In an age which is supposedly experiencing a sexual revolution, a volume of thoughtful essays on eros is not only not out of place but perhaps is a positive contribution to the understanding of contempor ary man. It was the conviction of the editors that the scientific view of sexuality, as promoted in such valuable studies as those conducted by Masters and Johnson, needed considerable supplement and per spective. The perspective is here furnished by writers from both Europe and America, authors from various fields, such as philosophy, psychology, and even musicology, all of whom are united, in that their approach to the problem of eros is phenomenologically oriented. At first it might well seem strange that musicology would have much to say about eros. It is true, musicology has been the "science" of music, at least in intent. Yet in a larger view of the discipline, philo sophical and aesthetic problems are also important to it, and this particularly if we agree with Enzo Paci, that our very culture depends on eros. Surely musical culture, as pointed out by Kierkegaard, is the embodiment of what western civilization has known as sensuality; and Mozart's Don Giovanni is its incarnation. On the surface it is easier for us to grasp the work of the philosopher in this area; and, of course, one expects the psychologist to deal with sexuality more explicitly than anyone else.

Are you tired of societal expectations and taboos surrounding sexual desire? Do you feel like mainstream media and religion have distorted your understanding of Eros? The Unsung Truth of Eros is a comprehensive exploration into the concept of eros, from its philosophical origins to its contemporary manifestations. This book lifts the veil on society's misconceptions about sexual desire, providing a balanced, logical, and scientific perspective on eros. - Discover the philosophical underpinnings of eros through the works of Plato and Nietzsche. - Explore the portrayal of eros in mythology and religion, from Cupid to Aphrodite. - Understand how human sexuality and attraction have evolved and how this shapes our understanding of sexual selection and mate choice. - Examine societal and cultural interpretations of eros and their impact on current social norms. - Delve into psychological theories related to eros, including its role in human motivation, behavior, and emotional states. - Explore the biological aspects of eros, discussing human anatomy and physiology as it relates to sexual attraction and arousal. - Understand the impact of eros on physical and mental health, including sexual health, the benefits of sex, and the effects of sexual dysfunction. - Explore how eros has been depicted in various forms of art and literature throughout history. - Discuss the impact of technology on eros, from the advent of dating apps to the role of virtual reality in sexual experiences. - Understand the ethical implications surrounding eros, including debates about sexual morality, consent, and power dynamics. - Investigate the intersection of eros and economics, including the impact of sexual desire on consumer behavior and the multi-billion dollar sex industry. If you want to understand the real nature of eros and its impact on society, health, and personal relationships, then buy this book today. The Unsung Truth of Eros offers a compelling exploration into the heart of human desire.

This book offers a groundbreaking revision of the popular image of Aphrodite and Eros that lives on in Roman poetry (Venus and Cupid) and has inspired artists for centuries. An interdisciplinary analysis of the Archaic period - using literary, iconographical, and cultic evidence - shows the distinct concept behind the two deities of love. Aphrodite's character, sphere of influence, and function feature in her traditional myths and are well reflected in cult. Eros, however, was not yet a similarly personified mythical figure at that stage, nor did he have an individual cult. Breitenberger follows the different stages of the development of Eros's personality. Originally a cosmic entity and an unpersonified aspect of Aphrodite, he was given his mythical identity by successive archaic lyric poets who were particularly keen to mythologize a male counterpart to the established love-goddess Aphrodite. This male love-god turns out to be the divinized homoerotic ideal of the male aristocracy 'worshipped' at their symposia. The development of the male love-god is taken as an example to demonstrate that poets' artistic innovation as well as their social and historical background played an important role in creating Greek mythology.

In an age which is supposedly experiencing a sexual revolution, a volume of thoughtful essays on eros is not only not out of place but perhaps is a positive contribution to the understanding of contempor ary man. It was the conviction of the editors that the scientific view of sexuality, as promoted in such valuable studies as those conducted by Masters and Johnson, needed considerable supplement and per spective. The perspective is here furnished by writers from both Europe and America, authors from various fields, such as philosophy, psychology, and even musicology, all of whom are united, in that their approach to the problem of eros is phenomenologically oriented. At first it might well seem strange that musicology would have much to say about eros. It is true, musicology has been the "science" of music, at least in intent. Yet in a larger view of the discipline, philo sophical and aesthetic problems are also important to it, and this particularly if we agree with Enzo Paci, that our very culture depends on eros. Surely musical culture, as pointed out by Kierkegaard, is the embodiment of what western civilization has known as sensuality; and Mozart's Don Giovanni is its incarnation. On the surface it is easier for us to grasp the work of the philosopher in this area; and, of course, one expects the psychologist to deal with sexuality more explicitly than anyone else.

This long-awaited, magisterial study-an unparalleled blend of philosophy, poetry, and philology-draws on theories of sexuality, phenomenology, comparative religion, philological writings on Kabbalah, Russian formalism, Wittgenstein, Rosenzweig, William Blake, and the very physics of the time-space continuum to establish what will surely be a highwater mark in work on Kabbalah. Not only a study of texts, Language, Eros, Being is perhaps the fullest confrontation of the body in Jewish studies, if not in religious studies as a whole. Elliot R. Wolfson explores the complex gender symbolism that permeates Kabbalistic literature. Focusing on the nexus of asceticism and eroticism, he seeks to define the role of symbolic and poetically charged language in the erotically configured visionary imagination of the medieval Kabbalists. He demonstrates that the traditional Kabbalistic view of gender was a monolithic and androcentric one, in which the feminine was conceived as being derived from the masculine. He does not shrink from the negative implications of this doctrine, but seeks to make an honest acknowledgment of it as the first step toward the redemption of an ancient wisdom. Comparisons with other mystical traditions-including those in Christianity, Buddhism, and Islam-are a remarkable feature throughout the book. They will make it important well beyond Jewish studies, indeed, a must for historians of comparative religion, in particular of comparative mysticism. Praise for Elliot R. Wolfson: "Through a Speculum That Shines is an important and provocative contribution to the study of Jewish mysticism by one of the major scholars now working in this field."-Speculum

Hadith is understood here in its broader meaning as the bulk of the texts which contain information on the prophet Muhammad and his Companions, having the form of transmissions from them. The reliability of this material as a source for early Islam is still a highly debated issue. This selection of articles presents the different points of view in this debate and the varying methodological approaches with which scholars trained in modern secular sciences have tried to find a solution to the problem.

Two hundred years after the first asteroid was discovered, asteroids can no longer be considered mere points of light in the sky. Spacecraft missions, advanced Earth-based observation techniques, and state-of-the-art numerical models are continually revealing the detailed shapes, structures, geological properties, and orbital characteristics of these smaller denizens of our solar system. This volume brings together the latest information obtained by spacecraft combined with astronomical observations and theoretical modeling, to present our best current understanding of asteroids and the clues they reveal for the origin an,d evolution of the solar system. This collective knowledge, prepared by a team of more than one hundred international authorities on asteroids, includes new insights into asteroid-meteorite connections, possible relationships with comets, and the hazards posed by asteroids colliding with Earth. The book's contents include reports on surveys based on remote observation and summaries of physical properties; results of in situ exploration; studies of dynamical, collisional, cosmochemical, and weathering evolutionary processes; and discussions of asteroid families and the relationships between asteroids and other solar system bodies. Two previous Space Science Series volumes have established standards for research into asteroids. Asteroids III carries that tradition forward in a book that will stand as the definitive source on its subject for the next decade.

Dedicated to the topic of eroticism and sexuality in the visual production of the medieval and early modern Muslim world, this volume offers new insights and methodological models that extend our understanding of erotic and sexual subjects in the Islamic tradition. The essays shed light on the diverse socio-cultural milieus of erotic images, on the motivations underlying their production, and on the responses generated by their circulation.

Following the widespread popularity of The Perfect Wrong Note, William Westney takes a fresh and creative look at the human dimension of classical music-making and why it matters more than ever. Westney takes us on a remarkable journey, weaving together the philosophical concepts of Eros with the art and practice of classical musicians.

In Eros and Revolution, Javier Sethness Castro presents a comprehensive intellectual and political biography of the world-renowned critical theorist Herbert Marcuse (1898-1979). Investigating the origins and development of Marcuse's dialectical approach vis-à-vis Hegel, Marx, Fourier, Heidegger, and Freud as well as the central figures of the Frankfurt School—Horkheimer, Adorno, Neumann, Fromm, and Benjamin—Sethness Castro chronicles the radical philosopher's lifelong activism in favor of anti-capitalism, anti-fascism, and anti-authoritarianism together with Marcuse's defiant revindication of global libertarian-socialist revolution as the precondition for the realization of reason, freedom, and human happiness. Beyond examining Marcuse's revolutionary life and contributions, moreover, the author contemplates the philosopher's relevance to contemporary struggle, especially with regard to ecology, feminism, anarchism, and the general cause of worldwide social transformation.