Europeanising Spaces in Paris, c. 1947-1962 examines the myriad urban, political and cultural forms in which ideas of Europe, and of what it meant to be European, were represented in Paris in the post-war era.

Melissa Byrnes explores the ways local communities in the French suburbs reacted to the growing presence of North African migrants in the decades after World War II and the decolonization of Algeria.

Examining imagery of urban space in Britain, France and West Germany up to the early 1960s, this book reveals how photography shaped individual architectural projects and national rebuilding efforts alike. Exploring the impact of urban photography at a pivotal moment in contemporary European architecture and culture, this book addresses case studies spanning the destruction of the war to the modernizing reconfiguration of city spaces, including ruin photobooks about bombed cities, architectural photography of housing projects and imagery of urban life from popular photomagazines, as well as internationally renowned projects like UNESCO’s Paris Headquarters, Coventry Cathedral and Berlin’s Gedächtniskirche. This book reveals that the ways of seeing shaped in the postwar years by urban photography were a vital aspect of not only discourses on the postwar city but also debates central to popular culture, from commemoration and modernization to democratization and Europeanization. This book will be a fascinating read for researchers in the fields of photography and visual studies, architectural and urban history, and cultural memory and contemporary European history.

The concept of »postmigration« has recently gained importance in the context of European societies' obsession with migration and integration along with emerging new forms of exclusion and nationalisms. This book introduces ongoing debates on the developing concept of »postmigration« and how it can be applied to arts and culture. While the concept has mainly gained traction in the cultural scene in Berlin, Germany, the contributions expand the field of study by attending to cultural expressions in literature, theatre, film, and art across various European societies, such as the United Kingdom, France, Finland, Denmark, and Germany. By doing so, the contributions highlight this concept's potential and show how it can offer new perspectives on transformations caused by migration.

A richly illustrated look at some of the most important photobooks of the 20th century France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring seminal publications by Brassaï, Henri Cartier-Bresson, Robert Frank, Pierre Jahan, William Klein, and Germaine Krull. Kim Sichel argues that these books both held a mirror to their time and created an unprecedented modernist visual language. Sichel provides an engaging analysis through the lens of materiality, emphasizing the photobook as an object with which the viewer interacts haptically as well as visually. Rich in historical context and beautifully illustrated, Making Strange reasserts the role of French photobooks in the history of modern art.

This book examines war veterans’ history after 1945 from a global perspective. In the Cold War era, in most countries of the world there was a sizeable portion of population with direct war experience. This edited volume gathers contributions which show the veterans’ involvement in all the major historical processes shaping the world after World War II. Cold War politics, racial conflict, decolonization, state-building, and the reshaping of war memory were phenomena in which former soldiers and ex-combatants were directly involved. By examining how different veterans’ groups, movements and organizations challenged or sustained the Cold War, strived to prevent or to foster decolonization, and transcended or supported official memories of war, the volume characterizes veterans as largely independent and autonomous actors which interacted with societies and states in the making of our times. Spanning historical cases from the United States to Hong-Kong, from Europe to Southern Africa, from Algeria to Iran, the volume situates veterans within the turbulent international context since World War II.

Europeanising Spaces in Paris, c. 1947-1962 examines the myriad urban, political and cultural forms in which ideas of Europe, and of what it meant to be European, were represented in Paris in the post-war era.