Torianey Heckstalls personal philosophy says it all. Feeling in the dark is a metaphor for how she feels when she makes the most of the decisions in her life. Life is a random cascade of experiences and opportunitiesor so she thought. On a whim, she decides to upgrade a ?ight shes taking to ?rst class, never daring to imagine that this one seemingly random decision would change her life in ways she could only once dream of. Sitting next to her is the man who will change her life. Que`Shaune Guadau II is the owner of a billion-dollar oil corporation founded by his father. But even he knows that money cant buy him everything he cravesand hes too distracted to realize that the beautiful stranger next to him in ?rst class could change his life too. Shaune and Tory made a deal with each other that will change both their lives forever. Tory was never a woman to go back on her own rules; even so, Shaunes relentlessness would soon make her question her unshakeable moral core. And he will do whatever it takes to convince her that he is the man for her. Neither is able to abandon the sexy, ?irty, cat-and-mouse games, and this creates a problem for Shaunes best friend, Marcus Swain. Jealous and vindictive, Marcus controls a game of his own, in which the two become unwitting players. Soon, he engineers a tumultuous rift between them. Now its a race to see which game is the more powerfulseduction or sabotage.

Written by world-renowned author and teacher Giovanni Maciocia, Diagnosis in Chinese Medicine, 2nd Edition is a comprehensive, highly illustrated, and easy-to-understand resource. With a focus on clear interpretations of "real world" signs and symptoms, this new edition addresses the practice beyond the theory and leads you through both basic and sophisticated levels of diagnostic interpretation. Since Chinese medicine diagnosis relies on a subtle appraisal of a patient's disharmony, many factors beyond traditional Western symptoms are considered, including a patient's voice, the absence of thirst, feeling hot or cold, the patient's smell, tone of voice, and glitter of eyes. This practical resource helps students and practitioners alike carefully interpret a wide range of diagnostic nuances. - One-of-a-kind text gives you a clinical understanding of Traditional Chinese Medicine. - Rich, unique content offers an unparalleled depth of information that is meticulously cross-referenced. - Includes all the signs and symptoms that a modern patient may present in the clinic, no matter how subtle. - Outlines the decision-making options in key situations to help you through the most challenging topics. - Case histories with diagnoses present common conditions that professionals will often find in practice. - Logically organized to help you quickly find the information you need in clinical situations. - Written by a leader in the field of Chinese medicine provides you with an expert's clinical experience and understanding. - NEW! Clinical and Treatments notes provide practical information on acupuncture – including herbal treatment, when appropriate – for most symptoms and signs, giving the book a clinical application in therapy. - NEW! UPDATED full-color design and color photographs depict external clinical signs for more accurate clinical recognition. - NEW! Learning outcomes summarize the basics that you should know after completing a chapter. - NEW! Thoroughly updated content from an expert author clarifies the best practices for diagnosis in Traditional Chinese Medicine.

Emotion in Aesthetics is the first book on aesthetics to provide an extensive theory of emotion; application of the cognitive-emotive theory to aesthetics; analysis of the relationship between aesthetics, metaphor and emotion; a full theory of meaning and its application to aesthetics; discussion of the relationship between aesthetics, music and language in terms of phonetics, phonology and intonation; an analysis of humanistic aesthetics; a well-developed naturalistic theory of ethics as applied to aesthetics and emotion. Stress is placed on the views of contemporary philosophers as well as some of the main historical accounts of emotion in aesthetics. The important recent work on emotion has not hitherto been applied to aesthetics. As a result there is still much confusion in aesthetics about aesthetic emotion and related concepts, such as the expression theory of emotion. The present book has been written to show how the theory can be used to clarify the issue, resulting in a major breakthrough in aesthetics. In addition, the theory presented is valuable in relating aesthetics to ethics and humanism.

The influence of Roland Barthes on Burgin's work is well documented. Equally, Burgin's prominence as an artist and theorist concerned with text and image offers a productive dialogue with Barthes' work. Victor Burgin has long been considered both theorist and practitioner, while Barthes is more known as a theorist and writer. In bringing to the fore Barthes's practice of painting and drawing, Barthes/Burgin prompts a new critical consideration of Barthes/Burgin, theory/practice, writing/making and criticality/visuality. Barthes/Burgin features two new interviews with Burgin, one concerned with his turn to new digital practices and the other a reflection on his reading of Roland Barthes. Also included are images and texts from the artists and an essay critically examining Barthes' exercises in drawing and painting.

A college student writes: “These words I write/ open their mouths wide/ screaming the most intimate secrets.” An inmate in a maximum-security men’s prison writes: “Within my writing, I am able to break down my prison walls and escape, leave the gangster façade behind.” The Forms of Things Unknown: Teaching Poetry Writing to Teens and Adults draws from Shelley Savren’s forty years of teaching poetry writing to a diverse array of students, from teens with mental health issues to seniors to adults with developmental disabilities, and in a wide variety of settings, which include middle schools, high schools, colleges, juvenile halls, women’s centers, and a men’s prison. Each chapter includes an original poem from Savren, heartfelt stories, and lesson plans that introduce poetic concepts through model poems by professionals, open-ended writing assignments, methods for sharing and critiquing, and student poems. Designed for use in a classroom or community setting, this book features forty-one lesson plans and nineteen more poetry-writing workshop ideas and provides guidance and inspiration for teaching poetry writing to teens and adults.

Once upon a time, I saw three ghost figures in the tall ceiling on a cold dark night in October. They were talking to each other and appeared to be very happy to see each other... I was glad to see ghosts of the dead, as they are still there in secondary form. Ghosts in the top of the ceiling during the Aurora Borealis are ghosts not yet born. Are these Borealis people?

Jim is a part time archeologist and finds emblems on an old mausoleum in an old part of a cemetery, sees some kind of inscriptions cannot make out the what it is, so he removes one. Jim inadvertly breaks a seal containing an untold evil, and starts to see horrific figures following him, eager to find out what the inscription means Jim does research, and when he does find out its too late.The inscriptions translate "He who breaks the seal is doomed." Jim tries to put back the emblem but to no avail, he is doomed and is taken by the evil tnto the mausoleum never to return. At the same time a young man Jason walking the cemetery reading tombstones sees the door of the mausoleum open, and looks in and sees something not meant to be seen by man, now his life is in danger. Until the ones that put the evil in the mausoleum finds out, now its a battle to save him and other mortals from this evil.