This multidisciplinary work celebrates Wayne Orchiston's career and accomplishments in historical and cultural astronomy on the occasion of his 80th birthday. Over thirty of the world’s leading scholars in astronomy, astrophysics, astronomical history, and cultural astronomy have come together to honor Wayne across a wide range of research topics. These themes include: • Astronomy and Society • Emergence of Astrophysics • History of Radio Astronomy • Solar System • Observatories and Instrumentation • Ethnoastronomy and Archeoastronomy This exceptional collection of essays presents an overview of Wayne’s prolific contributions to the field, along with detailed accounts of the book’s diverse themes. It is a valuable and insightful volume for both researchers and others interested in the fields of historical astronomy and cultural astronomy.

A "riveting real-life Hitchhiker's Guide to the Galaxy" (The Telegraph) and "whirlwind tour of wondrous celestial phenomena" (The Idler) shows why so much of astronomy comes down to looking up and lucking out If you learn about the scientific method, you learn that first we hypothesize about something we’ve experienced, and then we look for more of it. This works well enough—but what if you are interested in studying a heretofore unknown comet or supernova? That is the essential problem of the astronomer: the most important discoveries happen without notice! Indeed, as Chris Lintott argues in Accidental Astronomy, luck defines astronomy. Lintott explores the ways in which happenstance shapes how we investigate the sky. To catch a glimpse of a comet, asteroid, or even a sign of alien life, we must be in the right place at the right time. And if we can’t be there, we must have a team of professionals and amateurs, across the globe, ready to spring into action at a moment’s—or a night’s—notice. For any astronomer, regardless of their experience or resources, the first step to discovery is the same: to stare at the sky and wait. A celebration of astronomy, stargazing, and cosmic discovery, Accidental Astronomy offers an irresistible window into how luck defines our knowledge of the skies.

An astonishing tour of the key astronomical events of the past century, and of all the accidents and human error involved in our pursuit of asteroids, radio waves, new stars and alien life. 'A riveting real-life Hitchhiker's Guide to the Galaxy.' Telegraph '‘An enjoyable tour of astronomical discoveries...His excellent book is a layman’s guide to the surprises’ - Daily Mail 'Lintott's boundless enthusiasm for everything cosmic makes it hard to put this book away once you start reading.' BBC Sky at Night Magazine 'Entertaining and enlightening' - The Idler ..................................................................................................................................................................................................... The BBC presenter of 'Sky at Night', and Gresham Professor of Astronomy, Chris Lintott, takes us on an astonishing tour of bizarre accidents, big characters, and human error to tell the story of some of the most important astronomical events of the past hundred years. - Our first views of the earliest galaxies were brought to us by the Hubble Space Telescope when it was pointed at absolutely nothing. - The ice-covered Enceladus, one of Saturn's nearly one hundred moons, was revealed as a possible habitat for life after a by-chance fly by of NASA's Cassini probe on a mission elsewhere. - Pulsars, the spectacular remnants of long-dead massive stars, were discovered as 'scruff' in the data for measurements of the twinkling of possible radio stars. As new telescopes are built on mountaintops and in deserts around the world, aiming to transform our view of the universe once more, Chris Lintott shows us that keeping an open mind will benefit us all - whatever might still be out there for us to find. ........................................................................................................................ Praise for Our Accidental Universe A scientific tour de force.' Dr Becky Smethurst 'Highly recommended.' Tristan Gooley 'Extravagantly entertaining ... warmly informative.' Lev Parikian 'A fascinating look at the strange and alien side of space.' Dr Lucy Rogers More praise for Chris Lintott 'Superbly written insights.' - Professor Brian Cox 'Chris Lintott is a modest genius. He has quietly revolutionized modern astronomy.' Brian May 'Lintott deftly interweaves personal experience and more philosophical ruminations.' Michael West, Nature

A richly illustrated exploration of how late Georgian gardens associated with medical practitioners advanced science, education, and agricultural experimentation As Britain grew into an ever-expanding empire during the late eighteenth and early nineteenth centuries, new and exotic botanical specimens began to arrive within the nation’s public and private spaces. Gardens became sites not just of leisure, sport, and aesthetic enjoyment, but also of scientific inquiry and knowledge dissemination. Medical practitioners used their botanical training to capitalize on the growing fashion for botanical collecting and agricultural experimentation in institutional, semipublic, and private gardens across Britain. This book highlights the role of these medical practitioners in the changing use of gardens in the late Georgian period, marked by a fluidity among the ideas of farm, laboratory, museum, and garden. Placing these activities within a wider framework of fashionable, scientific, and economic interests of the time, historian Clare Hickman argues that gardens shifted from predominately static places of enjoyment to key gathering places for improvement, knowledge sharing, and scientific exploration.

Mark Padilla’s classical reception readings of Alfred Hitchcock features some of the director’s most loved and important films, and demonstrates how they are informed by the educational and cultural classicism of the director’s formative years. The six close readings begin with discussions of the production histories, so as to theorize and clarify how classicism could and did enter the projects. Exploration of the films through a classical lens creates the opportunity to explore new themes and ideological investments. The result is a further appreciation of both the engine of the director’s storytelling creativity and the expressionism of classicism, especially Greek myth and art, in British and American modernism. The analysis organizes the material into two triptychs, one focused on the three films sharing a wrong man pattern (wrongly accused man goes on the run to clear himself), the other treating the films starring the actress Grace Kelly. Chapter One, on The 39 Steps (1935), finds the origins of the wrong man plot in early 20th-century British classicism, and demonstrates that the movie utilizes motifs of Homer’s Odyssey. Chapter Two, on Saboteur (1942), theorizes the impact of the director’s memories of the formalism and myths associated with the Parthenon sculptures housed in the British Museum. Chapter Three, on North by Northwest, participates in the myths of the hero Oedipus, as associated with early Greek epic, Freud, Nietzsche, and Sophocles. Chapter Four, on Dial M for Murder (1954), returns to Homer’s Odyssey in the interpretive use of “the lay of Demodocus,” a story about the sexual triangle of Hephaestus, Aphrodite, and Ares. Chapter Five, on Rear Window (1954), finds its narrative archetype in The Homeric Hymn to Aphrodite; the erotic theme of Sirius, the Dog Star, also marks the film. Chapter Six, on To Catch a Thief (1955), offers the opportunity to break from mythic analogues, and to consider the film’s philosophical resonances (Plato and Epicurus) in the context of motifs coalesced around the god Dionysus/Bacchus.

Drawing on a vast array of scholarship, this pioneering text illustrates how profoundly astronomical phenomena shaped ancient Chinese civilization.

What are the implications of digital representation on intellectual property and ownership of cultural heritage? Are aspirations to preservation and accessibility in the digital space reconcilable with cultural sensitivities, colonized history, and cultural appropriation? This volume brings together different perspectives from academics and practitioners of Cultural Heritage, to address current debates in the digitization and other computational study of cultural artifacts. From the tension between the materiality of cultural heritage objects and the intangible character of digital models, we explore larger issues in intellectual property, collection management, pedagogical practice, inclusion and accessibility, and the role of digital methods in decolonization and restitution debates. The contributions include perspectives from a wide range of disciplines, addressing these questions within the study of the material culture of Africa, Europe, Asia, Oceania, and the Americas.

Discover essays by leading scholars on the history of mathematics from ancient to modern times in European and non-European cultures.