With respect to public issues, history matters. With the worldwide interest for historical issues related with gender, religion, race, nation, and identity, public history is becoming the strongest branch of academic history. This volume brings together the contributions from historians of education about their engagement with public history, ranging from musealisation and alternative ways of exhibiting to new ways of storytelling.

During the Mao era, China’s museums served an explicit and uniform propaganda function, underlining official Party history, eulogizing revolutionary heroes, and contributing to nation building and socialist construction. With the implementation of the post-Mao modernization program in the late 1970s and 1980s and the advent of globalization and market reforms in the 1990s, China underwent a radical social and economic transformation that has led to a vastly more heterogeneous culture and polity. Yet China is dominated by a single Leninist party that continues to rely heavily on its revolutionary heritage to generate political legitimacy. With its messages of collectivism, self-sacrifice, and class struggle, that heritage is increasingly at odds with Chinese society and with the state’s own neoliberal ideology of rapid-paced development, glorification of the market, and entrepreneurship. In this ambiguous political environment, museums and their curators must negotiate between revolutionary ideology and new kinds of historical narratives that reflect and highlight a neoliberal present. In Exhibiting the Past, Kirk Denton analyzes types of museums and exhibitionary spaces, from revolutionary history museums, military museums, and memorials to martyrs to museums dedicated to literature, ethnic minorities, and local history. He discusses red tourism—a state sponsored program developed in 2003 as a new form of patriotic education designed to make revolutionary history come alive—and urban planning exhibition halls, which project utopian visions of China’s future that are rooted in new conceptions of the past. Denton’s method is narratological in the sense that he analyzes the stories museums tell about the past and the political and ideological implications of those stories. Focusing on “official” exhibitionary culture rather than alternative or counter memory, Denton reinserts the state back into the discussion of postsocialist culture because of its centrality to that culture and to show that state discourse in China is neither monolithic nor unchanging. The book considers the variety of ways state museums are responding to the dramatic social, technological, and cultural changes China has experienced over the past three decades.

This book is the first full-length study of the museum object as a memory medium in history exhibitions about the Nazi era, the Second World War, and the Holocaust. Over recent decades, German and Austrian exhibition-makers have engaged in significant programmes of object collection, often in collaboration with witnesses and descendants. At the same time, exhibition-makers have come to recognise the degree to which the National Socialist era was experienced materially, through the loss, acquisition, imposition, destruction, and re-purposing of objects. In the decades after 1945, encounters with material culture from the Nazi past continued, both within the family and in the public sphere. In analysing how these material engagements are explored in the museum, the book not only illuminates a key aspect of German and Austrian cultural memory but contributes to wider debates about relationships between the human and object worlds.

Are the past participial forms that occur in passive and perfect periphrases substantially identical or should they rather be distinguished into accidentally homophonous passive and perfect(ive) participles? This book discusses the long-standing mystery of past participial (non-)identity on the basis of a broad range of synchronic data from Germanic and Romance, eventually focussing on German and English as these draw the most relevant distinctions (e.g. auxiliary alternation, a passive auxiliary that is not BE). Together with some contrastive insights from Slavic as well as the diachrony of passive and perfect periphrases, this clearly points to an identity-view. The novel approach that is laid out suggests that past participles conflate diathetic and aspectual properties. The former cause the suppression of an external argument, whereas the latter impose event-structure sensitive perfectivity, which only induces the completion of a situation if the underlying eventuality denotes a simple change of state. An approach along these lines sheds light on the intricate properties of past participles and the auxiliaries they occur with, the determinants of auxiliary selection as well as the interplay of argument and event structure.

This book, first published in 1954, collects together the papers presented to the Sixth International Congress on Accounting. They focus on the problems of the post-war changes in the value of money, and how to deal with this in accounting statements; taxation, and the role of accountants in Government; raising and retaining capital for development; and the role of the professional accountant in the commercial field.

The past is 'a foreign place' that contemporary societies can only reach by means of historical and archaeological inferences. When we report our findings and communicate such inferences to members of the public, it is important that we should recognize that children are a special case.