Essays in Modern Stylistics, first published in 1981, is a collection of essays in the application of modern linguistic theory to the study of literature. The essays reflect the development in stylistics away from programmic statements towards analysis of particular literary works and effects. This selection includes studies of the theory of stylistics, linguistic approaches to the poetry of John Keats, Wallace Stevens, E. E. Cummings, Percy Bysshe Shelley and William Blake, modern metrical theory and prose style. This title will be of interest to students of literary theory.

Essays in Modern Stylistics, first published in 1981, is a collection of essays in the application of modern linguistic theory to the study of literature. The essays reflect the development in stylistics away from programmic statements towards analysis of particular literary works and effects. This selection includes studies of the theo

This is a comprehensive introduction to literary stylistics offering an accessible overview of stylistic, with activities, study questions, sample analyses, commentaries and key readings - all in the same volume.

Directions in Empirical Literary Studies is on the cutting edge of empirical studies and is a much needed volume. It both widens the scope of empirical studies and looks at them from an intercultural perspective by bringing together renowned scholars from the fields of philosophy, sociology, psychology, linguistics and literature, all focusing on how empirical studies have impacted these different areas. Theoretical issues are discussed and solid methods are presented. Some chapters also show the relation between empirical studies and new technology, examining developments in computer science and corpus linguistics. This book takes a global perspective, with contributors from many different countries, both senior and junior researchers. Broad in scope and interdisciplinary in nature, it contributes with the state-of-the-art developments in the field.

The Encyclopedia of Rhetoric is a comprehensive survey of the latest research--as well as the foundational teachings--in this broad field. Featuring 150 original, signed articles by leading scholars from many different fields of study it brings together knowledge from classics, philosophy, literature, literary theory, cultural studies, speech and communications. The Encyclopedia surveys basic concepts (speaker, style and audience); elements; genres; terms (fallacies, figures of speech); and the rhetoric of non-Western cultures and cultural movements. It covers rhetoric as the art of proof and persuasion; as the language of public speech and communication; and as a theoretical approach and critical tool used in the study of literature, art, and culture at large, including new forms of communication such as the internet. The Encyclopedia is the most wide ranging reference work of its kind, combining theory, history, and practice, with a special emphasis on public speaking, performance and communication. Cross-references, bibliographies after each article, and synoptic and topical indexes further enhance the work. Written for students, teachers, scholars and writers the Encyclopedia of Rhetoric is the definitive reference work on this powerful discipline.

Originally presented as the author's thesis (doctoral)--University of Limerick, Ireland, 2007.

"This study looks at how stylistic methods apply to drama texts, and focuses its attention on Stoppard's Traversties, which, by its parodic nature, compels an investigation of literary parody as an intertextual mode." "The author first seeks to place stylistics within a historical and procedural framework and considers ideological and procedural impasses that have bedevilled stylistic analyses. Detailed analyses of passages from Travesties in the light of what has been discussed then follows."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

This systematic introduction to the concept of point of view in language explores the ways in which point of view intersects with and is shaped by ideology. It specifically focuses on the way in which speakers and writers linguistically encode their beliefs, interests and biases in a wide range of media. The book draws on an extensive array of linguistic theories and frameworks and each chapter includes a self-contained introduction to a particular topic in linguistics, allowing easy reference. The author uses examples from a variety of literary and non-literary text types such as, narrative fiction, advertisements and newspaper reports.

This book examines overlaps, differences, and complementarities between narratology and stylistics, and shows the consequences of this examination for the practical analysis of prose narrative. Narratology identifies discourse as one of its two main objects of study (story being the other), and stylistics, of course, designates style as its concern. Too often, however, work in each of these fields proceeds without attention to developments in the other. This book corrects that situation by looking beneath the superficial similarities between the “discourse” of narratology and the “style” of fictional stylistics. The author shows that the two seemingly interchangeable terms actually refer to different textual elements. For example, both narratology and stylistics identify point of view as an important element of discourse and style, respectively, but each approach conceives of it differently and thus analyzes it differently. This book argues that the different analyses are complementary and shows how they can be brought together. This synthesis leads to richer conceptions of point of view as well as more comprehensive and precise analyses of its functions and effects in individual narratives. For its theoretical and interpretive contributions, this book will appeal to scholars and students in narrative studies, literary stylistics, and literary theory and criticism.