bath by his wife, Clytemnestra, and her lover-accomplice, Aegisthus. Electra chooses anger over sorrow and stops at nothing to ensure that her mother pays. In revenge, Electra, with the help of her brother, orchestrates a brutal and bloody matricide, and her reward is the restitution of her father's good name. Amid all this chaos, Electra, Agamemnon's princess daughter, must bear the humiliation of being treated as a slave girl and labeled a madwoman."—from the IntroductionAlmost everyone knows about Oedipus and his mother, and many readers would put the Oedipus myth at the forefront of Western collective mythology. In Electra after Freud, Jill Scott leaves that couple behind and argues convincingly for the primacy of the countermyth of Agamemnon and his daughter. Through a lens of Freudian and feminist psychoanalysis, this book views renderings of the Electra myth in twentieth-century literature and culture.Scott reads several pivotal texts featuring Electra to demonstrate what she calls "a narrative revolt" against the dominance of Oedipus as archetype. Situating the Electra myth within a framework of psychoanalysis, medicine, opera, and dance, Scott investigates the heroine's role at the intersections of history and the feminine, eros and thanatos, hysteria and melancholia. Scott analyzes Electra adaptations by H.D., Hofmannsthal and Strauss, Musil, and Plath and highlights key moments in the telling and reception of the Electra myth in the modern imagination.

FROM EXCITING AUTHOR OF LGBTQ+ ROMANCE APRIL C. GRIFFITH Electra Rex, self-appointed &‘galaxy's greatest starship captain' and last known human, is going to save humanity or get rich trying! Electra Rex, the last human in known space, is broke—worse than broke, deeply in debt and out of options. After a desperate, drunken attempt to fix her faltering life, she finds herself in a deeper hole after stealing the most stylish starship she's ever seen, but it comes with a massive lien. She's left with a fast ship, a nearly indestructible debt-enforcement robot named Letterman watching her every move and a lead on a lucrative job with the mysterious organization known as Bi-MARP, which is set to rebuild Earth on the two-thousand-year anniversary of its destruction. Across two galaxies, she struggles to stay one step ahead of space pirates and creditors, all while trying to catch the eye of a beautiful, vivacious bisexual clone named Treasure, who was recently rescued from a top-secret university lab run by academic squids. She succeeds in seducing Treasure—or perhaps it's the other way around—while they run scams to find earthling relics like the original formula for Coca-Cola, a 1968 Volkswagen Beatle, a mostly complete Monopoly board game and a largely accurate, if not small and green, clone of an elephant. All the while, Electra has to hide the fact that Treasure is actually the most valuable item on the Bi-MARP list—a fertile human female. When the truth of humanity's demise and the goals of Bi-MARP are uncovered, Electra, the galaxy's foremost transgender hero, decides that the riches and fame aren't worth the sacrifices, and she turns on her former employer to rescue Treasure a third time, completing her search for money, what it means to be human without the rest of humanity and, most of all, love.