In Lebanon, the study of modern art—rather than power or hierarchy—has compelled citizens to confront how they define themselves as a postcolonial nation. In Fantasmic Objects, Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship. Examining the efforts of painters, sculptors, and activists in Lebanon who fiercely upheld aesthetic development and battled for new forms of political being, Fantasmic Objects offers an insightful approach to the history and formation of modern Lebanon.

The Perverse Organisation and its Deadly Sins begins by examining the nature of perversity and its presence in corporate and organisational life. Then, four chapters examine the "corporate sins" of perverse pride, greed, envy and sloth, each taking case studies from major organisations suffering their effects. Finally, the book enquires into the nature of the consumer/provider pair as a centrepiece of the perverse cultural dynamics of current organisational life. The emphasis in the book is on perversity displayed by the organisation as such, rather than simply by its leaders, or other members, even though they may embody and manifest perverse primary symptoms to the extent that they at times engage in corrupt or criminal behaviour. What is explored is a group and organisation dynamic, more deeply embedded than conscious corruption. Within the perverse structure some roles become required to take up corrupt positions. They become part and parcel of the way things work. The person may condemn certain practices, but the role requires them. Tensions between person and role may mean that the person in role acts as they would not while in other roles. Such tensions may lead to the dynamics of perversity. This book is important reading for managers, consultants, and all who are interested in the dynamics propelling what seem to be the out-of-control dynamics within contemporary organisational life. It helps us understand how many people in positions of trust may end up abusing those positions. It looks at how we may be collectively perverse despite our individual attempts to be otherwise.

Why are evangelicals perceived as arrogant, exclusivist, duplicitous, and dispasionate by the wider culture? Diagnosing its political-cultural presence via the ideological theory of Slavoj éZiézek, Fitch argues that evangelicalism appears to have lost the core of its politic : Jesus Christ. In so doing its politic has become "empty." Its witness has been rendered moot. The way back to a vibrant political presence is through the corporate participation in the triune God's ongoing work in the world as founded in the Incarnation.

This book uses clinical psychoanalytic theory to illustrate how early British Gothic fiction reveals undercurrents of psychopathological behavior. It demonstrates that psychological insights gained from Gothic romance anticipate the later scientific findings of psychoanalysis. Chapters consider the division of the Gothic novel's critical reception between allegory and romance; how the structure of early British Gothic romance parallels Freud's notion of the uncanny; the genre's perverse origins in Walpole's The Castle of Otranto; sexual differentiation and the parallel between development of Gothic romance an development of the psyche; Ann Radcliffe and the terror of hysteria; Matthew Lewis and obsessional neurosis; and the confusion between self and other in Hogg's The Private Memoirs and Confessions of a Justified Sinner.

The well-known challenges of international migration have triggered new departures in academic approaches, with 'diaspora studies' evolving as an interdisciplinary and even transdisciplinary field of study. Its emerging methodology shares concerns with another interdisciplinary field, the study of the relations between law and literature, which focuses on the ways in which the two cultural practices of law and literature mutually negotiate each other and on the question after the ontological commensurability of the domains. This volume offers, for the first time, an attempt to provide an interface between these overlapping interdisciplinary endeavours of literary studies, legal studies, and diaspora studies. In doing so, it explores new approaches and invites new perspectives on diasporas, migration and the disciplines that study them, hopefull also adding to the cultural resources of coping with a swiftly changing social landscape in a globalizing world.

Written by Illustrator artist Sharon Steuer with many new and improved features, the Illustrator 9 Wow! Book has grown over 100 pages, and covers step-by-step material for beginners through advanced users. In addition, readers get the goodies that come with full-color Wow! books, making this book educational and inspiring.

The history of psychoanalysis in 50 countries shows the relationship between psychoanalysis and other disciplines, with entries discussing writers, philosophers, literary movements and historical events.

Aimed at those who want a better understanding of Illustrator's intermediate and advanced features, this book covers the product upgrades and leads readers through the process of creating intricate illustrations. The CD contains images and clip art; demo versions of Illustrator, Photoshop(, and Extensis filters; and all the files needed to complete the exercises.

This book is a landmark in contemporary cultural psychology. Ernest Boesch's synthesis of ideas is the first comprehensive theory of culture in psychology since Wilhelm Wundt's Völkerpsychologie of the first decades of the twentieth century. Cultural psychology of today is an attempt to advance the program of research that was charted out by Wundt-yet at times we are carefully avoiding direct recognition of such continuity. While Wundt's experimental psychology has been hailed as the root for contemporary scientific psychology, the other side of his contribution- ethnographic analysis of folk traditions and higher psychological functions- has been largely discredited as something disconnected from the scientific realm. As an example of "soft" science-lacking the "hardness" of experimentation-it has been considered to be an esoteric hobby of the founding father of contemporary psychology. Of course that focus is profoundly wrong-the opposition "soft" versus "hard" just does not fit as a metalevel organizer of any science. Yet the rhetoric discounting the descriptive side of Wundt's psychology is merely an act of social guidance of what psychologists do-not a way of creating knowledge.