Dare to enter the House of Night with the next four titles of the series (following UNTAMED), collected in a beautifully designed boxed set With more than 12 million books in print, rights sold in almost 40 countries, and over two years on the New York Times bestseller list (reaching as high as #1), the House of Night series by PC and Kristin Cast is an international publishing sensation. The series follows 16-year-old Zoey Redbird as she is “Marked” by a vampyre tracker and begins to undergo the “Change” into an actual vampyre. She has to leave her family and move into the House of Night in Tulsa, OK, a boarding school for other fledgling vampyres like her. It’s tough to begin a new life, away from her parents and friends, and on top of that, Zoey finds she is no average fledgling. She has been Marked as special by the vampyre Goddess, Nyx. Although Zoey has awesome new powers, it’s hard to fit in when everyone knows you’re “special.” As Zoey tries to make new friends and maybe find a hot boyfriend (or two), she comes up against all kinds of evil, from the perfect-looking, super-popular girl with not-so-faultless plans, to the mysterious deaths happening at the House of Night and all over Tulsa. Things at the House of Night are not always what they seem. Can Zoey find the courage deep within herself to find the truth and embrace her destiny?

"William Faulkner (1897-1962) produced such enduring novels as The Sound and the Fury, Light in August, and As I Lay Dying, as well as many short stories. His works continue to be a source of interest to scholars and students of literature, and the immense amount of criticism about the Nobel-prize winner continues to grow. Bassett provides an annotated listing of commentary in English on William Faulkner since the late 1980s. This volume dedicates its sections to book-length studies of Faulkner, commentaries on individual novels and short works, criticism covering multiple works, biographical and bibliographical sources, and other materials such as book reviews, doctoral dissertations, and brief commentaries. This bibliography provides a list of all significant recent commentary on Faulkner, and the annotations direct readers to those materials of most interest to them." -- From back of book.

Despite all the studies devoted to William Faulkner, he continues to be variously perceived. Focussing on his fiction, this study of Faulkner's multifaceted literary life explores the distinctive blend of continuity and innvoation that characterizes his novels and looks at the extensive and varied reactions they have elicited.

Faulkner scholarship is one of the largest critical enterprises currently at work. Because of its size and scope, accessing that scholarship has become difficult for scholars, students, and general readers alike. This reference includes chapters on individual approaches to Faulkner studies, including archetypal, historical, biographical, feminist, and psychological criticism, among others. Each chapter is written by an expert contributor and surveys the contributions of that approach to Faulkner scholarship. The volume concludes with a selected, general bibliography and glossary of critical terms. William Faulkner is one of the most widely read and studied American writers. His works have also generated a vast body of scholarship and elicited criticism from a wide range of approaches. Because of its size, scope, and diversity, accessing that scholarship has become difficult for scholars, students, and general readers alike. This reference comprehensively overviews the present state of Faulkner studies. The volume includes chapters written by expert contributors. Each chapter defines a particular critical approach and surveys the contributions of that approach to Faulkner studies. Some of the approaches covered are archetypal, biographical, feminist, historical, and psychological, among others. The book closes with a selected, general bibliography and glossary of critical terms.

Although he belonged to an American generation of writers deeply influenced by the high modernist revolt "against nature" and against the self-imposed limits of realism to a palpable world, William Faulkner reveals throughout his work an abiding sensitivity to the natural world. He writes of the big woods, of animals, and of the human body as a ground of being that art and culture can neither transcend nor completely control. The eleven essays that make up this volume, including a paper written by the acclaimed novelist William Kennedy, explore the place of "the unbuilt world" in Faulkner's fiction. They give particular attention to the social, mythic, and economic significance of nature, to the complexity of racial identity, and to the inevitable clash of gender and sexuality. These essays were presented in 1996 as papers at the Faulkner and Yoknapatawpha Conference, held annually at the University of Mississippi. Included are the following: Lawrence Buell's "Faulkner and the Claims of the Natural World"; Thomas L. McHaney's "Oversexing the Natural World"; Theresa M. Towner's "Color, Race, and Identity in Faulkner's Fiction"; Jay Watson's "The Art of the Literal in "Light in August""; Mary Joanne Dondlinger's "The Matter of Race and Gender in Faulkner's "Light in August""; Louise Westling's "Sutpen's Marriage to the Dark Body of the Land"; Myra Jehlen's "Faulkner and the Unnatural"; Diane Roberts's "Eula, Linda, and the Death of Nature"; David H. Evans's "'The Bear' and the Incarnation of America"; Wiley C. Prewitt, Jr.'s "Hunting and Habitat in Yoknapatawpha"; and William Kennedy's "Learning from Faulkner: The Obituary of Fear." Donald M. Kartiganer, Howry Chair of Faulkner Studies in the Department of English, and Ann J. Abadie, Associate Director of the Center for the Study of Southern Culture, teach at the University of Mississippi.

An examination of how Faulkner's work has been analyzed, elucidated, and promoted by a massive body of scholarly work spanning over seven decades.

“Remarkably,” writes Ted Atkinson, “during a period roughly corresponding to the Great Depression, Faulkner wrote the novels and stories most often read, taught, and examined by scholars.” This is the first comprehensive study to consider his most acclaimed works in the context of those hard times. Atkinson sees Faulkner’s Depression-era novels and stories as an ideological battleground--in much the same way that 1930s America was. With their contrapuntal narratives that present alternative accounts of the same events, these works order multiple perspectives under the design of narrative unity. Thus, Faulkner’s ongoing engagement with cultural politics gives aesthetic expression to a fundamental ideological challenge of Depression-era America: how to shape what FDR called a “new order of things” out of such conflicting voices as the radical left, the Popular Front, and the Southern Agrarians. Focusing on aesthetic decadence in Mosquitoes and dispossession in The Sound and the Fury, Atkinson shows how Faulkner anticipated and mediated emergent sociocultural forces of the late 1920s and early 1930s. In Sanctuary; Light in August; Absalom, Absalom!; and “Dry September,” Faulkner explores social upheaval (in the form of lynching and mob violence), fascism, and the appeal of strong leadership during troubled times. As I Lay Dying, The Hamlet, “Barn Burning,” and “The Tall Men” reveal his “ambivalent agrarianism”--his sympathy for, yet anxiety about, the legions of poor and landless farmers and sharecroppers. In The Unvanquished, Faulkner views Depression concerns through the historical lens of the Civil War, highlighting the forces of destruction and reconstruction common to both events. Faulkner is no proletarian writer, says Atkinson. However, the dearth of overt references to the Depression in his work is not a sign that Faulkner was out of touch with the times or consumed with aesthetics to the point of ignoring social reality. Through his comprehensive social vision and his connections to the rural South, Hollywood, and New York, Faulkner offers readers remarkable new insight into Depression concerns.

William Faulkner continues to be an author who is widely read, studied, and admired. This book provides a new and interdisciplinary account of Faulkner's legacy, arguing that his fiction is just as relevant today as it was during his own time. Indeed, Faulkner's far-reaching critique of his Southern heritage speaks directly to the anti-racism discourse of our own time and engages the dire threat to subjecthood in a technologically saturated civilization. Combining literary critique with network and complexity science, this study offers a new reading of William Faulkner as a novelist for the information age. Over the course of his career, we find an artist struggling to articulate the threat to human wellbeing in rapidly scaling social systems and gradually developing a hard-won humanism that affirms the individual and interpersonal life as a source of novelty and social change.