The role of kings, the source of their authority and the nature of the practical restraints on their power have exercised political and religious philosophers, historians, competing candidates for rule and subject populations from the time of the earliest documented human societies. How the kingly image is created and presented and how the ruler performs his or her function as the source of justice are among the topics addressed in this volume, which also covers the role of queens in maintaining dynastic succession yet being the target of tales of adultery. This volume is of particular interest in bringing together studies of kingly power from Cyrus the Great and Alexander in the ancient world to Shah Abbas in the seventeenth century, and covering the European Middle Ages as well as Iran and the Muslim world.

The life of this actor, manager, play­wright, and eighteenth-century gentle­man is here refracted through the volu­rninous correspondence and analyses of roles, plays, and performances in this, no doubt final, biography of David Garrick. As the direct result of modern scholar­ship accessible only since the 1960s, it is now possible to appraise fully the life of this remarkable person who was born in Lichfield 19February 1717, a child­hood friend of Samuel Johnson, who be­came the greatest English theatrical lu­minary who ever lived, and who when he died 20 January 1779was mourned by the nation and eulogized by Dr. Johnson as one whose death "eclipsed the gaiety of nations." For twenty-nine years (1747-1776) Garrick managed Drury Lane theatre, caring passionately for its well-being. His own acting set the pace for the per­formances, his discipline carried it on, and his theatrical innovations attracted the audiences on which the lives, hopes, and families of some 140actors, actress­es, singers, dancers, and others depend­ed. In addition, he wrote, adapted, or altered some 49 plays and wrote nearly 100 prologues. What emerges from this big, new critical biography is a fully drawn por­trait of an eighteenth-century gentleman, with a wide range of acquaintances, elegant socially, morally, and personal­ly, and an engaging conversationalist with and respecter of women of mark and with his closest friends. He was also, as the evidence now shows, the solid link with his own age and the great dramatic artists of the past, from the Restoration playwrights to Massinger, Jonson, Shakespeare, and early English dram­atists.

Nathaniel Hawthorne's 'The Complete Works of Nathaniel Hawthorne (Illustrated Edition)' is a literary masterpiece that showcases the author's unique style and profound exploration of themes such as sin, guilt, and the complexities of human nature. The collection includes renowned works such as 'The Scarlet Letter' and 'The House of the Seven Gables', which exemplify Hawthorne's use of symbolism and allegory in portraying the psychological and moral struggles of his characters. With its rich prose and intricate narratives, this illustrated edition offers readers a comprehensive insight into Hawthorne's contribution to American literature during the Romantic period. Nathaniel Hawthorne, a prominent figure in American literature, drew inspiration from his Puritan heritage and historical events to craft stories that delve deep into the human psyche. His keen observation of society and keen insight into the human condition are reflected in his body of work, making him a quintessential American author. I highly recommend 'The Complete Works of Nathaniel Hawthorne' to readers who appreciate profound storytelling and intricate character development. This collection is a timeless exploration of universal themes that continue to resonate with audiences today.

The Time Is Out of Joint presents an examination of Shakespeare's distinctly modern confrontation with time and temporality, the difference between the truth of the fact, that of theory, and that of interpretation and revelatory truth, and finds that Shakespeare anticipated post-metaphysical philosophy and its central concerns at a time when modern metaphysics had not yet reached it speak. Visit our website for sample chapters!

A major study of the major and minor fiction, poetry, and children's books of SF and fantasy writer Ursula K. Le Guin. As Le Guin herself writes, "It is written in English, not academese, and will be of interest to a wide spectrum of students, scholars, and interested readers."