These essays examine the dynamic interplay between evolution and Victorian culture, mapping new relationships between the arts and sciences.

Explores the musical background to Darwinism and the development of the relationship between science and the arts in Victorian Britain.

An interdisciplinary study that explores the impact of evolutionary theory on Victorian children's literature.

The influences of William Wordsworth’s writing and evolutionary theory—the nineteenth century’s two defining visions of nature—conflicted in the Victorian period. For Victorians, Wordsworthian nature was a caring source of inspiration and moral guidance, signaling humanity's divine origins and potential. Darwin’s nature, by contrast, appeared as an indifferent and amoral reminder of an evolutionary past that demanded participation in a brutal struggle for existence. Victorian authors like Matthew Arnold, George Eliot, Robert Louis Stevenson, and Thomas Hardy grappled with these competing representations in their work. They turned to Wordsworth as an alternative or antidote to evolution, criticized and altered his poetry in response to Darwinism, and synthesized elements of each to propose their own modified theories. Darwin’s account of a material, evolutionary nature both threatened the Wordsworthian belief in nature’s transcendent value and made spiritual elevation seem more urgently necessary. Victorian authors used Wordsworth and Darwin to explore what form of transcendence, if any, could survive an evolutionary age, and reevaluated the purpose of literature in the process.

This volume provides the readers with a broad but detailed consideration of a wide array of transmutationist thinkers who published before Darwin. Highlighting some of those whom Darwin later acknowledged as well as number he chose not to, readers are shown that the notion that none of these earlier thinkers offered a well-developed or workable theory of evolution is untenable once we read their own words. Further, we will quickly see that transmutation, or the ‘developmental hypothesis’ as it was also sometimes called, had a wide audience across the period under consideration. Scholars such as Adrian Desmond have already drawn attention to the political radicals in the London and Edinburgh medical schools who embraced the transmutationist ideas of the French anatomists Etienne Geoffroy Saint Hilaire and the naturalist and zoologist Jean-Baptiste Lamarck, and the historians John van Wyhe and Roger Cooter have highlighted the materialist naturalism of phrenologists whose work was so amenable to developmentalist thinking. Paul Elliott has drawn our attention to the “Derbyshire Darwinians,” who championed the transmutationist and egalitarian Enlightenment ideas of Erasmus Darwin, Charles Darwin’s grandfather — as well as the extent to which the Derby Philosophical Society was a breeding ground for this kind of thinking. It was here, for instance, that the young radical journalist Herbert Spencer spent many hours in his formative years. Thus, while Darwin was quietly working away at his big species book, transmutation was being discussed and debated, written about, and advocated across the nation. The book he eventually published in 1859, On the Origin of Species, was thus a contribution to an already very lively, controversial, contested, and ongoing debate. However, Darwin had not intended to published Origin as we know it; it is in fact only what he called a brief abstract of the detailed multi-volume work he had initially had in mind. It was upon receipt of a short essay from the naturalist and collector Alfred Russel Wallace that Darwin was pressed to publish. In this short paper Wallace had quite independently arrived at a theory of species development that was remarkably similar to that which Darwin had been working on for some twenty years.

In an absorbing study of Victorian controversies over the cultural meaning of evolution Martin Fichman broadens the reader's perspective by introducing a number of individuals who arrived at similar conclusions to Darwin and opened up the debate that continues through to the present day.

Following the publication of Darwin’s On the Origin of Species, Victorian anthropology made two apparently contradictory claims: it distinguished "civilized man" from animals and "primitive" humans and it linked them though descent. Paradoxically, it was by placing human history in a deep past shaped by minute, incremental changes (rather than at the apex of Providential order) that evolutionary anthropology could assert a new form of human exceptionalism and define civilized humanity against both human and nonhuman savagery. This book shows how fantastic Victorian and early Edwardian fictions—utopias, dystopias, nonsense literature, gothic horror, and children’s fables—untether human and nonhuman animal agency from this increasingly orthodox account of the deep past. As they imagine worlds that lift the evolutionary constraints on development and as they collapse evolution into lived time, these stories reveal (and even occupy) dynamic landscapes of cognitive descent that contest prevailing anthropological ideas about race, culture, and species difference.

This innovative book challenges many of the widely held assumptions about the place of religion in Victorian society and in London, the world's first great industrial and commercial metropolis. Against the background of Victorian London it explores the religiosity of Londoners as expressed through the dynamic renewal of traditional faith communities, including Judaism and the historic churches, as well as fresh expressions of religion, including the Salvation Army, Mormons, spiritualism, and the occult. It shows how laypeople, especially the rich and women were mobilised in the service of their faith, and their fellow citizens. Drawing on research in social, economic, oral, cultural, and women's history Jacob argues that religious motivations lay behind concerns that subsequently preoccupied people in the twentieth and twenty-first centuries. These include the changing place of women in society, an active concern for social justice, the sexual exploitation of women and children, and provision of education for all classes and all ages. By examining religion broadly, in its social and cultural context and looking beyond conventional approaches to religious history, Religious Vitality in Victorian London illustrates the dynamic significance of religion in society influencing even the expression of secularism.

Evolutionary theory addresses the phenomenon of the origin and diversity of plant and animal species that we observe. In recent times, however, it has become a predominant ideology which has gained currency far beyond its original confines. Attempts to understand the origin and historical development of human culture, civilization and language, of the powers of human cognition, and even the origin of the moral and ethical values guiding and constraining everyday life in human societies are now cast in an evolutionary context. In “Evolutionary Theory and the Creation Controversy” the author examines evolutionary theory from a historical perspective, explaining underlying metaphysical backgrounds and fundamental philosophical questions such as the paradoxical problem of change, existence and creation. He introduces the scientists involved, their research results and theories, and discusses the evolution of evolutionary theory against the background of Creationism and Intelligent Design.

Tracing the continuities and trends in the complex relationship between literature and science in the long nineteenth century, this companion provides scholars with a comprehensive, authoritative and up-to-date foundation for research in this field. In intellectual, material and social terms, the transformation undergone by Western culture over the period was unprecedented. Many of these changes were grounded in the growth of science. Yet science was not a cultural monolith then any more than it is now, and its development was shaped by competing world views. To cover the full range of literary engagements with science in the nineteenth century, this companion consists of twenty-seven chapters by experts in the field, which explore crucial social and intellectual contexts for the interactions between literature and science, how science affected different genres of writing, and the importance of individual scientific disciplines and concepts within literary culture. Each chapter has its own extensive bibliography. The volume as a whole is rounded out with a synoptic introduction by the editors and an afterword by the eminent historian of nineteenth-century science Bernard Lightman.