Experiencing Mahler surveys the symphonies and major song sets of Gustav Mahler, presenting them not just as artworks but as vivid and deeply felt journeys. Mahler took the symphony, perhaps the most tradition-bound genre in Western music, and opened it to the widest span of human experience. He introduced themes of love, nature, the chasmic depth of midnight, making peace with death, facing rebirth, seeking one’s creator, and being at one with God. Arved Ashby offers the non-specialist a general introduction into Mahler’s seemingly unbounded energy to investigate the elements that make each work an experiential adventure—one that has redefined the symphonic genre in new ways. In addition to the standard nine symphonies, Ashby discusses Das Lied von der Erde, the three most commonly heard song sets (the Lieder eines fahrenden Gesellen, Kindertotenlieder, and Rückert-Lieder), and the unfinished Tenth Symphony (in Cooke’s edition). Experiencing Mahler is a far-reaching and often provocative search for meaning in the music of one of the most beloved composers of all time.

Margaret Mahler was from a young age intrigued by the theories of Sigmund Freud and Hungarian psychoanalysts such as Sandor Ferenzci, with whom she became acquainted while a student in Budapest. Forced to flee Europe and rising anti-Semitism, Margaret and her husband, Paul, came to the United States in 1938. It was after this move that Mahler performed her most significant research and developed concepts such as the ground-breaking theory of separation-individuation, an idea which was given credence by Mahler's own relationship with her father. This volume details the life and work of Margaret Mahler focusing on her life's ambition--her psychoanalytical work. Her experiences with the Philadelphia Institute and her definitive research through the Masters Children's Clinic are also discussed.

Covers sixty of the world's most celebrated composers, from Bach, Mozart and Beethoven to Tchaikovsky, Gershwin and Bernstein. It weaves five hundred years of history and music into a rich tapestry of sound and story.

The stimulating program featured clinical, artistic, historical and other interests and concerns of Jungian Psychology today, with wide-ranging presentations and events. From the Contents: Cultural Complexes in the Group and the Individual Psyche by Thomas Singer, Sam Kimbles Descent and Emergence Symbolized in Four Alchemical Paintings by Dyane Sherwood An Archetypal Approach to Drugs and AIDS: A Brazilian Perspective by Dartiu Xavier da Silveira Frida Kahlo by Mathy Hemsari Cassab Images from ARAS: Healing our Sense of Exile from Nature by Ami Ronnberg Trauma and Individuation by Ursula Wirtz Human Being Human: Subjectivity and the Individuation of Culture by Christopher Hauke Studies of Analytical Long-Term Therapy by Wolfram Keller, Rainer Dilg & Seth Isaiah Rubin Analysis in the Shadow of Terror by Henry Abramovitch Ethics in the IAAP – A New Resource by Luigi Zoja, Liliana Wahba & Hester Solomon Hope Abandoned and Recovered in the Psychoanalytic Situation by Donald Kalsched In the Footsteps of Eranos by P. Kugler, H. Kawai, D. Miller, G. Quispel & R. Hinshaw The Self, the Symbolic and Synchronicity by George Hogenson Memory and Emergence by John Dourley Bild, Metapher & Symbol: An der Grenze der kommunizierbaren Erfahrung by M. Krapp Broken Vessels – Living in two Worlds: Some Aspects of Working with Clients with a Physical Disability by Kathrin Asper & Elizabeth Martigny

The stimulating program featured clinical, artistic, historical and other interests and concerns of Jungian Psychology today, with wide-ranging presentations and events. From the Contents: Cultural Complexes in the Group and the Individual Psyche by Thomas Singer, Sam Kimbles Descent and Emergence Symbolized in Four Alchemical Paintings by Dyane Sherwood An Archetypal Approach to Drugs and AIDS: A Brazilian Perspective by Dartiu Xavier da Silveira Frida Kahlo by Mathy Hemsari Cassab Images from ARAS: Healing our Sense of Exile from Nature by Ami Ronnberg Trauma and Individuation by Ursula Wirtz Human Being Human: Subjectivity and the Individuation of Culture by Christopher Hauke Studies of Analytical Long-Term Therapy by Wolfram Keller, Rainer Dilg & Seth Isaiah Rubin Analysis in the Shadow of Terror by Henry Abramovitch Ethics in the IAAP – A New Resource by Luigi Zoja, Liliana Wahba & Hester Solomon Hope Abandoned and Recovered in the Psychoanalytic Situation by Donald Kalsched In the Footsteps of Eranos by P. Kugler, H. Kawai, D. Miller, G. Quispel & R. Hinshaw The Self, the Symbolic and Synchronicity by George Hogenson Memory and Emergence by John Dourley Bild, Metapher & Symbol: An der Grenze der kommunizierbaren Erfahrung by M. Krapp Broken Vessels – Living in two Worlds: Some Aspects of Working with Clients with a Physical Disability by Kathrin Asper & Elizabeth Martigny

'the one-stop guide to Mahler -- a volume of essays covering the widest range of Mahlerian topics, designed both for the academic and serious amateur music-lover... The core of the compendium is its coverage of all the main works, carrying recent research, with plentiful musical examples and other illustrations.' -Andrew Green, Classical Music 08/11/1999'beautifully produced volume... a tribute that surveys the familiar with affectionate new insights... all the articles on Mahler's reception outside Austria, both during his life and after, make for fascinating reading.' -David Nice, BBC Music Magazine October 1999'The Mahler Companion constitutes a distinguished and fitting monument to Mitchell's lifelong devotion to Mahler, and, in mustering so much talent in one volume, there is no doubt that it will deservedly take its place among the most significant publications on the composer.' -Jeremy Barham, Music andamp; LettersA brilliant gathering of international Mahler specialists write about Mahler's music from a variety of standpoints. The global spread of the authors is matched by a series of chapters that document the global spread of the composer's own symphonies and song cycles, while hitherto unexplored areas of research receive attention, both places (such as London and Prague) and people (Mahler's only surviving and highly talented daughter--a sculptor--Anna. In short, a volume that draws on the best resources and most up-to-date information about the composer and will undoubtedly act as the authoritative guide for Mahler enthusiasts for years to come.

In this 1997 biography, Peter Franklin re-confronts the myth of Mahler and attempts to find the person behind the legends.

Without an understanding of the conflicts of Mahler's youth one cannot truly appreciate the impulses behind the major symphonies and song cycles of his later years. Available again for a new generation of Mahlerians, Donald Mitchell's famous study of the composer's early life and music was greeted as a major advance on its first appearance in 1958. Revised and updated in the early 1980s, thispaperback edition includes a new introduction by the author to bring this classic work once again to the forefront of Mahler studies. From his birth in Bohemia, then part of the mighty Austro-Hungarian empire, to a surveyof his early works, many now lost, Gustav Mahler: The Early Years forms an indispensable prelude to the period of the great compositions. The conflicts which came to mark Mahler's music and personality had their beginningsin his childhood and youth. Without understanding the territorial, social and familial conflicts of this time one cannot truly appreciate the impulses behind the major symphonies and song cycles of his later years. DONALD MITCHELL was born in 1925. Two composers have been central to his writings on music, Gustav Mahler and Benjamin Britten. His three studies of Mahler, The Early Years (1958), The Wunderhorn Years (1975), and Songs and Symphonies of Life and Death (1985), are among the enduring monuments of postwar Mahler literature. He was founder Professor of Music at the University of Sussex (1971-76), was visiting Professor atKing's College, London, and is currently a visiting Professor at the Universities of Sussex and York.

In this book Edward Reilly provides the essential documents connected with the friendship between the eminent Viennese music-historian Guido Adler and the composer Gustav Mahler. The nature and extent of that friendship has been the source of a number of questions for some years. Although Adler was the author of one of the important early studies of Mahler, he was reticent about speaking of his personal connection with the composer, and for many years the single available published letter from Mahler to Adler was one that was sharply critical in tone. A few somewhat disparaging references in Alma Mahler's recollections also raised questions about the degree of friendship between the two men.