What can contemporary media fandoms, like Anne Rice, Star Wars, Batman, or Sherlock Holmes, tell us about ancient Christianity? Tom de Bruin demonstrates how fandom and fan fiction are both analogous and incongruous with Christian derivative works. The often-disparaging terms applied to Christian apocrypha and pseudepigrapha, such as fakes, forgeries or corruptions, are not sufficient to capture the production, consumption, and value of these writings. De Bruin reimagines a range of early Christian works as fan practices. Exploring these ancient texts in new ways, he takes the reader on a journey from the 'fix-it fic' endings of the Gospel of Mark to the subversive fan fictions of the Testaments of the Twelve Patriarchs, and from the densely populated storyworld of early Christian art to the gatekeeping of Christian orthodoxy. Using theory developed in fan studies, De Bruin revisits fundamental questions about ancient derivative texts: Why where they written? How do they interact with more established texts? In what ways does the consumption of derivative works influence the reception of existing traditions? And how does the community react to these works? This book sheds exciting and new light on ancient Christian literary production, consumption and transmission.

This book presents an ethnographic and discourse analytic study of a highly popular online fan fiction writing space. Its analyses highlight the range of sophisticated literacy practices that English language learning youth engage in through their fan-related activities. Discussion also centers on how opportunities for language socialization, literacy, and identity development converge and diverge between academic settings and informal learning contexts such as fan fiction sites.

"What can contemporary media fandoms, like Anne Rice, Star Wars, Batman, or Sherlock Holmes, tell us about ancient Christianity? Proposing an ingenious analysis, Tom de Bruin argues that disparaging terms applied to ancient Christian derivative texts, such as fakes, forgeries or corruptions, are not sufficient to capture the production, consumption, and value of these writings. He instead suggests seeing them as analogous to contemporary fan fiction, and explores the analogies between current fan fiction and Christian pseudepigrapha, apocrypha and other secondary texts-and their limits"--

Essays on British writers of fantasy and science fiction during a time when science, technology and industrialization made increasingly impressive inroads from the Enlightenment to World War I.A gradual emphasis on social improvement, including literature, involved efforts to increase literacy through expanding material to read. During this period, publication of newspapers, penny dreadfuls and dime novels lead to pulp magazines and other popular periodicals.