Bundled together for the first time! FOUR first in series books by DAWN BROWER A Flawed Jewel: Pieretta boards a ship, unaware that Thor is waiting to kidnap her for revenge against her grandfather. Will love intervene, altering both their courses? Saved by My Blackguard: Together Paul and Evelyn rely on each other to survive the raging storm, villainous pirates, and a little bit of culture shock. Can they get past each other’s differences and learn to trust each other and find love. Forever My Earl: Hannah Knight dreams of a happy-ever-after in the arms of the man she loves, but war has kept them apart. Garrick, the Earl of Manchester returns home; however, love is the last thing on his mind. Can two lost souls find their way back to each other? When an Earl Turns Wicked: Jonas Parker, the Earl of Harrington has no intention of ever marrying. He enjoys living unencumbered by the responsibility of a family and has been on his own since he was a young man. Nothing will alter the course he’s set for himself. Lady Marian Lindsay wants to be a physician and she’ll do whatever it takes to accomplish her goal, even coerce one of her father’s young compatriots into taking her to a house party. Propriety must be met at all costs because Jonas refuses to be wed at the end of Marian’s expedition…

"A roguish hero trying to redeem his rakish ways meets his romantic match in [this] lushly sensual Regency historical romance" (Booklist). A gentleman and a very improper lady are bound together by a passion that crosses the line between upper class and underworld in Caroline Linden's daring new romance . . . Thanks to his wayward youth, David Reece, the youngest scion in a noble family, has been called one of the most scandalous rogues of the ton. What he wants to be called is trustworthy and a true gentleman. To prove he has reformed he's agreed to watch over his absent brother's estate. All is going swimmingly until highwaymen waylay his coach and steal his brother’s signet ring . . . After growing up a pickpocket, street orphan Vivian Beecham has reluctantly graduated to highway robbery. But her handsome victim is quick to turn the tables and take her prisoner. Though David has the pretty thief locked in a spare bedroom, he’s in no place to judge her youthful indiscretion. Instead she becomes a former rogue's greatest challenge: the object of a passionate seduction . . .

Lady Victoria Spencer has loved one man her entire life. Of course he never notices her. Why should he? She’s a wallflower and no one pays the unwanted ladies much mind. Had she been a bit plump? Yes. Now that she no longer is, she has a plan. She’s going to become a rogue wallflower, and only one man will do as her first lover. David Brooks, Earl of Foxcroft had led a charmed life. Right up until his father died and he was forced to take responsibility for his family and the estate. His father had run the coffers nearly empty and it had been up to him to restore their fortune. He could have married an heiress, but felt that was a cowardly way out. Instead he focused on rebuilding his fortune. Now that he feels secure enough with his family’s status he has decided to take a wife. Only one woman will do, but now that he can claim her, she would rather take a lover, not a husband. All Victoria needs is a gentleman well versed in everything roguish to give her those lessons. David seizes upon the opportunity. He is more than willing to use her curiosity to his advantage. As long as in the end, he’s the only rogue she wields her newfound skills on.

The "rogue," a term that described criminals, prostitutes, vagrants, beggars, and the unemployed, dominated the pages of early modern popular crime literature. Rogue Sexuality resituates the rogue by focusing on how their menace—and their seductive appeal—emerged not only from their social marginality, but also from their supposedly excessive sexuality and prodigious sexual reproduction. Through discussions of both familiar and little-studied early modern works by William Shakespeare, John Milton, Ben Jonson, Thomas Middleton, Thomas Dekker, Robert Greene, Thomas Harman, and the inventor of modern demography John Graunt, this volume posits the sexualized rogue as the avatar of a new category of "socio-sexual identity" and traces a surprising social transposition, in which socio-political elites are portrayed as appropriating the rogue's sexual vitality and performative charisma to navigate moments of crisis. By tracking the movement of rogue sexuality from a criminal to a normative discursive register, this book challenges the distinctions that literary critics and historians tend to draw between orderly and disorderly sexuality. With its focus on reproduction, rogue sexuality also provides a new framework for what Michel Foucault called "biopolitics," the state's focus on exercising power over life. In legal, administrative, and scientific documents, this book shows that early modern writers grappled with popular pamphlets' rendering of the alleged threat of rogue reproduction. Rogue Sexuality thus offers a new approach to the political history of early modern England as a population—as a people whose aggregate sexual life and reproduction were a key part of its political imagination.

Oxford Studies in Agency and Responsibility is a series of volumes presenting outstanding new work on a set of connected themes, investigating such questions as: · What does it mean to be an agent? · What is the nature of moral responsibility? Of criminal responsibility? What is the relation between moral and criminal responsibility (if any)? · What is the relation between responsibility and the metaphysical issues of determinism and free will? · What do various psychological disorders tell us about agency and responsibility? · How do moral agents develop? How does this developmental story bear on questions about the nature of moral judgment and responsibility? · What do the results from neuroscience imply (if anything) for our questions about agency and responsibility? No one has written more insightfully on the promises and perils of human agency than Gary Watson, who has spent a career thinking about issues such as moral responsibility, blame, free will, weakness of will, addiction, and psychopathy. This special edition of OSAR pays tribute to Watson's work by taking up and extending themes from his pioneering essays.

Love is always in the air at Kingstag Castle… At the Duke’s Wedding and At the Christmas Wedding, available together in this limited edition boxed set. At the Duke’s Wedding Matrimony is in the air as society gathers at Kingstag Castle for the Duke of Wessex's wedding. But who will be the bride? With swoon-worthy lords, witty ladies, eccentric relatives, a gaggle of free-spirited girls, and the world's best high-perch phaeton, it's a recipe for mayhem… and romance. Four couples, four deliciously romantic surprises. When it comes to love, anything can happen… That Rogue Jack by Maya Rodale P.S. I Love You by Miranda Neville When I Met My Duchess by Caroline Linden How Angela Got Her Rogue Back by Katharine Ashe At the Christmas Wedding Snowed in at Kingstag Castle with several handsome lords, three young ladies are about to have the holiday of their lives! The sequel to At the Duke’s Wedding. Map of a Lady's Heart by Caroline Linden Hot Rogue on a Cold Night by Maya Rodale Snowy Night with a Duke by Katharine Ashe

The irony of working on a matchmaking reality TV show hosted by the guy who broke her heart in high school has producer Willow Stead tied in knots. Not only that, but Jack Crown even has the nerve to ask her out. Should she risk taking him up on his offer?

Handsome, debonair, and heir to his father's title and wealth, Henry Weston leads a charmed life. Women want him, and men want to be him. Even so, Henry wants something more. For that, he needs the help of society's reigning wallflower. Diana Merriwether is shocked when Henry proposes a mutually beneficial sham courtship. She can't resist the opportunity to be wooed by him and, having sworn off love, she's certain her heart is safe. But when their charade plays out behind closed doors and passions escalate, Diana fears she's really fooling herself.