This book offers plausible explanations for people’s puzzling unwillingness to address the human-nature interactions that have led us to the precipice that is climate change today. Humanity and nature are at war; the evidence is all around us: catastrophic weather events, rising sea levels, extinction of species, famine, wildfires, melting polar ice, millions of environmental refugees, and toxic pollution of air, water, and soil. The list goes on and on. What is causing this war, and how can it be stopped? Is this war an unintended consequence of economic and environmental imperatives pulling in opposite directions? This book takes the question—and its answer—to a deeper level. It argues that the root cause of our war on nature might be found in the time-honored, historically deep myths, narratives and stories we tell ourselves—and have been telling ourselves for centuries—about humanity’s place in (or out of) the natural world.

In Eros and Revolution, Javier Sethness Castro presents a comprehensive intellectual and political biography of the world-renowned critical theorist Herbert Marcuse (1898-1979). Investigating the origins and development of Marcuse's dialectical approach vis-à-vis Hegel, Marx, Fourier, Heidegger, and Freud as well as the central figures of the Frankfurt School—Horkheimer, Adorno, Neumann, Fromm, and Benjamin—Sethness Castro chronicles the radical philosopher's lifelong activism in favor of anti-capitalism, anti-fascism, and anti-authoritarianism together with Marcuse's defiant revindication of global libertarian-socialist revolution as the precondition for the realization of reason, freedom, and human happiness. Beyond examining Marcuse's revolutionary life and contributions, moreover, the author contemplates the philosopher's relevance to contemporary struggle, especially with regard to ecology, feminism, anarchism, and the general cause of worldwide social transformation.

Starting with the history of apocalyptic tradition in the West and focusing on modern Japanese apocalyptic science fiction in manga, anime, and novels, Motoko Tanaka shows how science fiction reflected and coped with the devastation in Japanese national identity after 1945.

Once upon a time, one had to read Japanese in order to enjoy manga. Today manga has become a global phenomenon, attracting audiences in North America, Europe, Africa, and Australia. The style has become so popular, in fact, that in the US and UK publishers are appropriating the manga style in a variety of print material, resulting in the birth of harlequin mangas which combine popular romance fiction titles with manga aesthetics. Comic publishers such as Dark Horse and DC Comics are translating Japanese "classics", like Akira, into English. And of course it wasn't long before Shakespeare received the manga treatment. So what is manga? Manga roughly translates as "whimsical pictures" and its long history can be traced all the way back to picture books of eighteenth century Japan. Today, it comes in two basic forms: anthology magazines (such as Shukan Shonen Jampu) that contain several serials and manga 'books' (tankobon) that collect long-running serials from the anthologies and reprint them in one volume. The anthologies contain several serials, generally appear weekly and are so thick, up to 800 pages, that they are colloquially known as phone books. Sold at newspaper stands and in convenience stores, they often attract crowds of people who gather to read their favorite magazine. Containing sections addressing the manga industry on an international scale, the different genres, formats and artists, as well the fans themselves, Manga: An Anthology of Global and Cultural Perspectives is an important collection of essays by an international cast of scholars, experts, and fans, and provides a one-stop resource for all those who want to learn more about manga, as well as for anybody teaching a course on the subject.

20th anniversary sequel to a seminal book of the Jewish renewal movement. Deals with spirituality in relation to personal growth, marriage, ecology, feminism, politics and more. Outlines original ways to merge “religious” life and “personal” life today.

The themes of war and time are intertwined in unique ways in Japanese culture, freighted as that nation is with the multiple legacies of World War II: the country’s militarization, its victories and defeats, Hiroshima and Nagasaki, and the uneasy pacifism imposed by the victors. Delving into topics ranging from the production of wartime propaganda to the multimedia adaptations of romance narrative, contributors to the fourth volume in the Mechademia series address the political, cultural, and technological continuum between war and the everyday time of orderly social productivity that is reflected, confronted, and changed in manga, anime, and other forms of Japanese popular culture. Grouped thematically, the essays in this volume explore the relationship between national sovereignty and war (from the militarization of children as critically exposed in Grave of the Fireflies to reworkings of Japanese patriotism in The Place Promised in Our Early Days), the intersection of war and the technologies of social control (as observed in the films of Oshii Mamoru and the apocalyptic vision of Neon Genesis Evangelion), history and memory (as in manga artists working through the trauma of Japan’s defeat in World War II and the new modalities of storytelling represented by Final Fantasy X), and the renewal and hybridization of militaristic genres as a means of subverting conventions (in Yamada Futaro’s ninja fiction and Miuchi Suzue’s girl knight manga). Contributors: Brent Allison; Mark Anderson; Christopher Bolton, Williams College; Martha Cornog; Marc Driscoll, U of North Carolina, Chapel Hill; Angela Drummond-Mathews, Paul Quinn College; Michael Fisch; Michael Dylan Foster, Indiana U; Wendy Goldberg; Marc Hairston, U of Texas, Dallas; Charles Shiro Inouye, Tufts University; Rei Okamoto Inouye, Northeastern U; Paul Jackson; Seth Jacobowitz, San Francisco State U; Thomas Lamarre, McGill U; Tom Looser, New York U; Sheng-mei Ma, Michigan State U; Christine Marran, U of Minnesota; Zilia Papp, Hosei U, Tokyo; Marco Pellitteri; Timothy Perper; Yoji Sakate; Chinami Sango; Deborah Scally; Deborah Shamoon, U of Notre Dame; Manami Shima; Rebecca Suter, U of Sydney; Takayuki Tatsumi, Keio U, Tokyo; Christophe Thouny; Gavin Walker; Dennis Washburn, Dartmouth College; Teresa M. Winge, Indiana U.

Much of the recent scholarly writings and debates on amnesty have revolved around its lawfulness, when granted in respect of the most serious crimes under international law committed in the context of civil armed conflicts. The inconclusiveness of international law on this issue - with positive international law and opinio juris calling for criminal prosecution, and State's practice favouring practical political solutions - does nothing more than deepen the confusion already affecting the international legality of national amnesties. Building on emerging trends in State's practice, this book attempts to clarify the question of the legality of national amnesties for crimes against humanity by suggesting a compromised legal framework within which amnesty and accountability can both be accommodated.

This updated book continues its explorations of identity, place and existence in his films, with three new essays by Adrian Martin, Mark Cousins and James Morrison on his latest film The New World (2005), as well as analysis of Badlands (1973), Days of Heaven (1978) and The Thin Red Line (1998).

A fresh vision of the common good through pnumatological lenses Daniela C. Augustine, a brilliant emerging scholar, offers a theological ethic for the common good. Augustine develops a public theology from a theological vision of creation as the household of the Triune God, bearing the image of God in a mutual sharing of divine love and justice, and as a sacrament of the divine presence. The Spirit and the Common Good expounds upon the application of this vision not only within the life of the church but also to the realm of politics, economics, and care for creation. The church serves a priestly and prophetic function for society, indeed for all of creation. This renewed vision becomes the foundation for constructing a theological ethic of planetary flourishing in and through commitment to a sustainable communal praxis of a shared future with the other and the different. While emphatically theological in its approach, The Spirit and the Common Good engages readers with insights from political philosophy, sociology of religion, economics, and ecology, as well as forgiveness/reconciliation and peacebuilding studies.

Living Nonviolently: Language for Resisting Violence proposes distinctions of language that effectively address issues of force, power, aggressiveness, violence and war. No other book provides such a consistent language for living nonviolently through examples drawn from nonhuman animals, human infancy, personal transactions, domestic politics, and international conflicts.