Facing Patriarchy challenges current thinking about men’s violence against women. Drawing upon radical and intersectional feminist theory and critical masculinity studies, the book locates men’s violence within the structures and processes of patriarchy. Addressing the limitations of current violence prevention policies, Bob Pease argues that a nuanced conceptualisation of patriarchy, that accounts for a variety of patriarchal structures, intersections with other forms of inequality, patriarchal ideologies, men’s peer group relations, men’s sexist practices and the construction of patriarchal subjectivities, is required to understand the links between gender and men’s violence against women. Pease shows that men’s violence against women needs to be understood in the context of other forms of men’s violence, including violence against boys and other men, in the involvement of men in wars and conflicts between nations and men’s ecologically destructive practices which constitute a form of slow violence. With crucial implications for priorities in violence prevention, gender equality promotion and in strategies for engaging men in this work, Facing Patriarchy offers new hope for the elimination of men’s violence. This is an essential book for scholars, practitioners, activists and policy makers involved in violence prevention in national and international contexts.

In Tackling Rape Culture: Ending Patriarchy, Jan Jordan asks why, despite decades of feminist activism, does rape culture remain so endemic within contemporary society. She argues that, in order to understand the global pandemic of sexual violence, we must view rape culture as a consequence of the social divisiveness that emerges from the logic of patriarchy. In advancing this argument, Jordan offers a comprehensive indictment of the patriarchal system while recognising also women’s efforts to resist its edicts. Jordan critically explores two mechanisms that she argues are central to the maintenance and reproduction of rape culture - silencing and objectification. Both are examined as patriarchal strategies that have been relied on for centuries to control and constrain women’s lives, silencing their voices and keeping them as ‘othered’ outsiders in a male-defined world. Women throughout history have sought ways to resist such control and, since the second-wave women’s movement of the 1970s, this has included multiple initiatives both offline and more recently online. While #MeToo is being hailed by many as evidence that the silencing of women’s voices about rape has finally been broken, Jordan urges a more critical appraisal given the continued dominance of patriarchal thinking. To end rape culture, Jordan argues, we must end patriarchy. This timely and provocative book, which complements Jordan’s Women, Rape and Justice: Unravelling the Rape Conundrum (Routledge, 2022), will be of great interest to researchers, students, practitioners and activists seeking to understand and challenge the pervasive rape culture characterising contemporary patriarchal society.

Motherhood is a powerful virtue. However, in a patriarchal society, it is construed narrowly to uphold the heteronormative family norms which prioritize men over women. This traditional framework overlooks the diverse family forms and alienates female-headed households. Rather, families headed by lone mothers are chastened and labelled as broken, pathological, and degenerative. Despite constitutional guarantees of equality and justice, the state and society alienate them, deny them visibility, and absolve themselves of the responsibilities of protecting their citizenship rights. Nevertheless, for ages, single mothers, despite all hardships, have been defying patriarchal norms and are bringing up their children solely, with little support available from their families, society, or the state. Rather, they are challenging the dominant and hegemonic `male breadwinner and provider’ model. This work examines this active and empowered notion of motherhood, or feminist and emancipatory mothering, while focusing on how lone mothers are redefining and reshaping the socio-cultural norms to pave the social transformation through their maternal activism. With the increase in the number of female-headed households, this work recommends the need for an alternative approach to disrupt the dominant themes of victimhood, poverty, destitution, and neglect by deploying the axis of intersectionality. It suggests that the state needs to evolve a comprehensive empowerment framework to specifically recognize the entitlements of single mothers as citizens and take steps to advance their citizenship rights.

Rural Victims of Crime offers a pioneering sustained assessment of ‘the rural victim’. It does so by examining and analysing the conceptual constructs of a victim and challenging the urban bias of victimisation and victimology in criminological study. Indeed, far too much criminological scholarship is based on the false assumption that rural areas are relatively crime free – and thus free, too, of victims. Providing international perspectives, chapters in this edited collection focus centrally on notions of place and space, and constructions of rural victims in a variety of contexts, exploring the impact that geographic location has on the type and prevalence of victimisation. The concept of victimisation is often considered in terms of interpersonal relationships between humans, neglecting the potent impact of victimisation of non-humans and the natural and built environment. Rural Victims of Crime discusses existing notions of victimology in relation to non-human subjects, broadening conceptualisations of the victim and associated impacts resulting from victimisation. Structured in three parts, Rural Victims of Crime conceptualises the rural victim, enhances understanding of the realities of rural victimisation and considers both formal and informal responses to rural victimisation. Chapters are accompanied by practical, contemporary case studies to connect theory with praxis. This book is an essential and valuable resource for academics, students and practitioners alike in the fields of criminology, criminal justice, rural studies, victimology, geography, sociology and spatiality.

Presents the authors' conclusions, based on a two-year study, of how and why women in Brazil and the US participate in their own oppression in the Catholic Church. Annotation copyrighted by Book News, Inc., Portland, OR

Analyzing what is known about violence against women, this book centers on the contrast between the U.S.’s historic focus on a criminal legal framework and the human rights lens used globally by feminist activists. Distilling the existing evidence base and literature on violence against women in the United States, this book includes an overview of forms of violence, the prevalence of violence, contexts in which violence occurs, and debates about intervention and prevention. It engages with how human rights frameworks define violence against women as a cause and consequence of women’s inequality, and explores how race, ethnicity, class, citizenship status, and sexual orientation shape experiences of victimization, perpetration, and institutional responses. Chapters synthesize prevalence methods and data, key feminist concepts, impacts and aftermath of violence, what is known about perpetrators, the history of anti-violence activism, violence against women on college campuses and in the media, and how the criminal legal systems respond. Contested issues, such as prostitution and pornography, and the extent to which commercial sex can be understood as a form of, and/or context for, violence against women, are also explored. The book closes with a final chapter offering directions for adopting a human rights approach to ending violence against women in the United States. By offering an analysis of how violence against women has come to be named in activist, policy, and academic arenas, Violence Against Women in the US is an essential resource for students, scholars, and practitioners.

The year 2007 could perhaps accurately be described as the year when climate change finally received the attention that this challenge deserves globally. Much of the information and knowledge that was created in this field during the year was the result of the findings of the Fourth - sessment Report (AR4) of the Intergovernmental Panel on Climate Change (IPCC), which were disseminated on a large scale and reported extensively by the media. This was the result not only of a heightened interest on the part of the public on various aspects of climate change, but also because the IPCC itself proactively attempted to spread the findings of its AR4 to the public at large. The interest generated on the scientific realities of climate change was further enhanced by the award of the Nobel Peace Prize to the IPCC and former Vice President of the US, Al Gore. By taking this decision in favour of a leader who has done a great deal to create awareness on c- mate change, and a body that assesses all scientific aspects of climate change and disseminates the result of its findings, the Norwegian Nobel Committee has clearly drawn the link between climate change and peace in the world.

This rich anthology offers twenty studies on instances of emerging social justice and women’s empowerment in the Middle East, North Africa, and South Asia. These areas are home to huge populations where women’s rights have withered under patriarchal rule, and many are beset by civic unrest. The book shows how changes are occurring as flood tides of capital, people, and information erode entrenched gender regimes, giving birth to energetic and forward-thinking women’s movements. Highly original, conceptually sophisticated, and imminently readable, this book illustrates how local women are transforming their collective fates by questioning their status, forming alliances, demanding full participation in economic development and the political process, and mining opportunities afforded by globalization.

In Dismantling the Patriarchy, Bit by Bit, Judith K. Brodsky makes a ground-breaking intellectual leap by connecting feminist art theory with the rise of digital art. Technology has commonly been considered the domain of white men but-unrecognized until this book-female artists, including women artists of color, have been innovators in the digital art arena as early as the late 1960s when computers first became available outside of government and university laboratories. Brodsky, an important figure in the feminist art world, looks at various forms of visual art that are quickly becoming the dominant art of the 21st century, examining the work of artists in such media as video (from pioneers Joan Jonas and Adrian Piper to Hannah Black today), websites and social networking (from Vera Frenkel to Ann Hirsch), virtual and augmented reality art (Jenny Holzer to Hyphen-Lab), and art using artificial intelligence. She also documents the work of female-identifying, queer, transgender, and Black and brown artists including Legacy Russell and Micha Cárdenas, who are not only innovators in digital art but also transforming technology itself under the impact of feminist theory. In this radical study, Brodsky argues that their work frees technology from its patriarchal context, illustrating the crucial need to transform all areas of our culture in order to achieve the goals of #MeToo, Black Lives Matter (BLM), and Black and Minority Ethnic (BAME) representation, to empower female-identifying and Black and brown people, and to document their contributions to human history.