A multi-faceted commentary that breathes fresh insight into Paul's letter In Second Corinthians, Paul responds to reports of the Corinthian congregation questioning his competency as a divinely sent messenger. Through apologetic demegoria and the use of graphic imagery related to triumphal processions, siege warfare, and emissary travels and negotiation, Paul defends his constancy, persona, and speaking abilities as he extends the offer of clemency and reconciliation to his auditors. Oropeza combines rhetorical pictures (rhetography) with interpretative layers (literary features, intertextuality, socio-cultural, ideological, and sacred textures) to arrive at the rhetorical impact of Paul's message for ancient Mediterranean discourse. Features: A visual, sensory, and imaginative interpretation of the scripture A comprehensive commentary An avant-garde approach to biblical interpretation

2 Corinthians is part of The Christian Standard Commentary (CSC) series. This commentary series focuses on the theological and exegetical concerns of each biblical book, while paying careful attention to balancing rigorous scholarship with practical application. This series helps the reader understand each biblical book's theology, its place in the broader narrative of Scripture, and its importance for the church today. Drawing on the wisdom and skills of dozens of evangelical authors, the CSC is a tool for enhancing and supporting the life of the church.

The Spirit who inspired the authors of the New Testament is at work today around the globe, as evidenced by the explosive growth of pentecostal, charismatic, and renewalist movements. There is a clear need for a balanced, affordable, and accessible commentary series aimed at Christians who identify as Spirit-filled. The Word and Spirit Commentary on the New Testament series emphasizes how we listen alongside ancient audiences for the Spirit's voice in our time and contexts. Written by pastorally sensitive biblical scholars from the Spirit-filled tradition, these commentaries explore how God works in the biblical texts and how Christians can expect God to work today, even if in new or culturally surprising ways. Series editors are Holly Beers, Westmont College, and Craig S. Keener, Asbury Theological Seminary. In this addition to the series, senior scholar Ben Witherington III engages 2 Corinthians in its ancient setting and explores its message for Spirit-filled Christians today. Images, illustrations, and sidebars on pentecostal/charismatic/revival history or insights are included.

This new and refreshing approach to 2 Corinthians shows how exegesis of the New Testament writing can issue in theology that is relevant to today. Beginning with an account of the essential thrust of the text, the authors argue for the unity of the letter, setting it against both its Jewish and Hellenistic backgrounds, and examining questions of meaning and reference in the interpretation of particular passages. They then consider how the text can be illuminated by the modern study of hermeneutics, as well as by new sociological approaches. The whole study reaches its climax with an assessment of Paul's authority then and now, and the importance of what he says about God. To conclude, the authors provide their own vivid and compelling translation of Paul's words, inviting a complete rereading of the letter in the light of all that has gone before.

Euichang Kim focuses upon the phrase “the fear of God”, drawn from 2 Corinthians' exhortation to reconcile with God. As opposed to these words appearing from no particular source, Kim points to the wider contexts of Old Testament passages quoted by Paul, and demonstrates that God's eschatological promises – in particular his coming judgment, his promise to redeem his people, and the prospect of a new covenant – are intertwined with this motif of “fear”. Beginning with an analysis of the meaning of fear in both the Old Testament and the New, Kim proceeds to the context of fear within 2 Corinthians, Scripture, the writings of Second Temple Judaism and the very eschatology of Paul, suggesting that it stems from an awareness of God's judgment to come and serves to motivate righteous behavior. Kim finally argues that, in the context of 2 Corinthians, the “fear of God” functions as the proper response to God's saving acts in Christ, and provides motivation for believers to pursue a holy life in anticipation of the eschatological judgment to come.

Hiramatsu Kei examines the literary structure of 2 Corinthians and how it can illuminate understanding of this Pauline letter and its theological message. He explores the theoretical foundations of Inductive Bible Study as an approach, which focuses on the meaning of biblical texts in their final form by incorporating insights from multifarious methodologies. Based on the final form of the letter and its compositional unity, he prioritizes the literary context as consequential evidence for interpretation. Hiramatsu argues that there are two major components of the literary structure: the division of the letter and the identification of major structural relationships within and between the divided parts. Thus, he proposes that 2 Corinthians consists of seven major segments which coherently develop Paul's discourse pertaining to ministry, and discusses the implications regarding his theology of theocentric ministry and that of weakness that arise from a literary investigation. Hiramatsu demonstrates that an inductive and integrative approach not only presents a more suitable and helpful literary structure for 2 Corinthians, but also illustrates the relevance of such study when seeking to gain understanding of the theological implications of the letter.

What does it mean that the believers are ‘in Christ’ (Rom 8:1; 2 Cor 5:17 etc.)? The phrase has become so common to Christian discourse that it obscures the original meaning. By analysing key passages and stripping back the interpretive layers, this book portrays ‘in Christ’ in the light of Greek language usage. Insights from metaphor theory, onomastics, and ritual theory further the investigation. The book also addresses prepositional phrases like ‘with Christ’ and how ‘in Christ’ developed in the deutero-Pauline letters. This comprehensive perspective illuminates a crucial early-Christian phrase and how believers viewed their relationship to Christ.

Practicing Intertextuality attempts something bold and ambitious: to map both the interactions and intertextual techniques used by New Testament authors as they engaged the Old Testament and the discourses of their fellow Jewish and Greco-Roman contemporaries. This collection of essays functions collectively as a handbook describing the relationship between ancient authors, their texts, and audience capacity to detect allusions and echoes. Aimed for biblical studies majors, graduate and seminary students, and academics, the book catalogues how New Testament authors used the very process of interacting with their Scriptures (that is, the Masoretic Text, the Septuagint, and their variants) and the texts of their immediate environment (including popular literary works, treatises, rhetorical handbooks, papyri, inscriptions, artifacts, and graffiti) for the very production of their message. Each chapter demonstrates a type of interaction (that is, doctrinal reformulations, common ancient ethical and religious usage, refutation, irenic appropriation, and competitive appropriation), describes the intertextual technique(s) employed by the ancient author, and explains how these were practiced in Jewish, Greco-Roman, or early Christian circles. Seventeen scholars, each an expert in their respective fields, have contributed studies which illuminate the biblical interpretation of the Gospels, the Pauline letters, and General Epistles through the process of intertextuality.

A critical study for those interested in the intersection of art and biblical interpretation With a special focus on biblical texts and images, this book nurtures new developments in biblical studies and art history during the last two or three decades. Analysis and interpretation of specific works of art introduce guidelines for students and teachers who are interested in the relation of verbal presentation to visual production. The essays provide models for research in the humanities that move beyond traditional disciplinary boundaries erected in previous centuries. In particular, the volume merges recent developments in rhetorical interpretation and cognitive studies with art historical visual exegesis. Readers will master the tools necessary for integrating multiple approaches both to biblical and artistic interpretation. Features Resources for understanding the relation of texts to artistic paintings and images Tools for integrating multiple approaches both to biblical and artistic interpretation Sixty images and fifteen illustrations

Scripture, Texts, and Tracings in Galatians and 1 Thessalonians advances the interpretation of these letters by exploring how the Apostle Paul quotes, alludes to or "echoes" the Jewish Scriptures and other ancient materials. Comparative wording is at the forefront, whether in relation to Abraham, Sarah, Hagar, or prophecies and promises from Genesis, Habakkuk, Isaiah, Jeremiah, Ezekiel, the Psalms, or other texts such as Philo. Issues and controversies include such topics as faith (ἐκ πίστεως), the Torah, the Holy Spirit, holiness, suffering, eschatology, allegorical interpretation, identity of the Israel of God, Zion and the return from exile, Roman piety, imperialism, and hidden transcripts.