Authors weave their stories with a common thread, or as Goethe called it: a red thread, to produce meaning and comprehensible storylines. But for threads to hold anything together at all, the things to hold must be created, and anyone who writes knows that the process of writing itself is not to be underestimated. However, this time, it is not the author or their ideas which will be the centre of attention. Instead, allow this short story to introduce a different approach to writing, and dive into a world that explores something beyond our beloved concept of a red thread.

Drawing on recent studies on life writing, memory, the narrative turn, and psychology, Conrad, Autobiographical Remembering, and the Making of Narrative Identity is the first major work that extensively explores the dynamic interplay between Conrad’s autobiographical remembering and storytelling in relation to his identity construction within a historical and cultural context. This unique perspective makes the book particularly attractive for students, teachers, and researchers of Conrad. Contrary to the prevalent "achievement-and-decline" paradigm that implies a decline in quality of Conrad’s works in his later period, this volume contends that Conrad’s later works continue to engage with the complex questions of memory, identity, and culture, demonstrating a sustained commitment to exploring the intricacies of the human experiences. Essential reading for Conrad enthusiasts, but also for those who seek to explore how memory studies in literature intersect with psychology, philosophy, and cultural studies.

Given the popular and scholarly interest in the First World War it is surprising how little contemporary literary work is available. This five-volume reset edition aims to redress this balance, making available an extensive collection of newly-edited short stories, novels and plays from 1914–19.

This book takes a human-centred and concept-led journey through communication theory and is aimed primarily at those who are new to communication studies. Each chapter uses a single concept – actors, narrators, members, performers, influencers, and produsers – to explore key ideas, theories, and thinkers. The six core concepts offer unique, though related, ways of thinking about “flesh and blood” human communicators in a world that is now fundamentally intertwined with media. Each chapter includes a mix of early and recent studies to enable readers to historically locate concepts and trace their evolution. Overall, the book aims to foster an appreciation of theory in readers, cultivate their theoretical sensitivity, and provide them with lots of “real world” examples to help them better understand how theories apply to everyday life.

First published in 1971, Professor Knight’s book draws analytic attention to poets including Tennyson, Masefield, and Brooke, who are shown to hold a dimension of meaning previously ignored or misunderstood. Homage is paid to John Cowper Powys as one of the foremost seers of the modern age. A comprehensive review of the work of Francis Berry claims to establish him as our foremost living poet. Professor Knight urges, and goes far to prove, that modern literary criticism up until the 1970s failed to touch upon the richer meanings of contemporary literature – he stresses the relation between such acclaimed poets as Yeats and Eliot and the spiritualistic movements of contemporary times. Knight regards youth-revolts as a sign of a healthy dissatisfaction with an irreligious and directionless culture, and believes that hope lies in the neglected powers pressing for acceptance.

Egyptologist Gerald Massey challenged readers in A Book of the Beginnings to consider the argument that Egypt was the birthplace of civilization and that the widespread monotheistic vision of man and the metaphysical was, in fact, based on ancient Egyptian mythos. In The Natural Genesis, presented here in an omnibus edition, Massey delivers a sequel, delving deeper into his compelling polemic. In Volume I, he offers a more intellectual, fine-tuned analysis of the development of society out of Egypt. From the simplest signs (numbers, the cross) to the grandest archetypes (darkness, the mother figure), Massey carefully and confidently lays the cultural and psychosocial bricks of evolutionism. Volume II provides detailed discourse on the Egyptian origin of the delicate components of the monotheistic creed. With his agile prose, Massey leads an adventurous examination of the epistemology of astronomy, time, and Christology-and what it all means for human culture. British author GERALD MASSEY (1828-1907) published works of poetry, spiritualism, Shakespearean criticism, and theology, but his best known works are in the realm of Egyptology, including The Book of the Beginnings, The Natural Genesis, and Ancient Egypt: The Light of the World.

What do the artistic works of acclaimed author Tim Winton and eminent Ngarinyin lawman Bungal (David) Mowaljarlai have in common? According to Hannah Rachel Bell they both reflect sacred relationship with the natural world, the biological imperative of a male rite of passage, an emergent urban tribalism, and the fundamental role of story in the transmission of cultural knowledge. In Bell's four decade friendship with Mowaljarlai, she had to confront the cultural assumptions that sculpted her way of seeing. The journey was life-changing. When she returned to teaching in 2001 Tim Winton's novels featured in the curriculum. She recognised an eerie familiarity and thought Winton must have been influenced by traditional elders to express such an 'indigenous' perspective. She wrote to him. This resulted in 4 years of correspondence and an excavation of converging world views - exposed through personal memoir, letters, paintings and conversations and culminating in Storymen.

“Beautiful… A gift to ourselves and to the world.”— Mikki Kendall, New York Times bestselling author of Hood Feminism From gender adviser to the UN Catherine Joy White comes This Thread of Gold, a lyrical celebration of the history of Black women who challenged stereotypes through film, politics, activism, and beyond. This immersive and empowering read blends history, reporting, and personal stories to weave a gorgeous tapestry from the resilience of Black women. As White writes, “Black women are not victims. Black women are alchemists, spinning gold from a life of hardship. . . . This book is dedicated solely to Black women surviving, thriving, and glowing.” White’s book features revolutionary women from across time and space, liberating them from reductive stereotypes like “the strong Black woman,” and allowing space for emotional nuance, individual motivation, and richness of expression. White offers fresh insights into the work of Beyoncé and Nina Simone, Shirley Chisholm and Meghan Markle, as well as the work of those who resisted in secret—in kitchens, in churches, and through trusted networks. By weaving these women together, White reveals new ways to understand Black womanhood and she is sure to inspire new generations of readers.