'Suzuki's works on Zen Buddhism are among the best contributions to the knowledge of living Buddhism' Carl Jung Essays in Zen Buddhism was the first book to fully introduce Zen in the West. In it, Dr D.T. Suzuki outlines the origins of Zen as a unique Chinese interpretation of the Doctrine of Enlightenment with the aim of attaining Satori ('Sudden Enlightenment'). He describes how Satori can be achieved and the methods that can bring it about - but always stresses that Zen has to be a way of life that can cope with the demands and frustrations of everyday life. Exploring the history of Buddhism, the daily life of a Zen monk and the path to enlightenment, Essays in Zen Buddhism offers an understanding of Zen not as a religion but as a way of perceiving, acting and being. It is both a classic introduction to Zen and a foundation for living a fulfilled life. After reaching enlightenment at the age of 27, Dr Suzuki spent the next 65 years writing about Buddhism and teaching in universities in Europe and the US. Widely regarded as the twentieth century's leading authority on Buddhism, he was nominated for the Nobel Peace Prize in 1963.

This is an "Essay in Zen Buddhism" published by D. T. Suzuki in 1927.Its source material is a text from the Gutenberg Project.This book is a simple introduction to Zen Buddhism and its higher concept, Mahayana Buddhism. Before the text, the editor, Takahisa Kanai, wrote a preface, "Introduction to Buddhism". Zen is the great way of Buddhism. It is a way of sitting quietly and trying to achieve a deep awakening of wisdom through meditation. This awakening is not exclusive to the individual. One's awakening awakens others. It is an act of altruism that brings happiness to others. This is why Zen is said to be the main gateway to Buddhism. Please use these passages as clues to gain profound wisdom. Let's seek Nirvana through D.T.'s kind guidance, which is his altruistic service to us.

Illustrations: Few B/w Illustrations Description: The most fruitful growth of Buddhism in the Far East has resulted in the development of Zen and Shin. Zen attained its maturity in China and Shin in Japan. The vigour and vitality which Buddhism still has after more than two thousand years of history will be realized when one comes in contact with these two branches of Buddhism. The one appeals to the inmost religious consciousness of mankind, while the other touches the intellectual and practical aspects of the oriental mind which is more intuitive than discursive, more mystical than logical. If Zen is the ultra self power wing of Buddhism, Shin represents the other extreme wing known as the 'other power and these two extremes are synthesized in the enlightened Buddha consciousness. This book is a collection of essays originally published in The Eastern Buddhist except for the one on the 'History of Zen Buddhism' specially written for the volume.

The highly influential book that helped bring Eastern spiritual principles to the Western world. One of the world’s leading authorities on Zen Buddhism, and a Nobel Peace Prize nominee, D. T. Suzuki was the author of more than a hundred works on the subject in both Japanese and English, and was most instrumental in bringing the teachings of Zen Buddhism to the attention of the Western world. Written in a lively, accessible, and straightforward manner, An Introduction to Zen Buddhism is illuminating for the serious student and layperson alike. Suzuki provides a complete vision of Zen, which emphasizes self-understanding and enlightenment through many systems of philosophy, psychology, and ethics. With a foreword by the renowned psychiatrist Dr. Carl Jung, this volume has been acknowledged a classic introduction to the subject. It provides, along with Suzuki’s Essays in Zen Buddhism and Manual of Zen Buddhism, a framework for living a balanced and fulfilled existence through Zen.

Daisetsu Teitaro Suzuki was a key figure in the introduction of Buddhism to the non-Asian world. Many outside of Japan encountered Buddhism for the first time through his writings and teaching, and for nearly a century his work and legacy have contributed to the ongoing religious and cultural interchange between Japan and the rest of the world, particularly the United States and Europe. Selected Works of D. T. Suzuki gathers the full range of Suzuki’s writings—both classic essays and lesser-known but equally significant articles. This first volume in the series presents a collection of Suzuki’s writings on Zen Buddhist thought and practice. In an effort to ensure the continued relevance of Zen, Suzuki drew on his years of study and practice, placing the tradition into conversation with key trends in nineteenth- and twentieth-century thought. Richard M. Jaffe’s in-depth introduction situates Suzuki’s approach to Zen in the context of modern developments in religious thought, practice, and scholarship. The romanization of Buddhist names and technical terms has been updated, and Chinese and Japanese characters, which were removed from many post–World War II editions of Suzuki’s work, have been reinstated. This will be a valuable edition of Suzuki’s writings for contemporary scholars and students of Buddhism.

The central and later decades of the twentieth century have not only been marked by the popularity of fantasy in general but of fantastic graphics in particular. As a literature relatively new to academic consideration, however, fantasy lacks a universally accepted definition, and no previous author has adequately studied the genral differences between the literalness of realistic illustration and the paradoxes of fantastic illumination. In "Illuminated Fantasy," James Whitlark presents a detailed analysis of the significance of picture/text discrepancy - its history, its various forms, and its psychological complexities.

D.T. Suzuki (1870-1966) reached global fame for his writings on Zen Buddhism. In this introduction to his theories of self, knowledge, and the world, Suzuki is presented as a Buddhist philosopher in his own right. Beginning with a biography of his life providing the historical context to his thought and discussing Suzuki's influences, chapters cover the Zen notion of the non-self and Suzuki's Zen view of consciousness, language, and religious truths. His ideas about philosophy and radical views on rationality and faith come to life in two new complete translations of The Place of Peace in our Heart (1894) and Religion and Science (1949), which helps us to understand why Suzuki's description of Zen attracted the attention of many leading intellectuals and helped it become a household name in the English-speaking world. Offering the first complete overview of Suzuki's approach, reputation, and legacy as a philosopher, this is for anyone interested in the philosophical relevance and development of Mahayana Buddhism today.

A poetic, philosophical, and political account of Nietzsche’s importance to Bataille, and of Bataille’s experience in Nazi-occupied France. Georges Bataille wrote On Nietzsche in the final months of the Nazi occupation of France in order to cleanse the German philosopher of the “stain of Nazism.” More than merely a treatise on Nietzsche, the book is as much a work of ethics in which thought is put to the test of experience and experience pushed to its limits. At once personal and political, it was written as an act of war, its publication contingent upon the German retreat. The result is a poetic and philosophical—and occasionally harrowing—record of life during wartime. Following Inner Experience and Guilty, On Nietzsche is the third volume of Bataille’s Summa Atheologica. Haunted by the recognition that “existence cannot be at once autonomous and viable,” herein the author yearns for community from the depths of personal isolation and transforms Nietzsche’s will to power into his own will to chance. This new translation includes Memorandum, a selection of 280 passages from Nietzsche’s works edited and introduced by Bataille. Originally published separately, Bataille planned to include the text in future editions of On Nietzsche. This edition also features the full notes and annotations from the French edition of Bataille’s Oeuvres Complètes, as well as an incisive introductory essay by Stuart Kendall that situates the work historically, biographically, and philosophically.

This book brings together an impressive group of scholars to critically engage with a wide-ranging and broad perspective on the historical and contemporary phenomenon of Zen. The structure of the work is organized to reflect the root and branches of Zen, with the root referring to important episodes in Chan/Zen history within the Asian context, and the branches referring to more recent development in the West. In collating what has transpired in the last several decades of Chan/Zen scholarship, the collection recognizes and honors the scholarly accomplishments and influences of Steven Heine, arguably the most important Zen scholar in the past three decades. As it looks back at the intellectual horizons that this towering figure in Zen/Chan studies has pioneered and developed, it seeks to build on the grounds that were broken and subsequently established by Heine, thereby engendering new works within this enormously important religio-cultural scholarly tradition. This curated Festschrift is a tribute, both retrospective and prospective, acknowledging the foundational work that Heine has forged, and generates research that is both complementary and highly original. This academic ritual of assembling a liber amicorum is based on the presumption that sterling scholarship should be honored by conscientious scholarship. In the festive spirit of a Festschrift, this anthology consists of the resounding voices of Heine and his colleagues. It is an indispensable collection for students and scholars interested in Japanese religion and Chinese culture, and for those researching Zen Buddhist history and philosophy.