Provides a comprehensive and entertaining account of the vitality and variety of achievement in seventeenth-century English poetry. Revised and up-dated throughout, Dr Parfitt has added new material on poets as varied as Marvell and Traherne. There is also a completely new chapter on women poets of the seventeenth century which considers the significant contributions of writers such as Katherine Philips and Margaret Cavendish. The proven quality and success of Dr Parfitt's survey makes this the essential companion for the teacher and student of seventeenth-century verse.

This volume brings together new work on the image of the nation and the construction of national identity in English literature of the seventeenth century. The chapters in the collection explore visions of British nationhood in literary works including Michael Drayton and John Selden’s Poly-Olbion and Andrew Marvell’s Horatian Ode, shedding new light on topics ranging from debates over territorial waters and the free seas, to the emergence of hyphenated identities, and the perennial problem of the Picts. Concluding with a survey of recent work in British studies and the history of early modern nationalism, this collection highlights issues of British national identity, cohesion, and disintegration that remain undeniably relevant and topical in the twenty-first century. This book was originally published as a special issue of the journal, The Seventeenth Century.

Framed by an understanding that the very concept of what defines the human is often influenced by Renaissance and early modern texts, this book establishes the beginning of the literary development of the satanic form into a humanized form in the seventeenth century. This development is centered on characters and poetry of four seventeenth-century writers: the Satan character in John Milton's Paradise Lost and Paradise Regained, the Tempter in John Bunyan's Grace Abounding to the Chief of Sinners and Diabolus in Bunyan's The Holy War, the poetry of John Wilmot, earl of Rochester, and Dorimant in George Etherege's Man of Mode. The initial understanding of this development is through a sequential reading of Milton and Bunyan which examines the Satan character as an archetype-in-the-making, building upon each to work so that the character metamorphoses from a groveling serpent and fallen archangel to a humanized form embodying the human impulses necessary to commit evil. Rosenfeld then argues that this development continues in Restoration literature, showing that both Rochester and Etherege build upon their literary predecessors to develop the satanic figure towards greater humanity. Ultimately she demonstrates that these writers, taken collectively, have imbued Satan with the characteristics that define the human. This book includes as an epilogue a discussion of Samson in Milton's Samson Agonistes as a later seventeenth-century avatar of the humanized satanic form, providing an example for understanding a stock literary character in the light of early modern texts.

As the twelve original essays collected in this volume demonstrate, to study the wit of seventeenth-century poetry is necessarily to address concerns at the very heart of the period's shifting literary culture. It is a topic that raises persistent questions of thematics and authorial intent, even as it interrogates a wide spectrum of cultural practices. These essays by some of the most renowned scholars in seventeenth-century studies illuminate important authors and engage issues of politics and religion, of secular and sacred love, of literary theory and poetic technique, of gender relations and historical consciousness, of literary history and social change, as well as larger concerns of literary production and smaller ones of local effects. Collectively, they illustrate the vitality of the topic, both in its own right and as a means of understanding the complexity and range of seventeenth-century English poetry.

First published in 1985, Seventeenth-Century Poetry considers the way the poetry of the major seventeenth-century writers functioned in a social context: how it grew out of the poets’ social circumstances and ambitions, enhance their relationships with friends and patrons, how it proposed ideals of conduct and the good life. In the case of religious verse, the poetry is read within its devotional context, which in turn is related to the fortunes of the Church of England in Stuart and Commonwealth times. The book also pays serious attention to the millenarian strain which ran through religious poetry at this time. Graham Parry has selected nine poets, both well and lesser known: Jonson, Donne, Herrick, Milton, Herbert, Crashaw, Vaughan, Traherne and Marvell. For each, he considers individual volumes of poetry as they originally appeared and by analysing their structure and layout, as well as the content of the poems, he shows us what effects the poets aim to produce on their audience. In bypassing conventional groupings of seventeenth-century poets, and in emphasising the historical and social context in which they wrote, the author provides students with a fresh and illuminating perspective on their work. This is a must read for students and scholars of English literature.

One-stop resource offering complete textbook for courses in seventeenth-century literature - progressing from introductory topics through to overviews of current research.