In End of Story, Crispin Sartwell maintains that the academy is obsessed with language, and with narrative in particular. Narrative has been held to constitute or explain time, action, value, history, and human identity. Sartwell argues that this obsession with language and narrative has become a sort of disease. Pitting such thinkers as Kierkegaard, Bataille, and Epictetus against the narrativism of MacIntyre, Ricoeur, and Aristotle, Sartwell celebrates the ways narratives and selves disintegrate and recommends a lapse into ecstatic or mundane incoherence. As the book rollicks through Wodehouse, Thoreau, the Book of Job, still-life painting, and Sartwell's autobiography, there emerges a hopeful if bizarre new sense of who we are and what we can be.

Is someone out there tinkering with our minds? Shukrat Ali, a news anchor at Khulasa, the ‘tabloid’ current affairs channel, is out of a job.TV channels across the country have closed down as a consequence of a Supreme Court ban on electronic advertising. An inquiry is on regarding the emergence of a sinister new form of ads the media has dubbed ‘propagandads’, which uses compelling subliminal messages to subtly rewire people’s minds and influence their actions. Even as Shukrat grapples with the question: ‘How does an anchor move on?’ he is summoned to testify in the trial concerning the killing of his ex-boss, Satya Saachi Sengupta, the mysterious and towering figure in his life, whose connections with this insidious mind manipulation scheme can no longer be denied. Being a key witness present at the scene of the crime, Shukrat must prepare to bare all before the court and tread carefully lest his testimony boomerangs on him. Gripping and darkly humorous, End of Story? is an intriguing and intelligent thriller about the dystopian possibilities of everyday advertising.

THE THRILLER THAT EVERYONE IS RAVING ABOUT THIS SUMMER 'Absolutely show-stopping' JANICE HALLETT 'Unputdownable' SOPHIE HANNAH 'So intense! So gripping!' B.P. WALTER 'A tour-de-force' CHRIS WHITAKER 'Wow!' CHRISTINA DALCHER 'Enthralling and incredibly clever' C.J. TUDOR 'Blew my mind' JANE CORRY 'A drop-the-book twist' TAMMY COHEN YOU KNOW HOW THIS STORY BEGINS. Once upon a time, there was a writer named Fern. She was a bestseller. An award-winner. Loved by readers and critics alike. With her words, she changed the world. Until her story took a turn. Now Fern is a cleaner in a hospital. Condemned to anonymity. Because reading books is now a crime. Only, Fern doesn't plan on going down without a fight. She'll keep writing, no matter the consequences. She will make her voice heard. Because Fern's story is only beginning. BUT CAN YOU GUESS HOW IT WILL END? A white-knuckle ride of a thriller set in an all-too-believable near-future with a shocking twist, perfect for fans of Gillian McAllister and Catriona Ward. ___________________ READERS LOVE END OF STORY . . . 'It's actually hard to find words for how brilliant End of Story is' NETGALLEY REVIEWER, 5* 'What a fantastic book, I really didn't see the twist coming but oh my gosh!' NETGALLEY REVIEWER, 5* 'Without question one of my books of the year' NETGALLEY REVIEWER, 5* 'I'm a bit flabbergasted after reading this. It wasn't what I was expecting; it was so much more' NETGALLEY REVIEWER, 5* 'Wow, what have I just read? I honestly could not put this book down, I read it in one sitting.' NETGALLEY REVIEWER, 5*

This book is an exercise in a thoroughgoing narrative theology. The social and legal validation of same-sex relationships in the West over the last two decades has presented an immense challenge to the church insofar as it seeks to remain faithful to Scripture. But it is not an isolated ethical problem. It is just one element—albeit a very important one—in the much broader, long-term overhaul and reorientation of Western culture after the collapse of the Christian consensus. The forces of history that are driving this transformation, however, have also alerted us to the historical perspectives that constrained biblical thought. Andrew Perriman suggests that Paul’s argument about same-sex behavior, perhaps more clearly than any other issue, highlights the narrative shape of the mission of the early church in the Greek world. By the same token, we must ask how that storyline has been refracted across the boundary of modernity, and how it now shapes the mission of the church as it adapts to its marginalized position in an aggressively secular world.

The End of the Story is an energetic, candid, and funny novel about an enduring obsession and a woman's attempt to control it by the telling of the story of it. With ruthless honesty, artful analysis, and crystalline depictions of human and natural landscapes, Lydia Davis's novel offers a compelling illumination of the dilemmas of loss and the process of remembering.

From striking new voice Simon P. Clark comes Tell the Story to Its End; richly atmospheric, moving, unsettling, and told in gorgeous prose, it is a modern classic in the making. "Tell the story to its end," says Eren with a grin. His yellow eyes are glowing like embers in the night. "When I reach the end," I say, "what happens? You'll have the whole story." "Hmm," he says, looking at me and licking his lips with a dry, grey tongue. "What happens then? Why don't we find out?" People are keeping secrets from Oli. His mum has brought him to stay with his aunt and uncle in the countryside, but nobody will tell him why his dad isn't there, too. Why hasn't he come with them? Has something happened? Why won't anyone talk about it? Oli has a hundred questions, and only an old, empty house in the middle of an ancient forest for answers. But then he finds a secret of his own: there is a creature that lives in the attic... Eren is not human. Eren is hungry for stories. Eren has been waiting for him. With Eren to listen, Oli starts to make sense of what's happening. But Eren is powerful, and though he's willing to help Oli, he's not willing to do it for free; he wants something in return. Oli must make a choice: he can learn the truth -- but to do so he must abandon himself to Eren's world, forever. -- “Savvy readers and would-be writers will love this exploration of story as an art form, a panacea, and an endless part of life.” - Kirkus Reviews “Clark does an admirable job of conveying Oli’s wonder, confusion, and frustration as he strays farther and farther from reality... Adeptly mixes fantasy with reality.” - Publishers Weekly

Jimmy Sakamota's come a long way since his days of watching a little bridge in the middle of nowhere. Now a duke of the realm surrounded by more friends and family than he ever imagined having, the would-be Samurai is set to marry the woman of his dreams, only for the two of them to be arrested and thrown into a mysterious cell. As if that weren't bad enough, they escape only to find the entire palace and the nearby city to be completely empty. Where did everyone go? How did they vanish without a trace? Where the heck is King Iniagus in all this? Join Jimmy, Terra, and the rest of their friends as they investigate the mysterious disappearances, uncover an ancient plot against the entire world of Vinta, and face off against a three-thousand year old evil to earn their happily-ever-after once and for all.

Published in chronological order, with extensive story and bibliographic notes, this series not only provides access to stories that have been out of print for years, but gives them a historical and social context. Series editors Scott Conners and Ronald S. Hilger excavated the still-existing manuscripts, letters and various published versions of the stories, creating a definitive “preferred text” for Smith's entire body of work. This first volume of the series, brings together 25 of his fantasy stories, written between 1925 and 1930, including such classics as "The Abominations of Yondo," "The Monster of the Prophecy," "The Last Incantation" and the title story.

"Summer's End" is a poetry collection covering the essence of being human while maintaining a critical eye to expectations that you are subjected to as well as experience yourself. This book allows you to peek through the curtains of fleeting revelations of someone just trying to find their place in the world.

Ms. Ladybug and Mr. Honeybee: A Love Story at the End of Time tells the story of a ladybug and a honeybee who find each other after losing their entire families to the poisonous fogs the humans are spraying. The unlikely duo pursues a safe haven from the poisonous fog and are aided by lightning bugs, a mysterious dragonfly, and even cockroaches along the adventure of a lifetime. They encounter doubting ticks, denying termites, and a slug desperately resigned to his fate along their way, but they never give up in their seemingly hopeless quest.