The fourteen short stories collected in this volume were written between 1913 and 1921, most of them against the background of the 1914-18 War. All but one were published in slightly different versions by magazines and periodicals on both sides of the Atlantic. Ten were selected and revised by Lawrence for his collection England, My England published in 1922 in the United States and 1924 in Britain. Some of the stories included in this volume are "Tickets Please", "The Blind Man", "Monkey Nuts", "Wintry Peacock", "Hadrian", "Samson and Delilah", "The Primrose Path", "The Horse-Dealer's Daughter", and "The Last Straw". The texts aim to recover Lawrence's own intentions, which editors and publishers all too frequently ignored or altered. Where possible, manuscripts and corrected typescripts are used as base-texts. The introduction traces the composition and revision of the stories, setting them in the context of Lawrence's life and work. The textual apparatus gives variant readings, and explanatory notes identify sources, references and quotations. The 1915 version of "England, My England" is given in an appendix.

David Herbert Lawrence (1885-1930) was an English novelist, poet, playwright and literary critic, one of the key writers of the early twentieth century, most famous for his criticism of rationalism and industrialization. This volume includes many wonderful short stories like “Tickets, Please”, “The Blind Man”, and “Monkey Nuts”. Some of these works Lawrence wrote during World War I, then extensively revisited specifi cally for this edition.

Covering a range of topics, settings and styles, the book offers the first comprehensive study of short fiction from the First World War.

This book looks beyond fidelity to emphasize how each adaptation of D.H. Lawrence’s short stories functions as a creative response to a text, foregrounding the significance of its fluidity, transtextuality, and genre. The adaptations analysed range from the first to the most recent and draw attention to the fluidity of textual sources, the significance of generic conventions and space in film, the generic potentialities latent within Lawrence’s tales, and the evolving nature of adaptation. By engaging with recent advances in adaptation theory to discuss the evolving critical reception of the author’s work and the role of the reader, this book provides a fresh, forward-looking approach to Lawrence studies.

Part 1 provides an overview of Lawrence's work in the genre, discussing his early realist stories, the modernist tales, and the late fables and satires. Part 2 contains a thorough analysis of ten of Lawrence's best known and most widely studied stories ('Odour of Chrysanthemums',' Daughters of the Vicar',' Love Among the Haystacks',' The Prussian Officer',' England, My England',' The Horse-Dealer's Daughter',' The Blind Man',' The Rocking-Horse Winner',' The Man Who Loved Islands', and' Things'). The analysis includes details of composition, a detailed synopsis, plus a short focus on a critical issue which opens up the structure of the story in question. Part 3 uses sections from four of the stories to demonstrate Lawrence's use of dialogue, symbolism, free indirect discourse, and mimicry and satire. Part 4 presents a Select Bibliography of editions of the stories plus secondary criticism.

Lawrence was one of the great short story writers of the 20th century. This new collection of ten stories shows the variety of Lawrence's achievement. the works develop from early realism towards myth and fairy tale, murder and ghost stories.

D.H. Lawrence remains one of the most popular and studied authors of the 20th century. This book is a comprehensive but easy to use reference guide to Lawrence's life, works, and critical reception. The volume has been systematically structured to convey a coherent overall sense of Lawrence's achievement and critical reputation, but it is also designed to enable the reader who may be interested in only one aspect of Lawrence's career, perhaps even in only one of his novels or stories, to find relevant information quickly and easily without having to read other parts of the text. The book begins with an original biography by John Worthen, one of the world's foremost authorities on Lawrence's life and work. The chapters that follow provide separate entries for all of Lawrence's works, except for individual poems and paintings, with critical summaries, discussions of characters, and details of settings. There is also a complete overview of Lawrence and film, with the most complete listing available of film adaptations of his works and of criticism relating to them. Each section of the book provides comprehensive primary and secondary bibliographical data, including citations for the most recent scholarly studies. Maps and chronologies further trace Lawrence's travels and his development over time.

Originally published in 1983, D.H. Lawrence is an annotated bibliographic collection of works by and about D.H. Lawrence. Consisting of three parts, the primary bibliography contains separate bibliographies of Lawrence’s major publications, of collection editions of his works, of his letters, and of concordances to his writings. The secondary bibliography contains bibliographies of biographical and critical publications concerning Lawrence, generally or his individual works. Appendixes and Indexes include an extensive checklist of major foreign-language publications concerning Lawrence and a useful topical and thematic subject index for the guide.

A comprehensive reference to short fiction from Great Britain, Ireland, and the British Commonwealth. With approximately 450 entries, this A-to-Z guide explores the literary contributions of such writers as Joseph Conrad, James Joyce, D H Lawrence, Rudyard Kipling, Oscar Wilde, Katherine Mansfield, Martin Amis, and others.

This pre-eminent bibliography for D. H. Lawrence was extensively revised, updated and expanded by Paul Poplawski for publication in 2001.