Equal under the Sky is the first historical study of Georgia O’Keeffe’s complex involvement with, and influence on, US feminism from the 1910s to the 1970s. Utilizing understudied sources such as fan letters, archives of women’s organizations, transcripts of women’s radio shows, and programs from women’s colleges, Linda M. Grasso shows how and why feminism and O’Keeffe are inextricably connected in popular culture and scholarship. The women’s movements that impacted the creation and reception of O’Keeffe’s art, Grasso argues, explain why she is a national icon who is valued for more than her artistic practice.

From the USA Today bestselling author of When We Were Strangers and Swimming in the Moon comes a lush, exquisitely drawn novel set against the turmoil of the Great War, as a young German-American woman explores the secrets of her past. A shopkeeper’s daughter, Hazel Renner lives in the shadows of the Pittsburgh steel mills. She dreams of adventure, even as her immigrant parents push her toward a staid career. But in 1914, war seizes Europe and all their ambitions crumble. German-Americans are suddenly the enemy, “the Huns.” Hazel herself is an outsider in her own home when she learns the truth of her birth. Desperate for escape, Hazel takes a teaching job in a seemingly tranquil farming community. But the idyll is cracked when she acquires a mysterious healing power—a gift that becomes a curse as the locals’ relentless demand for “miracles” leads to tragedy. Hazel, determined to find answers, traces her own history back to a modern-day castle that could hold the truth about her past. There Hazel befriends the exiled, enigmatic German baron and forges a bond with the young gardener, Tom. But as America is shattered by war and Tom returns battered by shell-shock, Hazel’s healing talents alone will not be enough to protect those close to her, or to safeguard her dreams of love and belonging. She must reach inside to discover that sometimes the truth is not so far away, that the simplest of things can lead to the extraordinary. Filled with rich historical details and intriguing, fully realized characters, Under the Same Blue Sky is the captivating story of one woman’s emergence into adulthood amid the tumult of war.

A wide-ranging consideration of the nature and significance of Pushkin's African heritage Roughly in the year 1705, a young African boy, acquired from the seraglio of the Turkish sultan, was transported to Russia as a gift to Peter the Great. This child, later known as Abram Petrovich Gannibal, was to become Peter's godson and to live to a ripe old age, having attained the rank of general and the status of Russian nobility. More important, he was to become the great-grandfather of Russia's greatest national poet, Alexander Pushkin. It is the contention of the editors of this book, borne out by the essays in the collection, that Pushkin's African ancestry has played the role of a "wild card" of sorts as a formative element in Russian cultural mythology; and that the ways in which Gannibal's legacy has been included in or excluded from Pushkin's biography over the last two hundred years can serve as a shifting marker of Russia's self-definition. The first single volume in English on this rich topic, Under the Sky of My Africa addresses the wide variety of interests implicated in the question of Pushkin's blackness-race studies, politics, American studies, music, mythopoetic criticism, mainstream Pushkin studies. In essays that are by turns biographical, iconographical, cultural, and sociological in focus, the authors-representing a broad range of disciplines and perspectives-take us from the complex attitudes toward race in Russia during Pushkin's era to the surge of racism in late Soviet and post-Soviet contemporary Russia. In sum, Under the Sky of My Africa provides a wealth of basic material on the subject as well as a series of provocative readings and interpretations that will influence future considerations of Pushkin and race in Russian culture.