This book brings together for the first time scholars working on the Bronze Age settlement patterns and material culture of the southern Ierapetra Isthmus, a region that actively participated in the coastal and maritime trade networks of East Crete. During the past few decades, while various archaeological projects focused on the northern isthmus, the Ierapetra area remained largely neglected and unknown, a terra incognita. Yet, new excavations at Gaidourophas, Anatoli Stavromenos, Chryssi Island, Bramiana, and the ongoing research at the site of Myrtos Pyrgos are showing that the coastal area of Ierapetra was a vibrant and thriving settlement landscape during the Bronze Age. Far from being simply on the periphery of the major Minoan centers, the southern Ierapetra Isthmus played important roles in the cultural dynamics of Crete. Aiming to be the first building block in the development of an archaeological understanding of the region of the southern Ierapetra Isthmus, this book presents the status of the discipline and indicates future research trajectories.

Contributions investigate the settlement patterns, maritime connectivity, and material culture of the southeast of Crete in a diachronic fashion, in an attempt to define it as a region and trace its history. Papers focus primarily on the archaeology of the sites along the coastal strip spanning between the Myrtos Valley and Kato Zakros.

The theme of this volume, presented in honour of G.W.M. Harrison, whose academic contributions have enriched our perspective of Roman Crete, is change and transition, a topic that challenges some of the earlier approaches to Hellenistic and Roman Crete, and which presents a different perspective on historical events and archaeological evidence.

Reassesses the animal depictions of Bronze Age Crete in terms of human-animal relations rather than a love of nature.

This volume brings together twenty-six papers to mark Susan Sherratt's 65th birthday - a collection that seeks to reflect both her broad range of interests and her ever-questioning approach to uncovering the realities of life in Europe and the Mediterranean in later prehistory.

Offers an innovative theory for ancient art and its creativity, demonstrated through the rich material and visual culture of the protohistoric Aegean.

This book investigates the relative chronology of early Greek poetry through linguistic and literary analyses of the texts themselves.

A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan Ackerman charts the dynamic history of interactions between showing and knowing in Seeing Things, a richly interdisciplinary study which illuminates changing modes of perception and modern representational media. Seeing Things demonstrates that the airy nothings of A Midsummer Night's Dream, the Ghost in Hamlet, and soulless bodies in Beckett's media experiments, alongside Toy Story's digitally animated toys, all serve to illustrate the modern problem of visualizing, as Hamlet put it, 'that within which passes show.' Ackerman carefully analyses such ghostly appearances and disappearances across cultural forms and contexts from the early modern period to the present, investigating the tension between our distrust of shadows and our abiding desire to believe in invisible realities. Seeing Things provides a fresh and surprising cultural history through theatrical, verbal, pictorial, and cinematic representations.