Within a few years of the introduction of photography into the United States in 1839, slaveholders had already begun commissioning photographic portraits of their slaves. Ex-slaves-turned-abolitionists such as Frederick Douglass had come to see how sitting for a portrait could help them project humanity and dignity amidst northern racism. In the first decade of the medium, enslaved people had begun entering southern daguerreotype studios of their own volition, posing for cameras, and leaving with visual treasures they could keep in their pockets. And, as the Civil War raged, Union soldiers would orchestrate pictures with fugitive slaves that envisioned racial hierarchy as slavery fell. In these ways and others, from the earliest days of the medium to the first moments of emancipation, photography powerfully influenced how bondage and freedom were documented, imagined, and contested. By 1865, it would be difficult for many Americans to look back upon slavery and its fall without thinking of a photograph. Exposing Slavery explores how photography altered and was, in turn, shaped by conflicts over human bondage. Drawing on an original source base that includes hundreds of unpublished and little-studied photographs of slaves, ex-slaves, free African Americans, and abolitionists, as well as written archival materials, it puts visual culture at the center of understanding the experience of late slavery. It assesses how photography helped southerners to defend slavery, enslaved people to shape their social ties, abolitionists to strengthen their movement, and soldiers to pictorially enact interracial society during the Civil War. With diverse goals, these peoples transformed photography from a scientific curiosity into a political tool over only a few decades. This creative first book sheds new light on conflicts over late American slavery, while also revealing a key moment in the relationship between modern visual culture and racialized forms of power and resistance.

In 1901, Cadbury learned that its cocoa beans purchased from Portuguese-owned plantations on the island of Sao Tome off West Africa were produced by slave labor.

SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE FOR NON-FICTION 2014 Discover the story of a real-life Captain Ahab of the slave trade, in a landmark book by one of today’s most original and highly acclaimed historians One morning in 1805, off a remote island in the South Pacific, seal hunter and abolitionist Captain Amasa Delano climbed aboard the Tryal, a distressed Spanish slaver. He spent all day on the ship, sharing food and water, yet failed to see that the slaves, having slaughtered most of the crew, were now their own masters. Later, when Delano realized the deception, he chased the ship down, responding with barbaric violence. Drawing on never-before-consulted records on four continents, Greg Grandin follows this group of courageous slaves and their persecutor from the horrors of the Middle Passage to their explosive confrontation. The Empire of Necessity is a gripping account of obsessive mania, imperial exploitation, and lost ideals, capturing the epic clash of peoples, economies, and faiths that was shaping the so-called New World and the Age of Revolution.

Vols. 3-8, 3d ser., include the 16th-21st annual reports of the British and foreign anti-slavery society. The 22d-24th annual reports are appended to v. 9-11, 3d ser. Series 4 contains annual reports of the British and Foreign Anti-Slavery Society. Series 5 contains annual reports of the Anti-Slavery and Aborigines Protection Society.

100$ REWARD ON MY HEAD Powerful & Unflinching Memoirs Of Former Slaves: 28 Narratives in One Volume is a monumental anthology that sets a cornerstone in the exploration of American slavery, freedom, and resilience. This collection spans a wide range of literary stylesfrom raw, unedited testimonies to meticulously crafted memoirsencompassing the profoundly personal experiences of individuals who endured the unimaginable. The anthology stands out for its diversity, presenting a polyphony of voices that together articulate the inhuman complexities of slavery. Each narrative, while deeply rooted in the personal, serves as a testament to the collective struggle for freedom and dignity, making the anthology a significant compilation in both literary and historical contexts. The editors have meticulously curated stories that not only recount horrors but also illuminate the indomitable spirit of resistance and survival, embodying a crucial piece of the mosaic that is American history. The assembled authors and editors are a formidable collective of voices, hailing from vastly differing backgrounds yet united by their shared experiences of enslavement. Their narratives correspond with important historical, cultural, and literary movements, spanning from the late 18th century to the post-Civil War era. This anthology aligns with the broader discourse of abolitionism and the fight for civil rights, presenting a nuanced exploration of these movements through personal recollections. The diversity of the authors ranging from renowned figures like Frederick Douglass and Sojourner Truth to lesser-known yet equally impactful individuals provides a rich, multi-faceted perspective on the realities of slavery. This collective contribution deepens the reader's understanding of slaverys impact on individuals and society, showcasing the powerful human capacity for resilience and the relentless pursuit of freedom. 100$ REWARD ON MY HEAD is an indispensable read for those seeking to comprehend the full scope of slaverys legacy. It offers readers a unique opportunity to engage with a diverse array of memoirs, each contributing a distinct voice to the chorus calling for recognition, remembrance, and reflection. By delving into this collection, readers are invited to not only bear witness to the harsh realities of the past but also to appreciate the nuances of human strength and spirit. This anthology is a vital resource for educators, students, and anyone interested in the enduring quest for justice and equality, providing a profound educational value and fostering a deeper, more nuanced dialogue about Americas fraught history.