The English countryside has inspired some of the most exquisite and well-loved poetry ever composed in the language. This selection of verse includes, among others, Thomas Gray's reflective and moving meditation on mortality, 'Elegy Written in a Country Church Yard', the soaring beauty of Wordsworth's lines on Tintern Abbey and Keats's ode to Autumn, the deceptively simple words of Emily Brontë and the personal and evocative verse of Thomas Hardy, bringing together the greatest riches of English poetry. Generations of inhabitants have helped shape the English countryside - but it has profoundly shaped us too.It has provoked a huge variety of responses from artists, writers, musicians and people who live and work on the land - as well as those who are travelling through it.English Journeys celebrates this long tradition with a series of twenty books on all aspects of the countryside, from stargazey pie and country churches, to man's relationship with nature and songs celebrating the patterns of the countryside (as well as ghosts and love-struck soldiers).

A Study Guide for Thomas Gray's "Elegy Written in a Country Churchyard," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.

This volume brings together the full contents of Prufrock and Other Observations (1917), Poems (1920), and The Waste Land (1922), together with an informative introduction and a selection of background materials. Included as well are two of Eliot’s most influential essays, “Tradition and the Individual Talent” (1919) and “The Metaphysical Poets” (1921). As with other volumes in this series, the material appearing here is for the most part drawn from The Broadview Anthology of British Literature, acclaimed as “the new standard” in the field. Appendices include a wide range of contextual materials pertaining to Modernism; writings by Ezra Pound, H.D., and Mina Loy; reviews of The Waste Land; art by Wyndham Lewis; and excerpts from essays by Virginia Woolf and others.

The sixty poems in Lucilla Maclaren Spillane’s collection are written with a keen eye for detail and draw on her wide range of experiences in several countries. Written in traditional form and with an ear for harmony, they are memorable and easy to read. The poems range from the deep understanding she shows in Another Seeing, through the beauty of ‘The Lake’ in Wisconsin, ‘The Fountain’ in Oxford and ‘Street Lamps’ in Malta to the stark humanity of ‘The Beggar,’ ‘The Widow’ and ‘A Lonely New Year.’ ‘Lift Off!’ re-creates the tension of a Space Shuttle Launch; ‘Dragon’ the secret fears of a child with epilepsy; ‘No Time to Die,’ the redemption of an alcoholic; ‘Sunday Bells,’ the frustrations of the writing process; whilst ‘Haggis Night,’ vividly depicts the fabled Hogmanay Hunt for Haggis in the Highlands of Scotland. Some of the poems in this collection deal with disabilities, including the author’s own epilepsy. The poems will provoke thought on the broader implications of disability and on the way others respond to it. The notes to the poems contained within this volume also give the poems added depth and interest, explaining how and where they were inspired and what it was that prompted her to write each of them. The afterword explores her influences, philosophy and beliefs with regard to poetry.

What is a poem? What ideas about the poem as such shape how readers and audiences encounter individual poems? To explore these questions, the first section of this Companion addresses key conceptual issues, from singularity and genre to the poem's historical exchanges with the song and the novel. The second section turns to issues of form, focusing on voice, rhythm, image, sound, diction, and style. The third section considers the poem's social and cultural lives. It examines the poem in the archive and in the digital sphere, as well as in relation to decolonization and global capitalism. The chapters in this volume range across both canonical and non-canonical poems, poems from the past and the present, and poems by a diverse set of poets. This book will be a key resource for students and scholars studying the poem.

In 'Six Centuries of English Poetry: Tennyson to Chaucer,' James Baldwin expertly navigates the evolution of English poetry from the Victorian era to the Middle Ages. Through an in-depth analysis of works by poets such as Alfred Lord Tennyson and Geoffrey Chaucer, Baldwin provides readers with a comprehensive understanding of the themes, styles, and historical contexts of each poem. The book is a scholarly exploration of how English poetry has evolved over time, offering insightful commentary and critical interpretations of some of the most influential poems in literary history. James Baldwin, known for his expertise in literature and poetry, brings a wealth of knowledge and insight to this work. His background as a renowned literary critic and professor undoubtedly informs his analysis, making 'Six Centuries of English Poetry' a valuable resource for students and enthusiasts alike. I highly recommend 'Six Centuries of English Poetry: Tennyson to Chaucer' to anyone interested in the evolution of English poetry and the works of Tennyson, Chaucer, and other influential poets. Baldwin's scholarly approach and insightful commentary make this book a must-read for anyone looking to deepen their understanding of English literary traditions.