Mark's gospel has attracted an enormous amount of scholarly attention over recent decades. The major themes of the gospel have been studied exhaustively and from a variety of critical perspectives. But at least one important theme in Mark has been comparatively neglected in recent study, the theme of faith. This critically acclaimed book redresses such neglect through a thorough exegetical and literary study of all the references to faith in Mark's composition.

This work examines the parallels between ancient Ugaritic literature and the Old Testament. It demonstrates that human civilizations have certain generic cognitive similarities regarding the structuring of their societies—offering an alternative to the trendy composite or plagiaristic theory pertaining to Near Eastern literature and that of the Old Testament. Further, it may be deduced from these demonstrations that the Hebrew text has the ability, considering the vast number of resources within its own historiography, to be the primary source for determining clarification and accuracy. The second part of this study further critiques ideas regarding ancient literature and theology. It underscores the procedures, methods, and theories used to understand humanity’s past from two philosophical perspectives—historical and theological. Moreover, it offers insights necessary for proper interpretation.

Sharon Betsworth examines the narratives, parables, and teachings of and about children in the gospels and the literature of Early Christianity. Betsworth begins with a discussion of the social-historical context of children and childhood in the first century before discussing the role of children in all four gospels. She shows that for Mark and Matthew, children are integral to understanding each evangelist's perspective on the reign of God and on Jesus' identity in each Gospel. In the Gospel of Luke the childhood of Jesus is shown to be crucial to the broader themes of the Gospel. In the Gospel of John, Betsworth examines the metaphorical use of the word 'children' looking at 'children of light' and of 'darkness'. She then explores stories of Jesus' childhood in the non-canonical Infancy Gospels of James and Thomas, as well as the childhood of his mother, Mary in the latter shedding light upon views of children, discipleship, and the person of Jesus in early christianity and in the ancient world more generally.

Examining how economic change influences religion, and the way literature mediates that influence, this book provides a thorough reassessment of modern American culture. Focusing on the period 1840-1940, the author shows how the development of capitalism reshaped American Protestantism and addresses the necessary role of literature in that process. Arguing that the “spirit of capitalism” was not fostered by traditional Puritanism, Ball explores the ways that Christianity was transformed by the market and industrial revolutions. This book refutes the long-held secularization thesis by showing that modernity was a time when new forms of the sacred proliferated, and that this religious flourishing was essential to the production of American culture. Ball draws from the work of Émile Durkheim and cultural sociology to interpret modern social upheavals like religious awakenings, revivalism, and the labor movement. Examining work from writers like Rebecca Harding Davis, Jack London, and Countee Cullen, he shows how concepts of salvation fundamentally intersect with matters of race, gender, and class, and proposes a theory that explains the enchantment of modern American society.

An important contribution to our understanding of Marcan irony, and combines a literary-critical approach with insights gained from the sociology of knowledge.

A distinguished critic traces the growing, but always threatened, trend toward political and religious tolerance from the mid-seventeenth to the late eighteenth century in Britain. Winner of the CHOICE Outstanding Academic Title of the Choice ACRL Literature, Religion, and the Evolution of Culture, 1660–1780 chronicles changes in contentious politics and religion and their varied representations in British letters from the mid-seventeenth to the late eighteenth century. An uncertain trend toward tolerance and away from painful discord significantly influenced authors who reflected on and enhanced germane aspects of British literary and intellectual life. The movement was stymied during the painful Gordon Riots in June 1780, from which Britain needed to repair itself. Howard D. Weinbrot's broad-ranging interdisciplinary study considers sermons, satire, political and religious polemic, Anglo-French relations, biblical and theological commentary, Methodism, legal history, and the novel. Literature, Religion, and the Evolution of Culture, 1660–1780 analyzes the texts and contexts of several major and minor authors, including Daniel Defoe, Charles Dickens, Olaudah Equiano, Maria De Fleury, Lord George Gordon, Nathaniel Lancaster, Henry Sacheverell, Tobias Smollett, and Edward Synge.

Religious encounters with mystery can be fascinating, but also terrifying. So too when it comes to encounters with the monsters that haunt Jewish and Christian traditions. Religion has a lot to do with horror, and horror has a lot to do with religion. Religion has its monsters, and monsters have their religion. In this unusual and provocative book, Timothy Beal explores how religion, horror, and the monstrous are deeply intertwined. This new edition has been thoughtfully updated, reflecting on developments in the field over the past two decades and highlighting its contributions to emerging conversations. It also features a new chapter, "Gods, Monsters, and Machines," which engages cultural fascinations and anxieties about technologies of artificial intelligence and machine learning as they relate to religion and the monstrous at the dawn of the Anthropocene. Religion and Its Monsters is essential reading for students and scholars of religion and popular culture, as well as for any readers with an interest in horror theory or monster theory.

The voice of Francis J Moloney, SDB, has been heard in New Testament studies for many decades. Internationally famous for his work on the Gospel of John, this volume gathers studies that demonstrate the breadth and richness of his interests, beyond that well-established enterprise. The first part of the boom is dedicated to Gospel studies, with the majority of essays focussing upon the Gospel of Mark. They reflect his long interest and his major commentary on that Gospel (2012). Studies on Matthew, Luke and John complete these reflections.

How can intense religious beliefs coexist with pluralism in America today? Examining the role of the religious imagination in contemporary religious practice and in some of the best-known works of American literature from the past fifty years, Postmodern Belief shows how belief for its own sake--a belief absent of doctrine--has become an answer to pluralism in a secular age. Amy Hungerford reveals how imaginative literature and religious practices together allow novelists, poets, and critics to express the formal elements of language in transcendent terms, conferring upon words a religious value independent of meaning. Hungerford explores the work of major American writers, including Allen Ginsberg, Don DeLillo, Cormac McCarthy, Toni Morrison, and Marilynne Robinson, and links their unique visions to the religious worlds they touch. She illustrates how Ginsberg's chant-infused 1960s poetry echoes the tongue-speaking of Charismatic Christians, how DeLillo reimagines the novel and the Latin Mass, why McCarthy's prose imitates the Bible, and why Morrison's fiction needs the supernatural. Uncovering how literature and religion conceive of a world where religious belief can escape confrontations with other worldviews, Hungerford corrects recent efforts to discard the importance of belief in understanding religious life, and argues that belief in belief itself can transform secular reading and writing into a religious act. Honoring the ways in which people talk about and practice religion, Postmodern Belief highlights the claims of the religious imagination in twentieth-century American culture.

This volume draws on an interdisciplinary team of authors to advance the study of the religious dimensions of communication and the linguistic aspects of religion. Contributions cover: poetry, iconicity, and iconoclasm in religious language; semiotic ideologies in traditional religions and in secularism; and the role of materiality and writing in religious communication. This volume will provoke new approaches to language and religion.