A New York Times bestseller From the author of the international bestseller Girl With A Pearl Earring and At the Edge of the Orchard, Tracy Chevalier once again paints a distant age with a rich and provocative palette of characters. Falling Angels follows the fortunes of two families in the emerging years of the twentieth century in England, while the Queen's death reverberates through a changing nation. Told through a variety of shifting perspectives—wives and husbands, friends and lovers, masters and their servants, and a gravedigger's son—Falling Angels is graced with the luminous imagery that distinguished Girl With a Pearl Earring, Falling Angels is another dazzling tour de force from this "master of voices" (The New York Times Book Review).

After a panicked phone call, Luc Actar returns to Los Angeles and his previous life in order to try and find an old friend before the police do.

BONUS MATERIAL AND RECIPES INCLUDED. Next stop: Hell. Unless . . . He was a driven, heartless businessman, trampling anyone who got in his way, until one night when his grinchy-heart exploded. Now, he's back on earth with a second chance to avoid his fate. His task? To right three of his wrongs. Fail, and he's not going to like how his story ends. All her fault . . . Carrie Alexander lives a quiet life in a tiny town in Minnesota, recovering from a broken heart and her guilt. She'd been fool enough to fall in love with her heartless boss, and she'd not only been kicked to the curb, she'd brought down the whole town with her. She's doing everything she can to make up for the disaster she wrought, and she has no time for the stranger who appears at her door on a wintry Thanksgiving night--no matter how angelically beautiful he is. He's going to need a miracle . . . Healing the town is a relatively simple matter. Fixing lost souls will be a piece of cake. But how the hell can Gabriel heal the woman he's fallen in love with, knowing he's going to abandon her once again? RITA Award Winning Title! About the Author: Anne Stuart recently celebrated her forty years as a published author. She has won every major award in the romance field and appeared on the bestseller list of the NYTimes, Publisher's Weekly, and USA Today, as well as being featured in Vogue, People Magazine, and Entertainment Tonight. Anne lives by a lake in the hills of Northern Vermont with her fabulous husband.

Edgar Award Finalist: The hunt for a vanished singer leads a detective into the depths of the occult in this “terrific” novel (Stephen King). Big-band frontman Johnny Favorite was singing for the troops when a Luftwaffe fighter squadron strafed the bandstand, killing the crowd and leaving the singer near death. The army returned him to a private hospital in upstate New York, leaving him to live out his days as a vegetable while the world forgot him. But Louis Cyphre never forgets. Cyphre had a contract with the singer, stipulating payment upon Johnny’s death—payment that will be denied as long as Johnny clings to life. When Cyphre hires private investigator Harry Angel to find Johnny at the hospital, Angel learns that the singer has disappeared. It is no ordinary missing-person’s case. Everyone he questions dies soon after, as Angel’s investigation ensnares him in a bizarre tangle of black magic, carnival freaks, and grisly voodoo. When the sinister Louis Cyphre begins appearing in Angel’s dreams, the detective fears for his life, his sanity, and his soul. Falling Angel was the basis for the Alan Parker film Angel Heart, starring Mickey Rourke, Robert De Niro, and Lisa Bonet. This ebook features an illustrated biography of William Hjortsberg including rare photos from the author’s personal collection.

Over 50 per cent of Americans and over one third of British people believe that we all have a guardian angel that protects us throughout our lives. More people believe in these divine bodyguards than in global warming. It is truly astonishing how many spiritually aware people have seen or sensed an angel’s presence at a time of contemplation or hardship. Angels have been protecting us for centuries. This book explores the cultural origins of the heavenly messengers that guide and heal every one of us and reveals compelling real-life encounters with angels. The result is a fascinating insight into the world of angels and their everyday presence among us. Contents: Angels through the ages, angels in Christianity, Judaism, Islam and Kabbalism. Angel links with black magic, occultism and ancient astrology. Paganism. Angel healers: what your angel can do for you. Angel encounters: real-life stories from people around the world.

Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.

Contemporary arts, both practice and methods, offer medieval scholars innovative ways to examine, explore, and reframe the past. Medievalists offer contemporary studies insights into cultural works of the past that have been made or reworked in the present. Creative-critical writing invites the adaptation of scholarly style using forms such as the dialogue, short essay, and the poem; these are, the authors argue, appropriate ways to explore innovative pathways from the contemporary to the medieval, and vice versa. Speculative and non-traditional, The Contemporary Medieval in Practice adapts the conventional scholarly essay to reflect its cross-disciplinary, creative subject. This book ‘does’ Medieval Studies differently by bringing it into relation with the field of contemporary arts and by making ‘practice’, in the sense used by contemporary arts and by creative-critical writing, central to it. Intersecting with a number of urgent critical discourses and cultural practices, such as the study of the environment and the ethics of understanding bodies, identities, and histories, this short, accessible book offers medievalists a distinctive voice in multi-disciplinary, trans-chronological, collaborative conversations about the Humanities. Its subject is early medieval British culture, often termed Anglo-Saxon Studies (c. 500–1100), and its relation with, use of, and re-working in contemporary visual, poetic, and material culture (after 1950). ‘The Contemporary Medieval in Practice is both wise and unafraid to take risks. Fully embedded in scholarship yet reaching into unmapped territory, the authors move across disciplines and forge surprising links. Thought-provoking and evocative, this is a book that will have an impact that far belies its modest length.’ – Linda Anderson, Newcastle University

God is without beginning and is without end but when the bible says he is the beginning and the end, bible is referring to the beginning of his project and the end of his project. Particularly the beginning and the end of the living creatures, angels, and the human beings. We all begin with him, but we will end up either in heaven or hell, good or bad respectively. Bible says all things were created by God good and evil (Isaiah 45:7). This book reveals the relationship between the creator and the creatures from beginning to the end and the reason why God created evil and good.

The symbolism of Revelation has puzzled readers for centuries. Every generation falls prey to extreme views of interpretation. Even worse, they minimize the importance of John's Apocalypse by not teaching or preaching from it. Yet Revelation is a profound work of New Testament theology and warrants a close study. John expects and prepares believers to follow the Lamb through suffering and possible martyrdom. The problem is centered on what the symbols mean. Are they literal? Are they symbolic? Do the images refer to events and people in the first century, or to the last days of planet earth? Moreover, how is the book structured? Is it one vision, four visions, or more? Are the visions linear or recapped? Lions, Locusts, and the Lamb: Interpreting Key Images in the Book of Revelation demonstrates a way to unlock John's structure and unravel his symbols. The key is to follow a logical step-by-step interpretive approach that accents the historical, cultural, intertextual, extratextual, and particularly intratextual allusions and connections. The result is a book that delivers the basic meaning of three hundred images and categorizes them into an accessible guide for teachers, preachers, and readers of Revelation.