The studies in this collection, reflecting recent developments in feminist exegesis in Europe and the United States, comprise three 'revisits': the first, to Exodus and Moses, includes Susanne Scholz on a literary feminist reading of Exodus, Harold Washington on Exodus and Zora Neale Hurston's 'Moses, Man of the Mountain', Ilona Rashkow on 'Oedipus Wreckes: Moses and God's Rod', and 'Divine Puppeteer: Yahweh of Exodus' by Cheryl Kirk-Duggan. The second revisit, to Miriam, comprises 'Miriam' by Phyllis Silverman Kramer, 'Miriam Re-Imagined, and Imaginary Women of Exodus in Musical Settings' by Helen Leneman, Alice Bach, 'Dreaming of Miriam's Well' and Irmtraud Fischer on 'The Authority of Miriam'. The third revisit is to Daughters, where Tal Ilan writes on the daughters of Zelophehad and Leila Bronner on' Serah and the Exodus'.

This volume is part of a series which provides a fundamental resource for feminist biblical scholarship, containing a comprehensive selection of essays, both reprinted and specially written for the series, by leading feminist scholars. The essays in this volume deal with social status and female sexuality, the textual figure of 'the daughter' and the character of Miriam. 'An enterprising series of collections of important and pioneering studies.... Those teaching feminist courses will find the books invaluable as a resource for students' (C.S. Rodd, Expository Times). >

In the critically acclaimed best-seller,Women's Bible Commentary, an outstanding group of women scholars introduced and summarized each book of the Bible and commented on those sections of each book that have particular relevence to women, focusing on female charecters, symbols, life situations such as marriage and family, the legal status of women, and religious principles that affect relationships of women and men. Now, this expanded edition provides similar insights on the Apocrypha, presenting a significant view of the lives and religious experiences of women as well as attitudes toward women in the Second Temple period. This expanded edition sets a new standard for women's and biblical studies.

'... introduces the reader to an extraordinarily rich variety of critical experiences, which far transcends the limitations of conventional biblical scholarship' (Prooftexts). This provocative collection of essays begins where Exum's earlier literary-feminist study, Fragmented Women, left off: with the questioning of the androcentric bias of the biblical text and with the aim of subverting its patriarchal perspective. It moves on to stake out new territory for feminist biblical criticism by considering what happens to biblical women in popular culture, in art, and in film and by foregrounding questions about the ways gender interests affect interpretation and about the roles and responsibilities of commentators and readers. Six essays approach gender bias in representation and in interpretation from various angles: 'Bathsheba Plotted, Shot and Painted'; 'Michal at the Window, Michal in the Movies'; 'The Hand that Rocks the Cradle'; 'Prophetic Pornography'; 'Is This Naomi?'; and 'Why, Why, Why, Delilah?''

Davies outlines the composition and date of Numbers, and the various attempts that have been made to establish a coherent and meaningful structure in its arrangement. Davies also shows how the application of reader-response criticism, feminist criticism and postcolonial criticism have contributed to our understanding of selected passages in the book. Addressing theological issues, Davies considers three themes that occupy much of the content of Numbers, namely; land, purity and holiness, and rebellion. The concluding chapter considers the contentious issue of the historicity of the book of Numbers in the light of recent discussions concerning the historical value of the Old Testament. Davies shows how some of the issues Numbers raises – war, disease, survival, hunger, race relations – are among the perennial problems faced by nations across the centuries and across cultures. While individual passages within Numbers may reflect a questionable sense of morality, Davies demonstrates that the book, when viewed in its totality, encompasses a number of important theological themes which recur throughout the Old Testament: the interplay of forgiveness and judgment, and of sin and punishment, and the need to trust in the power of God rather than human might.

A woman's life in the ancient world was constrained by her social and economic status. As a daughter she was firmly under the aegis of her father and brothers, who would later allocate the woman to another man as his wife. The power of fathers and husbands extended to using their wives and daughters as sexual gifts to gain favour. Yet, alongside this, woman had certain socio-economic rights notably concerning inheritance and property - which they could use to protect themselves. 'Sexual Hospitality in the Hebrew Bible' examines sacred sexuality and ritual fecundity from patronymic marriage - where the husband claims exclusive rights over his wife's sexuality and attributes her offspring to his line and kin - to metronymic conjugal systems which allow a woman to remain in her home where the male consort joins her and her kin. Ranging across abstention, promiscuity, and holy offering, the sexual lives of women in biblical times reveal not only restriction but also female agency and resistance.

Is it possible to hear women prophets' utterances embedded within lyrics of prophetic books? If so, women prophets should be represented as implied composers along with men. A few scholars have raised this question, yet a clear method for discerningwomen's voices - apart from feminine grammatical forms, genres used, and women's perspectives - has not been offered. This study offers a reliable method, based on the sound patterns of lyrical Hebrew. It discerns a consistent, clear signature of women's composing more broadly, and a different signature of men's composing, across all lyrical genres and historical periods. This methodological key, when turned, unlocks and throws open a window on a significant women's Hebraic composing tradition,resounding in texts where women's voices are attributed, and where they are unattributed. There are also surprising ramifications here for the biblical narratives composed by women and rooted in oral tradition. Integrating indigenous cultural, postcolonial, feminist, and oral poetic approaches, this inquiry moves past closed doors of previous suppositions, including that ancient Israel was simply patriarchal. It also brings a new appreciation of the practice of female and male prophets lyricising in partnership, in an indigenous culture in which women, individually or as a group, were not always given credit for their contributions.

Family provides community, identity, and shared values. In the book of Exodus, God frees Israel from slavery to Egypt. But they are not left as orphans. Rather, the redeemed are made into a new family-- God's family. In Freed to be God's Family, Mark R. Glanville argues that the central motif of Exodus is community. God wants a healthy, dynamic relationship with the redeemed. As family members, Israel is called to learn God's ways and reflect God's character to the world. Freed to be God's Family is a concise and accessible guide to the message and themes of Exodus. Each chapter keeps the big picture central and provides probing questions for reflection and discussion.

The poignant narrative of Exodus, which involves leaving one’s homeland, traveling, settling, unsettling, wrestling with identity, seeking a home, and pursuing aspirations, resonates with the present circumstances of the Chinese diaspora. This commentary delves into the concept of exodus, tracing its roots from the biblical exodus to its modern manifestation in the Chinese diaspora – “the new exodus.” This approach forefronts the nuances of otherness, minority status, liminality, and hybridity in a dominant culture while simultaneously accentuating the transnational, global, and multifaceted roots of such an existence. This diasporic reading of Exodus seeks to facilitate transformation in the ongoing quest for identity, meaning, and purpose, all within the framework of God’s redemptive history and diasporans’ journey of becoming. The Asia Bible Commentary Series empowers Christian believers in Asia to read the Bible from within their respective contexts. Holistic in its approach to the text, each exposition of the biblical books combines exegesis and application. The ultimate goal is to strengthen the body of Christ in Asia by providing a pastoral and contextual exposition of every book of the Bible.

The highly popular Sheffield Old Testament Guides are being reissued in a new format, grouped together and prefaced by one of the best known of contemporary biblical scholars. This new format is designed to ensure that these authoritative introductions remain up to date and accessible to seminary and university students of the Old Testament while offering a broader theological and literary context for their study. John Goldingay introduces Genesis and Exodus as a whole, illuminating their distinctive literary and theological features and their importance for modern theological reflection.