Enchantment and Creed in the Hymns of Ambrose of Milan offers the first critical overview of the hymns of Ambrose of Milan in the context of fourth-century doctrinal song and Ambrose's own catechetical preaching. Brian P. Dunkle, SJ, argues that these settings inform the interpretation of Ambrose's hymnodic project. The hymns employ sophisticated poetic techniques to foster a pro-Nicene sensitivity in the bishop's embattled congregation. After a summary presentation of early Christian hymnody, with special attention to Ambrose's Latin predecessors, Dunkle describes the mystagogical function of fourth-century songs. He examines Ambrose's sermons, especially his catechetical and mystagogical works, for preached parallels to this hymnodic effort. Close reading of Ambrose's hymnodic corpus constitutes the bulk of the study. Dunkle corroborates his findings through a treatment of early Ambrosian imitations, especially the poetry of Prudentius. These early readers amplify the hymnodic features that Dunkle identifies as "enchanting," that is, enlightening the "eyes of faith."

Enchantment and Creed in the Hymns of Ambrose of Milan offers the first critical overview of the hymns of Ambrose of Milan in the context of fourth-century doctrinal song and Ambrose's own catechetical preaching. Brian P. Dunkle, SJ, argues that these settings inform the interpretation of Ambrose's hymnodic project. The hymns employ sophisticated poetic techniques to foster a pro-Nicene sensitivity in the bishop's embattled congregation. After a summary presentation of early Christian hymnody, with special attention to Ambrose's Latin predecessors, Dunkle describes the mystagogical function of fourth-century songs. He examines Ambrose's sermons, especially his catechetical and mystagogical works, for preached parallels to this hymnodic effort. Close reading of Ambrose's hymnodic corpus constitutes the bulk of the study. Dunkle corroborates his findings through a treatment of early Ambrosian imitations, especially the poetry of Prudentius. These early readers amplify the hymnodic features that Dunkle identifies as "enchanting," that is, enlightening the "eyes of faith."

Ambrose, the first patrician bishop and a prolific writer of a broad range of works, presents numerous opportunities for interdisciplinary research. His participation in many social groups, sometimes at odds with each other, and sometimes overlapping, demanded flexibility. The result is a protean figure, whose motives are not always clear. His own works and those of the scholars who contribute to this volume are accordingly multidisciplinary. Fields such as theology (especially historical theology), history, classics, philosophy, linguistics, and aesthetics, among others, and the recent international research that belongs to them nuance the volume’s investigation of Ambrose’s actions and motivations. The reader will find that Ambrose’s efforts to create and to strengthen social cohesion included building relationships and erecting social structures set on the foundations of Nicaean Christianity against heresy and paganism. A fusion of Graeco-Roman and Judeo-Christian intellectual traditions reinforced the solidarity Ambrose promoted. These endeavors met with success then, and continue to do so now, as indicated by the modern community of scholars found within this book.

This work offers a critical overview of the hymns of Ambrose of Milan (c.339-397) in the context of fourth-century doctrinal hymns and in relation to his own catechetical preaching. Brian P. Dunkle, SJ, argues that Ambrose employed sophisticated poetic techniques in his hymns in order to foster a pro-Nicene sensitivity in his congregation.