The impulse for the recent transformations in the Arab world came from the Maghreb. Research on the region has been on the rise since, yet much remains to be done when it comes to interdisciplinary comparative research. The Maghreb is a heterogeneous region that deserves thorough investigation. This volume focuses on Entanglements as a cross-field and cross-lingual concept to generate a new approach to the region and its inner interdependencies as well as exchanges with other regions. Eminent researchers conceptualize Entanglements through the description of various thematic fields and actors in motion, addressing culture, politics, social affairs, and economics.

This comprehensive Routledge Handbook on the Modern Maghrib introduces and analyses the region in its full complexity, focusing on the countries of Morocco, Tunisia, Algeria, and Libya, as well as the northern and western Sahara. In addition to country studies that provide historical and geopolitical background, a series of thematic explorations engage with a range of social, linguistic, cultural and economic aspects, providing a rich mosaic of current scholarship on the region. Addressing important debates such as the volatile international relations among constituent states, the role of women in society, and the environmental impact of climate change, the book considers natural resources, music, media and language, and revisits the history of borders and social tribal structures. What emerges is not only a variegated picture of the Maghrib as a complex and rapidly changing region, but one marked by stark contrasts and divergences among its constituent states based on their Ottoman and colonial experiences, their relationships with their Saharan and Mediterranean neighbours, and their own political trajectories. This Handbook fills an important gap in knowledge on a region increasingly significant in European and American affairs, and will appeal to anyone interested in the history, economies and societies of North Africa.

Using lively case studies, this book analyzes the transformation of crime and terrorism and the business logic of terrorism.

This volume focuses on entanglements as a cross-field and cross-lingual concept to generate a new approach to the Maghreb region and its inner interdependencies as well as exchanges with other regions. Eminent researchers conceptualize entanglements through the description of various thematic fields and actors in motion.

For two decades, militant jihadism has been one of the world's most pressing security crises. In civil wars and insurgencies across the Muslim world, certain Islamist groups have taken advantage of the anarchy to establish political control over a broad range of territories and communities. In effect, they have built radical new jihadist proto-states. Why have some ideologically-inspired Islamists been able to build state-like polities out of civil war stalemate, while many other armed groups have failed to gain similar traction? What makes jihadists win? In Jihad & Co., Aisha Ahmad argues that there are concrete economic reasons behind Islamist success. By tracking the economic activities of jihadist groups in Afghanistan, Somalia, Pakistan, Mali, and Iraq, she uncovers an unlikely actor in bringing Islamist groups to power: the local business community. To illuminate the nexus between business and Islamist interests in civil war, Ahmad journeys into war-torn bazaars to meet with both jihadists and the smugglers who financed their rise to power. From the arms markets in the Pakistani border region to the street markets of Mogadishu, their stories reveal a powerful economic logic behind the rise of Islamist power in civil wars. Behind the fiery rhetoric and impassioned, ideological claims is the cold, hard cash of the local war economy. Moving readers back and forth between mosques, marketplaces, and battlefields, Ahmad makes a powerful argument that economic savvy, as much as ideological fervor, explains the rise of militant jihadism across the modern Muslim world.

This book starts from the premise that the study of "exceptionally normal" women and men – as conceived by microhistory – has radical implications for understanding history and politics, and applies this notion to Sudan. Against a historiography dominated by elite actors and international agents, it examines both how ordinary people have brought about the most important political shifts in the country’s history (including the recent revolution in 2019) and how they have played a role in maintaining authoritarian regimes. It also explores how men and women have led their daily lives through a web of ordinary worries, desires and passions. The book includes contributions by historians, anthropologists, and political scientists who often have a dual commitment to Middle Eastern and African studies. While focusing on the complexity and nuances of Sudanese local lives in both the past and the present, it also connects Sudan and South Sudan with broader regional, global, and imperial trends. The book is divided into two volumes and six parts, ordered thematically. The first part tackles the entanglement between archives, social history, and power. The second focuses on women’s agency in history and politics from the Funj era to the recent 2018-2019 revolution. Part 3 includes contributions on the history and global connections of the Sudanese armed forces. In the second volume, part 4 intersects the themes of urban life, leisure, and colonial attitudes with queerness. In part 5, labour identities, practices, and institutions are discussed both in urban milieus and against the background of war and expropriation in rural areas. Finally, part 6 studies the construction of social consent under various self-styled Islamic regimes, as well as the emergence of alternative imaginaries and acts of citizenship in times of political openness.

This provocative collection elaborates a trans-cultural definition of being a woman in struggle. Looking at the films of women directors in countries in the Mediterranean rim, this book spurs a contemporary discussion of women s human, civil, and social rights while situating feminist arguments on women s identity, roles, psychology and sexuality. Although their methodologies are diverse, these artists are united in their use of cinema as a means of intervention, taking on the role as outspoken and leading advocates for women s problems. Contributors examine the ways in which cinematic art reproduces and structures the discourses of realism and represents Mediterranean women s collective experience of struggle.