Born in Baltimore in 1838, Fanny Dunbar grew up in Louisiana to a family who survived the hardships of the Civil War. An intelligent, sensitive woman, Fanny experienced a radical life change when she met William Henry Corbusier, a Yankee officer and army surgeon. Her memoir recounts their subsequent forty-eight year marriage. The events of Fanny’s life are sometimes amusing but more often dramatic. The Corbusiers moved frequently, but Fanny made moving an art form, often selling all the family possessions to avoid high shipping rates. She learned to cope with primitive living conditions and harsh climates. She raised five sons at posts with no schools. But Fanny took her job as a mother seriously, providing her sons with a broad education and a nurturing home. Corbusier’s long life and her husband’s thirty-nine-year career in the army (recounted in his memoir Soldier, Surgeon, Scholar) allow the reader to experience the period between the Civil War and World War I in totality, including her exceptional memories of the Spanish-American War and the Philippine Insurrection. As the recollections of two people whose lives played out against a world panorama, Fanny and William’s memoirs together provide a rare opportunity to examine events of frontier military life from both male and female perspectives. "Mrs. Corbusier writes from the unique perspective of a surgeon’s wife, and we have a picture not only of an army wife, but of an army wife who saw many different aspects of frontier military life and frontier life in general."—Charles M. Robinson, author of General Crook and the Western Frontier and A Good Year to Die: The Story of the Great Sioux War "Of the memoirs penned by wives of nineteenth-century army officers, this is among the best and most detailed. The woman’s perspective of events that transpired in the Indian-fighting army is a much needed counterbalance to the male-dominated histories of these same events."—Darlis Miller, author of Mary Hallock Foote: Author-Illustrator of the American West Fanny Dunbar Corbusier was the career army wife of officer-surgeon William Henry Corbusier. Patricia Y. Stallard, retired federal civil servant and education specialist with the United States Navy Recruiting Command, is the author of Glittering Misery: Dependents of the Indian Fighting Army, published by the University of Oklahoma Press.

This unprecedented compilation of eyewitness accounts records the thoughts and emotions of American soldiers spanning nearly 250 years of national history, from the American Revolution to the Afghanistan War. Understanding primary sources is essential to understanding warfare. This outstanding collection provides a diverse set of eyewitness accounts of Americans in combat throughout U.S. history. Offering riveting true stories, it includes accounts from participants in the American Revolution, the War of 1812, the Indian Wars, the Mexican-American War, the Civil War, the Spanish American War and Philippine Insurrection, World War I, World War II, the Korean War, the Vietnam War, The Persian Gulf War, the Afghanistan War, and the Iraq War. Most eyewitness accounts of war currently available to the public are those of writers who enjoy higher military rank. Americans at War addresses this imbalance between officers' accounts and enlisted men's accounts by invoking oral history archives. Contextual essays and timelines allow the reader to place the accounts in time and place, while the entries themselves allow the reader to experience the thoughts and emotions of Americans who engaged in combat.

Major General Emory Upton (1839–1881) served in all three branches of the U.S. military during the American Civil War. Lauded as a war hero, he later earned acclaim for his influence on military reforms, which lasted well beyond his lifetime. An account of Upton’s life is not complete, however, without a look into his brief, yet passionate, marriage to Emily Norwood Martin (1846–1870). This edition of Emory and Emily’s letters unveils the private life of a brilliant Civil War personality. It also introduces readers to the devout young woman who earned the general’s fanatic devotion before her untimely death from tuberculosis. Until now, only a few of the couple’s intimate letters have been published. During the years he spent editing and publishing Emory Upton’s correspondence, Salvatore G. Cilella Jr. deliberately set aside the general’s voluminous letters to his wife. Unfortunately, as Cilella explains in his editorial notes, Emily’s letters to Emory did not survive, but he was able to draw on the rich trove of letters Emily wrote to her mother and father while on her honeymoon and during her stays in Key West, Nassau, and Atlanta. Together, both sets of letters form a poignant narrative of the general’s tender love for his new wife and her reciprocal affection as they attempted to create a normal life together despite her declining health. The life of an army wife could be grueling, and despite her declining health, Emily longed to perform the role expected of her. It was not meant to be. Unwittingly, she and Emory chose the worst places for her to recover—Key West and Nassau—where the high humidity and heat must have exacerbated her difficulty breathing. She died in Nassau, far away from her husband. Eleven years later, racked by a sinus tumor and likely still grieving from his lost love, Upton committed suicide at the age of forty-one. Till Death Do Us Part offers a powerful—and poignant—tale of two star-crossed lovers against the backdrop of post–Civil War America. In addition, the volume gives readers a fascinating glimpse into gender roles and marital relations in the nineteenth century.

While often less celebrated than their male counterparts, women have been vital contributors to the arts for centuries. Works by women of the frontier represent treasured accomplishments of American culture and still impress us today, centuries after their creation. The breadth of creative expression by women of this time period is as impressive as the women themselves. In Frontier Women and Their Art: A Chronological Encyclopedia, Mary Ellen Snodgrass explores the rich history of women’s creative expression from the beginning of the Federalist era to the end of the 19th century. Focusing particularly on Western artistic style, the importance of cultural exchange, and the preservation of history, this book captures a wide variety of artistic accomplishment, such as: Folk music, frontier theatrics, and dancing Quilting, stitchery, and beadwork Sculpture and adobe construction Writing, translations, and storytelling Individual talents highlighted in this volume include basketry by Nellie Charlie, acting by Blanche Bates, costuming by Annie Oakley, diary entries from Emily French, translations by Sacajawea, flag designs by Nancy Kelsey, photography by Jennie Ross Cobb, and singing by Lotta Crabtree. Each entry includes a comprehensive bibliography of primary and secondary sources, as well as further readings on the female artists and their respective crafts. This text also defines and provides examples of technical terms such as applique, libretto, grapevine, farce, coil pots, and quilling. With its informative entries and extensive examinations of artistic talent, Frontier Women and Their Art is a valuable resource for students, scholars, and anyone interested in learning about some of the most influential and talented women in the arts.

"An ethnographer and ethnologist, Corbusier published studies of the languages and cultures of the Yavapai, the Sioux, and the Shoshoni. His memoir records his observations on American Indian dances and ceremonies and his medical treatment of prominent figures, such as Sarah Winnemucca, Red Cloud, and American Horse."--BOOK JACKET.

This book explores the ways in which mid-19th Century American army officers' wives used material culture to confirm their status as middle-class women.

Die etwa 150.000 Frauen, die im Zweiten Weltkrieg im Women's Army Corps Dienst taten, waren die ersten regularen Soldatinnen der US-Armee. Um mannliche Soldaten fur den Kampf freizusetzen, arbeiteten sie auch in traditionellen Mannerbereichen, etwa als Mechanikerinnen oder Pilotinnen in den USA, Afrika, Europa und Sudostasien. Die Autorin geht den Erfahrungen dieser Frauen nach, den militarischen und zivilen Diskursen uber Soldatinnen im Militar und dem Umgang der Armee mit soldatischer Weiblichkeit und weiblicher Sexualitat. Anhand von Regierungsdokumenten, Kriegsgerichtsprozessen, aber auch Selbstzeugnissen, Gedichten und Songs zeigt M. Michaela Hampf, wie umkampft die Konstruktion der Soldatin im Amerika der vierziger Jahre war und bis heute ist.

Best known today as the author of The Plains of North American and Their Inhabitants (1877), Dodge recorded his observations and thoughts in volumes of journals, letters, and reports, as well as three popular published books. In this first biography of the soldier-author, Wayne R. Kime describes Dodge's early years, experiences as a writer, and forty-three-year career as an infantry officer in the U.s. Army, and sets his life in a rich historical context.

In Westerns, women transmit complicated cultural coding about the nature of westward expansionism, heroism, family life, manliness and American femininity. As the genre changes and matures, depictions of women have transitioned from traditional to more modern roles. Frontier Feminine charts these significant shifts in the Western's transmission of gender values and expectations and aims to expand the critical arena in which Western film is situated by acknowledging the importance of women in this genre.

Prior to the 1960s, the term “Buffalo Soldier” was a fairly obscure one. Then, a trickle of titles became a torrent of books, articles, novels, monuments, and expanding numbers of historic sites along with museums all of which have changed the picture. Even an occasional nod from television and movies helped transform these once relatively little-known Black U.S. Army troops into familiar figures, who have taken their place in a mythic past. Indeed, powerful imagemakers from William F. “Buffalo Bill” Cody and his Congress of Rough Riders to Frederic Remington, the dean of frontier artists, helped lionize the Black troops whose exploits brought them to the American West, Cuba, the Philippines, Mexico, Alaska, and Hawaii in the years between 1866 and 1916. Despite a significant shift in emphasis, numerous efforts treating this element of the vital, complex story of the post-Civil War U.S. Army frequently repeated earlier studies rather than added fresh perspectives. Also, the narrative typically ended with the so-called Indian Wars or Spanish American War. Many authors likewise dwelt on military operations rather than numerous other relevant contributions and activities of these men who played a role in the nation’s complex evolution during the half century after the American Civil War. Profusely illustrated with compelling images and detailed maps, along with an array of appendices, this latest addition to the Buffalo Soldier saga represents over five decades of research by military historian John P. Langellier. Further, More Work an Glory: Buffalo Soldiers in the United States Army, 1866–1916 combines the best features of prior scholarship while enhancing the scope with new or underused primary sources. The author views the subject through the broader perspectives of race. He sets the text against the backdrop of the transition of the U.S. Army from a frontier constabulary to an international power. In the process, he highlights the staggering assortment of non-military missions including assignments to national parks and forests; road building; exploration; pioneer military bicycling; duty along the explosive border between the United States and Mexico; employment as agents of law and order, along with a litany of other contributions that enhanced an impressive combat record against formidable Native Americans and others. Langellier frames the narrative within the context of continuity and change from Reconstruction in the 1860s through the early twentieth century. Above all, he focuses on the soldiers themselves to provide a human perspective as well as challenges prevalent misconceptions that often overshadow more fascinating facts.