For some time now, I have been studying women. How they are good for men and also could be dangerous to men. Men have been made happy by them and with them. I have also seen men fall or feel less about themselves because of women. My study goes back to the beginning of time in the Garden of Eden. The book's focus is on the consequences of associating with an immoral woman. Eventually, moral corruption robs us of the ability to distinguish right from wrong. A man that findeth a wife, findest a good thing. But, sometimes you can find trouble, that’s if she is not the right mate. Among such tragedies is the disaster of sexual sins with immoral women and wayward wives. Such sin begins with flirtatious looks and ends with disastrous punishment. They set traps for men. Solomon tells us in the Song of Songs about the love and beauty of the woman, and the beauty of her body parts.

Can philosophy conceive of a perfect animal? Can it think of the animal as anything other than an imperfect human? The book attempts to rethink the Hegelian dialectic so as to render it capable of assigning a proper place to the animal, and in particular the beautiful animal, and to rework the philosophy of nature so as to encompass the fossil. The fossil itself teaches philosophy and in particular the dialectic how it must modify itself in order to encompass the beautiful animal, in the form of what we term the fossilised dialectic, resistant to the spiritualisation which will always leave the animal behind. If philosophy can admit the animal in this way, we might then ask what philosophy can learn from this animal that will have taken up residence in its home? What does a specifically domestic animal teach us? At the very least, it shows us that the function we give to the furnishings of the house is not the only one and perhaps therefore that there is no single unique function. In this way, animals teach us the most philosophical lesson there is: to see the world as it is in itself.

The 'Harvard Classics - Complete Collection of the Greatest Works of World Literature' stands as a monumental anthology that traverses the broad landscape of human thought and artistic expression. Within its pages, readers encounter an array of literary styles from the seminal works of philosophy, poetry, science, and drama. This carefully curated collection spans the epochs, offering an unparalleled glimpse into the intellectual and cultural currents that have shaped our world. Among its myriad offerings, standout pieces delve into the complexities of human nature, the pursuit of knowledge, and the beauty of the natural world, reflecting the diverse and significant contributions of its authors to the literary canon. The contributing authors and editors represent a veritable who's who of literary and intellectual giants across history. From the poetic grandeur of Goethe and the philosophical depths of Plato, to the scientific curiosity of Charles Darwin and the dramatic intensity of Sophocles, each contributor brings a unique voice and perspective to the collection. Bound by a common pursuit of truth and beauty, these works collectively highlight the cultural, historical, and literary movements of their times, offering readers a comprehensive understanding of the human experience as seen through the eyes of some of its greatest observers. This anthology is not merely a collection of great works; it is an invitation to explore the richness of human culture and thought across ages. For scholars, students, and lovers of literature and philosophy alike, the 'Harvard Classics' presents a unique opportunity to engage with the profound ideas and diverse narratives that have shaped human history. Encompassing the profound, the poetic, and the profound, this collection promises to enrich the mind and stir the soul, encouraging a deeper appreciation of the interconnectedness of human endeavor in the pursuit of knowledge and beauty.

Get smarter on the sun! Whether that be on the beach or in the deck chair on your terrace or backyard. The Harvard Classics in 51 volumes include the essential works of world literature, showing the progress of man from antics to modern age. In addition – there are 20 volumes of the greatest works of fiction. Content: The Harvard Classics: V. 1: Franklin, Woolman & Penn V. 2: Plato, Epictetus & Marcus Aurelius V. 3: Bacon, Milton, Browne V. 4: John Milton V. 5: R. W. Emerson V. 6: Robert Burns V. 7: St Augustine & Thomas á Kempis V. 8: Nine Greek Dramas V. 9: Cicero and Pliny V. 10: The Wealth of Nations V. 11: The Origin of Species V. 12: Plutarchs V. 13: Æneid V. 14: Don Quixote V. 15: Bunyan & Walton V. 16: 1001 Nights V. 17: Folklore & Fable V. 18: Modern English Drama V. 19: Goethe & Marlowe V. 20: The Divine Comedy V. 21: I Promessi Sposi V. 22: The Odyssey V. 23: Two Years Before the Mast V. 24: Edmund Burke V. 25: J. S. Mill & T. Carlyle V. 26: Continental Drama V. 27 & 28: English & American Essays V. 29: The Voyage of the Beagle V. 30: Scientific Papers V. 31: The Autobiography of Benvenuto Cellini V. 32: Literary and Philosophical Essays V. 33: Voyages & Travels V. 34: French & English Philosophers V. 35: Chronicle and Romance V. 36: Machiavelli, Roper, More, Luther V. 37: Locke, Berkeley, Hume V. 38: Harvey, Jenner, Lister, Pasteur V. 39: Prologues V. 40–42: English Poetry V. 43: American Historical Documents V. 44 & 45: Sacred Writings V. 46 & 47: Elizabethan Drama V. 48: Blaise Pascal V. 49: Saga V. 50: Reader's Guide V. 51: Lectures The Shelf of Fiction: V. 1 & 2: The History of Tom Jones V. 3: A Sentimental Journey & Pride and Prejudice V. 4: Guy Mannering V. 5 & 6: Vanity Fair V. 7 & 8: David Copperfield V. 9: The Mill on the Floss V. 10: Irving, Poe, Harte, Twain, Hale V.11: The Portrait of a Lady V. 12: Notre Dame de Paris V. 13: Balzac, Sand, de Musset, Daudet, de Maupassant V. 14 & 15: Goethe, Keller, Storm, Fontane V. 16–19: Tolstoy, Dostoevsky, Turgenev V. 20: Valera, Bjørnson, Kielland