Collects Fantastic Four (1998) #605-611 and #605.1 and FF (2011) #17-23. Jonathan Hickman's groundbreaking run comes to an explosive end! First, explore the future and the past: Witness the Fantastic Four of the year 3030 and learn the secret history of Marvel's First Family! Then, follow the team on a journey through an alien landscape as a life hangs in the balance! And when the fallout from the Kree-Inhuman war threatens galactic peace, how will it affect Ronan and Crystal? Meanwhile, the Panther God decides the fate of T'Challa. Who will be the Black Panther? And the kids of the Future Foundation explore the farthest reaches of the Marvel Universe, from Wakanda to the Negative Zone! But when the Wizard returns to claim his "son" Bentley-23, the Fantastic Four and the Future Foundation must join forces to save him!

Now joined by artist Steve Epting (Captain America), Jonathan Hichman's tenure on FANTASTIC FOUR hits critical mass with"THREE!" The War of Four Cities has begun, and when it's run its course, one member of the Fantastic Four will have breathed their last! Change is in the air as the World's Greatest Comic Magazine lives up to its motto!

Jonathan Hickman's groundbreaking run comes to an explosive end! First, explore the future and the past: Witness the Fantastic Four of the year 3030 and learn the secret history of Marvel's First Family! Then, follow the team on a journey through an alien landscape as a life hangs in the balance! And when the fallout from the Kree-Inhuman war threatens galactic peace, how will it affect Ronan and Crystal? Meanwhile, the Panther God decides the fate of T'Challa. Who will be the Black Panther? And the kids of the Future Foundation explore the farthest reaches of the Marvel Universe, from Wakanda to the Negative Zone! But when the Wizard returns to claim his "son" Bentley-23, the Fantastic Four and the Future Foundation must join forces to save him! Collecting FANTASTIC FOUR (1998) #605-611 and #605.1 and FF (2011) #17-23.

This book shows how the unique characteristics of traditionally differentiated media continue to determine narrative despite the recent digital convergence of media technologies. The author argues that media are now each largely defined by distinctive industrial practices that continue to preserve their identities and condition narrative production. Furthermore, the book demonstrates how a given medium’s variability in institutional and technological contexts influences diverse approaches to storytelling. By connecting US film, television, comic book and video game industries to their popular fictional characters and universes; including Star Wars, Batman, Game of Thrones and Grand Theft Auto; the book identifies how differences in industrial practice between media inform narrative production. This book is a must read for students and scholars interested in transmedia storytelling.

Collects FF (2011) #17-23. The Future Foundation explores the furthest reaches of the Marvel Universe from Wakanda to the Negative Zone, encountering the Wizard and the Universal Inhumans along the way! Plus: What horror lurks inside Spider-Man and Human Torch's bathroom?

"Contains material originally published in magazine form as FF (2011) #6-16, Fantastic Four (1998) #600-604"--Copyright page