Enfant Terrible! Jerry Lewis in American Film is the first comprehensive collection devoted to one of the most controversial and accomplished figures in twentieth-century American cinema. A veteran of virtually every form of show business, Lewis's performances onscreen and the motion pictures he has directed reveal significant film-making talents, and show him to be what he has called himself, a "Total Film-Maker." Yet his work has been frequently derided by American critics. Book jacket.

A dedicated career soldier and excellent division and corps commander, Dominique Vandamme was a thorn in the side of practically every officer he served. Outspoken to a fault, he even criticized Napoleon, whom he never forgave for not appointing him marshal. His military prowess so impressed the emperor, however, that he returned Vandamme to command time and again. In this first book-length study of Vandamme in English, John G. Gallaher traces the career of one of Napoleon's most successful midrank officers. He describes Vandamme's rise from a provincial youth with neither fortune nor influence to an officer of the highest rank in the French army. Gallaher thus offers a rare look at a Napoleonic general who served for twenty-five years during the wars of the French Revolution and Napoleonic Empire. This was a time when a general could lose his head if he lost a battle. Despite Vandamme's contentious nature, Gallaher shows, Napoleon needed his skills as a commander, and Vandamme needed Napoleon to further his career. Gallaher draws on a wealth of archival sources in France--notably the Vandamme Papers in Lille--to draw a full portrait of the general. He also reveals new information on such military events as the Silesian campaign of 1807 and the disaster at Kulm in 1813. Gallaher presents Vandamme in the context of the Napoleonic command system, revealing how he related to both subordinates and superiors. Napoleon's Enfant Terrible depicts an officer who was his own worst enemy but who was instrumental in winning an empire.

Brought to you by the minds at Penmen Elite and based on the dark short story poems of Heinrich Hoffmann, the epic adventure of enfant TERRIBLE centers around nine young children who fight to find their way back home after being abducted from their homes by a mysterious force. Pulled into a warped version of their own town, Stadt Von Toten Kindern, the children soon find themselves face-to-face with an enigmatic boy named Struwwelpeter who convinces them to embrace their new-found freedom the unruly town has to offer. Betsy Braun Krause, a 12 year old girl who has long been tormented by the disappearance of her older brother, is immediately befriended by Struwwelpeter who sweeps her up by his strange sense of humor and boyish charm. She soon discovers, however, that there is more to this strange boy than he is letting on. While facing one of her lifelong fears, Betsy is separated from her six year old brother, Conrad, who disappears into the dark, dead forest and is ruthlessly hunted down by a sinister creature. Driven by fear and her desire to save her younger brother, Betsy travels through strange and evil lands to uncover the dark truth about Struwwelpeter, the evil that brought them here and the secret motivation behind it all.

A close look at the genesis of one of America's great modern writers Robert Emmet Long presents a full account of Truman Capote's early life, making use of Capote's unpublished papers. Topics covered include his strange relationship with his beautiful but immature mother (she was sixteen years old when capote was born) as well as his friendships with a series of rich and talented women. Combining biographical insights with literary criticism, Truman Capote, Enfant Terrible presents a grand overview of a complex and fascinating author: one who remained a child in appearance and behavior; a southerner who strayed from the south; a celebrity while living in the most solitary realm of his vast imagination.

"A chronological narrative of the life and an intellectual chronicle and explication of the major works of legal scholar, literary critic, and public intellectual Stanley Fish, who is considered one of the century's most original and influential literary theorists"--

Damen Warner is the front man for a metalcore band who has hit the skids. Hard. His record label dropped him, his manager has gone missing and now his agent won’t return his calls. He is broke and homeless, and his career is deader than rock and roll. And worse—he’s thirty. In a last-ditch effort to revive his career, Damen returns to Chicago on the promise of playing Lollapalooza and his life quickly spirals into a vortex of sex, drugs, rock and roll, colorful language, explicit content and poor taste. Antagonizing everyone in his path, Damen struggles to reinvent himself and to come to terms with his estranged family as he plummets face first to rock bottom. Subversive, sardonic, brilliantly painted and deeply fascinating—Damen’s story is "fun" in the way carnival rides are fun: erratic, brightly colored and constructed by itinerants of negotiable character.

The collection of articles compiled in this volume ponder narratological aspects, elements, and features and examine the extent to which the coinage “post-narratology” is applicable in contemporary literature, cultural studies, translation, etc. The contributors’ rethinking of narratology in relation to ethnicity, culture, history, and religion lead to significant implications as far as adherence to or departure from Western classical narratology is concerned. The notions of plot, storyline, point of view, voice, characters, narrators, and others, paradigmatically structured in the narratological classical model shaped by the Russian Formalists and polished by Tzvetan Todorov, Roland Barthes, and Gérard Genette, are stretched and modified to fit the cultural contexts of written works in various fields.

However much people want esteem, it is an untradable commodity— there is no way that you can buy the good opinion of another or sell to others your good opinion of them. And yet esteem is allocated in society according to systematic determinants: people's performance, publicity, and presentation relative to others will help to fix how much esteem they enjoy and how much disesteem they avoid. In turn, rational individuals are bound to compete with one another, however tacitly, in the attempt to increase their chances of winning esteem and avoiding disesteem. And this competition shapes the environments in which they each pursue esteem, setting relevant comparators and benchmarks, and determining the cost that a person must bear for obtaining a given level of esteem. Hidden in the multifarious interactions and exchanges of social life, then, there is a quiet force at work — a force as silent and powerful as gravity — which molds the basic form of people's relationships and associations. This force was more or less routinely invoked in the writings of classical theorists like Aristotle and Plato, Locke and Montesquieu, Mandeville and Hume and Madison. Although Adam Smith himself gave it great credence, however, the rise of economics proper coincided with a sudden decline in the attention devoted to the economy of esteem. What had been a topic of compelling interest for earlier authors fell into relative neglect throughout the nineteenth and twentieth centuries. This book is designed to reverse the trend. It begins by outlining the psychology of esteem and the way the working of that psychology can give rise to an economy. It then shows how a variety of social patterns that are otherwise anomalous come to make a lot of sense within an economics of esteem. And it looks, finally, at the ways in which the economy of esteem may be reshaped to improve overall social outcomes. While making connections with older patterns of social theorising, it offers a novel orientation for contemporary thought about how society works and how it may be made to work. It puts the economy of esteem firmly on the agenda of economics and social science and of moral and political theory.