This wide-ranging collection of essays seeks to challenge the ‘common-sense’ assumption that entertainment activities have no function but to fill up otherwise empty moments. As such it builds on the term – coined by the Victorians – ‘Recreation’, and argues that in the entertainments people pursue they do not simply divert themselves, but actively create and re-create their identities. The collection shows this process can only take place for those who enjoy the benefits of leisure; hence, in the medieval period leisure and entertainments are largely confined to the wealthy minority. In periods of rapid social change, like 19th century Britain, the inter-linked question of identity and entertainment became an issue of great concern. Orderly and respectable activities were seen by many commentators as the key to containing the potential menace of the new urban population. In the 20th century the development of new forms of mass entertainment, such as cinema, radio and television, has generated new debates, in particular about the potential of these new media to manipulate their audiences. The essays, arranged in broadly chronological order, give fascinating and detailed ‘snapshots’ of these processes as they unfold from the middle ages to the present-day. As such the collection makes a very valuable contribution to the historical study of the social and, broadly defined, political role played by entertainments in shaping and reinforcing identities. 'In recent years the history of leisure and, more particularly, the history of leisure pursuits, amusements and "entertainments", has engaged the attention of social historians who, as well as highlighting their intrinsic interests, have demonstrated the contribution which such studies can make to an understanding on social identities and class relationships. This collection of essays explores a wide and eclectic range of "entertainments" - from medieval pet-keeping, Victorian chess tournaments and late 19th century museums of curiosities to French anarchist theatre and the career of Harry Belafonte - themes which until now received little or no scholarly analysis. As such it fills a significant gap in the historical literature.' G. R. Searle, Emeritus Prof. of History, University of East Anglia and Fellow of the British Academy

The Millennium Dome, Braveheart and Rolls Royce cars. How do cultural icons reproduce and transform a sense of national identity? How does national identity vary across time and space, how is it contested, and what has been the impact of globalization upon national identity and culture?This book examines how national identity is represented, performed, spatialized and materialized through popular culture and in everyday life. National identity is revealed to be inherent in the things we often take for granted - from landscapes and eating habits, to tourism, cinema and music. Our specific experience of car ownership and motoring can enhance a sense of belonging, whilst Hollywood blockbusters and national exhibitions provide contexts for the ongoing, and often contested, process of national identity formation. These and a wealth of other cultural forms and practices are explored, with examples drawn from Scotland, the UK as a whole, India and Mauritius. This book addresses the considerable neglect of popular cultures in recent studies of nationalism and contributes to debates on the relationship between ‘high' and ‘low' culture.

Enough Has Already Been Said And Written About Modernity, Globalization And Identity. What, However, Distinguishes The Book Is Its Reflexivity_The Politico-Ethical Questions It Raises, And The Way It Makes Us Confront Our Own Ambiguities And Life-Experiences. It Uses Contemporary Sociological Litertature, Negotiates With Diverse Sources Of Creative Imagination, And Remains Immensely Sensitive To The Specificity Of Our Own Social Reality: The Trajectory Of Indian Modernity, The Dynamics Of Cultural Memory And Globalization, And The Dialectic Of Identity Politics. With Its Argumentative Style It Pleads For A Humane/Reflexive Modernity, Narrates The Possibility Of A Profound Art Of Resistance Against Asymmetrical Globalization, And Strives For A More Open And Dialogic Society That Inspires One To Overcome Segmented Identities. Here Is A Book That Needs To Be Read By Sociologists, Social Activists And All Those Who Celebrate Criticality And Reflexivity.

Leisure, Racism, and National Populist Politics responds to the rise and revival of nationalistic, ethnocentric, and authoritarian forms of hegemony, power, and control. Importantly, as a collection of essays, it foregrounds and (re)politicises debates around race and racism, recognising the significance of leisure spaces to the emergence of bottom-up, polymorphous, and dynamic forms of community, resistance, and belonging. A range of authors present a critical and varied exploration of the global manifestations of state-based, increasingly mainstream, racist politics, whilst concomitantly unpicking connected assemblages of power and control. For example: how homonormativity and whiteness structure queer visibility, sexual and civic rights; how white supremacist rhetoric is transformed and differently coded through anti-Black university traditions and state pride; how Western nation-states structure Muslim identity as opposite to national identity; how leisure becomes the site of protest against larger classist and corporate ventures; and how the hegemony of neoliberal, state, and municipal planning practices, and policies about rights to spaces of the neighbourhood, city, and sport, are understood, negotiated, and challenged. The book serves to not only enhance understanding of populist politics but, also, to demand an end to ethnic and racial violence perpetuated through nationalistic and racialised discourses about belonging, citizenship, and social rights to the nation. This edited volume will be a key resource for students and scholars interested in the dynamics of race, gender, and nation, and the politics of belonging in the realm of leisure. The chapters in this book were originally published as a special issue of Leisure Studies.

A unique, international resource for Leisure Studies: in one volume the history, organization and central debates in the field of Leisure Studies are defined, providing a one-stop-shop for students and an agenda for future debate and research academics.

Combining a comprehensive literature review with original empirical research on young people′s use of new media, this book provides a fresh and in-depth discussion of the increasingly complex relationship between the media and childhood, the family and the home. We can no longer imagine our daily lives without media and communication technologies. At the start of the 21st century, the home is being transformed into the site of a multimedia culture. This book looks at the discussions around the potential benefits of this new media and asks: What impact are the new media having on childhood and adolescence? Are these technologies changing the nature of young people′s leisure and sociability? and has the participation of children in private and public life changed?

The digital turn in leisure has opened up a vast array of new opportunities to play, learn, participate and be entertained – opportunities that have transformed what we recognise as leisure. This edited collection provides a significant contribution to our changing understanding of digital leisure cultures, reflecting on the socio-historical context within which the digital age emerged, while engaging with new debates about the evolving and controversial role of digital platforms in contemporary leisure cultures. This book also demonstrates the interdisciplinary nature of studying digital leisure cultures. To make sense of how individuals and institutions use digital spaces it is necessary to draw on history, science and technology, philosophy, cultural studies, sociology and geography, as well as sport and leisure studies. This important and timely study discusses both the promise of the digital sphere as a realm of liberation, and the darker side of the internet associated with control, surveillance, exclusion and dehumanisation. Digital Leisure Cultures: Critical perspectives is fascinating reading for any student or scholar of sociology, sport and leisure studies, geography or media studies.

The European media landscape is changing profoundly. In this wide-ranging and timely text, members of the Euromedia Research Group examine the ways in which national and supranational policy is reacting to these changes. The contributors consider: the consequences for broadcasting systems of satellite and cable delivery; the fate of public broadcasting under deregulation; the changes currently affecting print media and newspapers; the impact of media changes for political and social cultural life; and the significance of the Internet, the first true fruit of the telematic revolution in communication. The main themes of media policy analysis today are convergence, concentration and commercialization, and abu

Southern Africa’s literatures brim with references to the natural world, its landscapes and its animals. Both fictional and non-fictional works express ongoing debates, often highly politicised, concerning its various groups’ senses of identity and belonging in relation to the land and its denizens. This often involves a pervasive tension between ‘Western’, settler societies’ conceptions of modernity and indigenous world-views, each complicating the often simplistic binarisms drawn between them. In this selection of papers from the 2006 Literature and Ecology Colloquium, held in Grahamstown, South Africa, the complexities of forging imaginative and pragmatic senses of belonging in Southern Africa are explored from a variety of disciplinary persepectives: philosophical, historical, botanical, and anthropological as well as literary. Their subject-matter ranges widely – from Bushmen testimonies to Berlin missionaries, from prehistoric cave-dwellers to Schopenhauer, from white Batswana to lion-tamers – but find themselves echoing one another in intriguing and illuminating ways. These are highly localised meditations on age-old questions: What does it mean to be human within a natural environment? Why do we appear to be so damaging to the ecology that sustains us? Is our presence inevitably ‘toxic’ to our planetary fellow-travellers? How do we forge an ecologically sound sense of belonging in this post-colonial, post-apartheid, post-modern era? If this collection has a single most prominent question binding it together, it is this: What are the limits and potentialities of human compassion towards the natural world?

In Western societies, such as the Netherlands, people with different ethnic backgrounds live together in urban areas. This book examines daily life in multi-ethnic neighbourhoods and the meaning of public spaces for social integration. Through observations and interviews in two Dutch cities (Nijmegen and Utrecht) insight is gained into the use and perception of public spaces. Positive experiences in public spaces contribute to feeling at home in a multi-ethnic neighbourhood. Not only intense and lasting contacts, but also fleeting interactions contribute to feeling at home. Experience with diversity contributes to a realistic view of multiculturalism, a view that is based on everyday experiences, with all its positive and negative implications. This, however, does not mean that residents do not use stereotypes or categorizations. However, there is a major difference between the public discourse - which focuses on differences and problems - and everyday encounters, which are perceived as a way to experience and enjoy diversity. Recommendations are that politicians should look at the everyday realities in multi-ethnic neighbourhoods when discussing issues related to multi-ethnic societies. Repeatedly stressing the dichotomy between native and non-native Dutch citizens and focusing on problems, has a negative effect on the everyday lives of people because it produces and reproduces stereotyped images. Integration is not only about non-native Dutch residents adapting themselves to Dutch society: it is also about the extent to which people from various backgrounds live together and feel at home in their neighbourhood.